art.wikisort.org - Artist

Mikalojus Konstantinas Čiurlionis (Polish: Mikołaj Konstanty Czurlanis[1] 22 September [O.S. 10 September] 1875 – 10 April [O.S. 28 March] 1911) was a Lithuanian painter, composer and writer.[2]

Mikalojus Konstantinas Čiurlionis Mikołaj Konstanty Czurlanis
Born	(1875-09-22)22 September 1875 Senoji Varėna, Vilna Governorate, Russian Empire
Died	10 April 1911(1911-04-10) (aged 35) Marki, Congress Poland, Russian Empire
Nationality	Lithuanian
Education	Warsaw Conservatory Leipzig Conservatory Warsaw School of Fine Arts
Known for	Painting, music composition
Notable work	Spring Sonata In the Forest
Movement	Symbolism Art nouveau
Spouse	Sofija Kymantaitė-Čiurlionienė

Čiurlionis contributed to symbolism and art nouveau, and was representative of the fin de siècle epoch. He has been considered one of the pioneers of abstract art in Europe.[3] During his short life, he composed about 400 pieces of music and created about 300 paintings, as well as many literary works and poems. The majority of his paintings are housed in the M. K. Čiurlionis National Art Museum in Kaunas, Lithuania. His works have had a profound influence on modern Lithuanian culture.

Biography

Mikalojus Konstantinas Čiurlionis was born in Senoji Varėna, a town in southeastern Lithuania that at the time was in the Russian Empire. He was the oldest of nine children of his father, Konstantinas, and his mother, Adelė née Radmanaitė (Radmann), who was descended from a Lutheran family of Bavarian origin. Like many educated Lithuanians of the time, Čiurlionis's family spoke Polish, and he began learning Lithuanian only after meeting his fiancée in 1907.[4] In 1878, his family moved to Druskininkai, 30 mi. (50 km) away, where his father went on to be the town organist.

Čiurlionis was a musical prodigy: he could play by ear at age three and could sight-read music freely by age seven. Three years out of primary school, he went to study at the musical school of Polish Prince Michał Ogiński in Plungė, where he learned to play several instruments, in particular the flute, from 1889 to 1893. Supported by Prince Ogiński's 'scholarship' Čiurlionis studied piano and composition at Warsaw Conservatory from 1894 to 1899.[5] For his graduation, in 1899, he wrote a cantata for mixed chorus and symphonic orchestra titled De Profundis, with the guidance of the composer Zygmunt Noskowski. Later he attended composition lectures at the Leipzig Conservatory from 1901 to 1902.

He returned to Warsaw in 1902 and studied drawing at the Warsaw School of Fine Arts from 1904 to 1906,[5] and became a friend with Polish composer and painter Eugeniusz Morawski-Dąbrowa. His main teacher in Warsaw was symbolist painter Kazimierz Stabrowski, who was also the founder of the first lodges of the Theosophical Society in Poland and passed to Čiurlionis an interest in Theosophy and other esoteric subjects.[6] After the 1905 Russian Revolution, which resulted in the loosening of cultural restrictions on the Empire's minorities, he began to identify himself as a Lithuanian.[4]

He was one of the initiators of, and a participant in, the First Exhibition of Lithuanian Art in 1907 at Vileišis Palace, Vilnius. Soon after this event, the Lithuanian Art Society was founded, and Čiurlionis was one of its 19 founding members.

In 1907, he became acquainted with Sofija Kymantaitė (1886–1958), an art critic. Through this association, Čiurlionis learned to speak better Lithuanian. Early in 1909, he married Kymantaitė. At the end of that year, he traveled to St. Petersburg, where he exhibited some of his paintings. On Christmas Eve, Čiurlionis fell into a profound depression and at the beginning of 1910 was hospitalized in a psychiatric hospital "Czerwony Dwór" (Red Manor) in Marki, Poland, northeast of Warsaw. While a patient there, he died of pneumonia in 1911 at 35 years of age. He was buried at the Rasos Cemetery in Vilnius. He never saw his daughter Danutė (1910–1995).

Čiurlionis felt that he was a synesthete;^{[citation needed]} that is, he perceived colours and music simultaneously. Many of his paintings bear the names of musical pieces: sonatas, fugues, and preludes.

