Emily Noyes Vanderpoel (June 21, 1842 – February 20, 1939) was an American artist, writer, and philanthropist.
Emily Noyes Vanderpoel | |
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Born | Emily Caroline Noyes (1842-06-21)June 21, 1842 New York City |
Died | February 20, 1939(1939-02-20) (aged 96) |
Nationality | American |
Known for | Painting, writer, historian |
Spouse(s) | John Aaron Vanderpoel
(m. 1865) |
Emily Caroline Noyes was born on June 21, 1842 in New York City to William Curtis Noyes and Julia Tallmadge Noyes.[1] She was the great-granddaughter of Col. Benjamin Tallmadge.[2] She was educated in private schools in New York, and later studied art under Robert Swain Gifford and William Sartain.[1]
On May 22, 1865, she married John Aaron Vanderpoel, with whom she had one son, John Arent Vanderpoel. They lived in New York City and Litchfield, Connecticut. After a year her husband died before she gave birth. She remained unmarried.[3]
Emily Noyes Vanderpoel was known for her work as a painter, working in watercolors and oils.[4] She was a member of the New York Watercolor Club (of which she also served a term as Vice-President) and the Woman's Art Club of New York.[5] She exhibited her work at the Woman's Building at the 1893 World's Columbian Exposition in Chicago, Illinois.[6] There she was awarded a bronze medal.[5]
Beyond her artistic career, Noyes Vanderpoel was also a philanthropist and an active participant in the Litchfield community. She was the Honorary President of the Needle and Bobbin Club of Litchfield, and the Vice-President and Curator of the Litchfield Historical Society, during which time she published a two-volume history of the Litchfield Female Academy. She was also a member of the Daughters of the American Revolution.[7]
She was the author of the Color Problems, which was published in 1902. The book had 400 pages and 116 colour illustrations. Vanderpoel would create a ten by ten grid and then record the colours used in a cup and saucer, an Egyptian mummy. Vanderpoel recommended F.W,Moody's idea that nature's palettes were nearly always a good match. She suggested that a marquetry cabinet that was designed with the same colours as a dead sparrow would be "balanced".[3] It has been suggested that her theories anticipate later theories but Vanderpoel was not attributed. Her book was brought back into print in 2018.[3]
She died on February 20, 1939, and is buried in East Cemetery in Litchfield.[7]
Vanderpoel donated her art pottery collection to the Litchfield Historical Society and her Japanese art collection to the Norwich Museum.[6]
Media related to Emily Noyes Vanderpoel at Wikimedia Commons
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