Posthumous recognition

After Čiurlionis's death in 1911, the Russian critic Valerian Adolfovich Chudovsky [ru] (transliterated as Tschoudowsky in English) wrote:

Now that he is dead, the authors of the spiritual revival of Lithuania present Ciurlionis (sic) as a national artist. It is not for us to judge; however his extraordinary independence of all contemporary art leads one to believe that he was really created by the hidden forces of his people; and it is well for us to be able to believe that this singular genius does not merely represent a chance caprice of fate, but is the precursor of a future sublime Lithuanian art. When I think of him, an idea imposes itself on my mind: the Lithuanian people had no Middle Ages, perhaps it has preserved intact until the 20th century, even better than we Russians, the immense energy of mystic life inherited from the Arians which our Western brothers have so prodigally squandered in their Middle Ages.[7]

In 1911, the first posthumous exhibition of Čiurlionis's art was held in Vilnius and Kaunas. During the same year, an exhibition of his art was held in Moscow, and in 1912 his works were exhibited in St. Petersburg. In 1944, the main art museum in Kaunas was renamed M. K. Čiurlionis National Art Museum and still hosts the majority of Čiurlionis paintings.[8] In 1957, the Lithuanian community in Chicago opened the Čiurlionis Art Gallery, hosting collections of his works. In 1963, the Čiurlionis Memorial Museum was opened in Druskininkai, in the house where Čiurlionis and his family lived. This museum holds biographical documents as well as photographs and reproductions of the artist's works. The National M. K. Čiurlionis School of Art in Vilnius was named after him in 1965.[9]

Čiurlionis inspired the Lithuanian composer Osvaldas Balakauskas' work Sonata of the Mountains (1975), and every four years junior musical performers from Lithuania and neighboring countries take part in the Čiurlionis Competition.

Čiurlionis's works have been displayed at international exhibitions in Japan, Germany, Spain, and elsewhere. His paintings were featured at "Visual Music" fest, an homage to synesthesia that included the works of Wassily Kandinsky, James McNeill Whistler, and Paul Klee, at the Museum of Contemporary Art, Los Angeles in 2005.[10]

In 2009, Genovaitė Kazokas (Genovaitė Kazokienė  [lt]) published Musical Paintings, a book where she argued that Theosophy, esotericism and Spiritualism were important influences on Čiurlionis’ art.[11]

A commemorative plaque has been placed on the building of the former hospital in Marki, Poland where Mikalojus Konstantinas Čiurlionis died in 1911.

Čiurlionis's life was depicted in the 2012 film Letters to Sofija, directed by Robert Mullan.

Musical works

The precise number of Čiurlionis musical compositions is not known – a substantial part of his manuscripts did not survive, including those that perished in the fire during the war. The ones available for us today include sketches, rough drafts, and fragments of his musical ideas. The nature of the archive determined the fact that Čiurlionis' works were finally published only a hundred years after the composer's death. Today, the archive amounts to almost 400 compositions, the major part of which are works for piano, but also significant opuses for symphony orchestra (symphonic poems In the Forest and The Sea, overture, cantata for choir and orchestra), string quartet, works for various choirs (original compositions and Lithuanian folk song arrangements), as well as works for organ.

Some of his most-performed musical works include:

Orchestral

• Miške (In the Forest), symphonic poem for orchestra (1901; published posthumously)
• Kęstutis, Symphonic Overture (1902; piano score survives, orchestrated by Robertas Šervenikas)
• Jūra (The Sea), symphonic poem for orchestra (1907; published posthumously)
• Pasaulio sutvėrimas (The Creation of the World), Symphonic Poem (c. 1907; reconstructed by Arvydas Malcys)
• Dies Irae, Symphonic Poem (c. 1910, reconstructed by Giedrius Kuprevičius)

Choral

• Folk songs for choir
• De Profundis, for choir and orchestra

Chamber Music

• String Quartet in C minor

Piano

• Nocturne in C-sharp minor
• Prelude in B-flat minor
• Prelude in F-sharp major
• Nocturne in F minor
• Impromptu in F-sharp minor
• Prelude in A major
• Prelude in D flat major
• Fugue in B minor
• Karalaitės kelionė: Pasaka (The Princess's Journey: A Fairy Tale)

Organ

• Seven fugues for organ (Fugue in G minor)

Paintings

Some of the most popular[11] Mikalojus Konstantinas Čiurlionis paintings include:

Gallery

• 
  Cloud Boat (1906)
• 
  Andante - IV (1908)
• 
  Cliff at the Seaside (1905)
• 
  Bridges (1904)
• 
  Angel (1908)
• 
  Pyramids (1908)
• 
  Creation of the World - II (1905–06)
• 
  Creation of the World - III (1905–06)
• 
  Creation of the World - V (1905)
• 
  Creation of the World - VI (1905–06)
• 
  Creation of the World - VII (1905–06)
• 
  Creation of the World - XII (1906-1907)
• 
  Sonata - II (1907)
• 
  Sonata of the Sea. Finale (1908)
• 
  Finale - III (1908)
• 
  Fairy Tale - I (1907)
• 
  Fairy Tale - III (1907)
• 
  Forest (1907)
• 
  The Past (1907)
• 
  The Zodiac cycle - Aries (1907)
• 
  Morning Fantasy (1904)
• 
  The Gift of Friendship (1906)
• 
  Paradise (1909)
• 
  Evening (1907)
• 
  Rural Cemetery (1909)

Family

Mikalojus had two brothers: Stasys Čiurlionis [lt] (1887-1944), Jonas Čiurlionis [lt] (1891-1955) and a sister Jadvyga Čiurlionytė [lt] (1898-1992).

See also

• List of things named after Mikalojus Konstantinas Čiurlionis
• Rokas Zubovas

References

Further reading

External links

• Mikalojus Konstantinas Čiurlionis: Life, Paintings, Music
• Biography at the Lithuanian Music Information and Publishing Centre
• Free scores by Mikalojus Konstantinas Čiurlionis at the International Music Score Library Project (IMSLP)
• The complete Piano Music of Mikalojus Konstantinas Čiurlionis: Nikolaus Lahusen/Rokas Zubovas
• Mikalojus Konstantinas Čiurlionis at AllMusic
• Mikalojus Konstantinas Čiurlionis at Find a Grave

На других языках

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[de] Mikalojus Konstantinas Čiurlionis

Mikalojus Konstantinas Čiurlionis (* 10.jul. / 22. September 1875greg. in Varėna; † 28. Märzjul. / 10. April 1911greg. in Pustelnik (Marki) bei Warschau) war ein litauischer Komponist und Maler.

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- [en] Mikalojus Konstantinas Čiurlionis

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[es] Mikalojus Konstantinas Čiurlionis

Mikalojus Konstantinas Čiurlionis, también conocido como M. K. Čiurlionis (Senoji Varéna, Gobernación de Vilnius, Lituania el 22 de septiembre de 1875 – Marki, Polonia el 10 de abril de 1911). Fue un pintor y compositor lituano. Čiurlionis contribuyó al simbolismo y al art nouveau y fue representativo de la época del fin de siècle. Durante su corta vida compuso alrededor de 250 piezas musicales y pintó alrededor de 300 cuadros. La mayoría de sus pinturas se encuentran en el Museo Nacional de Arte M. K. Čiurlionis en Kaunas, Lituania. Sus obras han influido profundamente en la cultura lituana moderna.

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[fr] Mikalojus Konstantinas Čiurlionis

Mikalojus Konstantinas Čiurlionis, né le 22 septembre 1875 à Senoji Varėna (district de Varėna, sud de la Lituanie, alors dans l'Empire russe) et mort le 10 avril 1911 à Pustelnik (arrondissement de Marki près de Varsovie, en Pologne), est un compositeur et peintre lituanien.

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[it] Mikalojus Konstantinas Čiurlionis

Mikalojus Konstantinas Čiurlionis (Varėna, 22 settembre 1875 – Marki, 10 aprile 1911) è stato un compositore e pittore lituano, esponente del simbolismo ed il primo artista a creare opere astratte[1].

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[ru] Чюрлёнис, Микалоюс Константинас

Микало́юс Константи́нас Чюрлёнис (до 1955 г. использовалась русская форма имени Николай Константинович Чурлянис; лит. Mikalojus Konstantinas Čiurlionis; польск. Mikołaj Konstanty Czurlanis; 10 (22) сентября 1875 — 28 марта (10 апреля) 1911) — литовский художник и композитор; родоначальник профессиональной литовской музыки, далеко раздвинувший своим творчеством границы национальной и мировой культуры.

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