art.wikisort.org - Artist

Adam August Müller (16 August 1811 – 15 March 1844), a Danish history painter, was one of Eckersberg's favourite students. Generally unhealthy and dead at 32, his work is recognized as an important component in Danish art. His favourite subjects were historical and religious themes.[1]

This article may be expanded with text translated from the corresponding article in Danish. (June 2018) Click [show] for important translation instructions. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 426 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Danish Wikipedia article at [[:da:Adam Müller]]; see its history for attribution. You should also add the template {{Translated|da|Adam Müller}} to the talk page. For more guidance, see Wikipedia:Translation.

Biography

A son of Bishop Peter Erasmus Müller (1776-1834), he was born in Copenhagen. In 1825, he became a student of Christoffer Wilhelm Eckersberg (1783– 1853) at the Royal Danish Academy of Fine Arts, joining the Model School in 1828. The following year, he exhibited Aladdin, staaende bag Pillen, ser Gulnare ("Aladdin, standing behind a pillar, sees Gulnare") and the following year exhibited a number of portraits, two of which were purchased for the Royal Collection.[2] [3]

He was awarded a silver medal in 1833 and the gold medal in 1836.[4]

In 1838, he competed with Heinrich Eddelien for a scholarship to Italy. Eddelein prevailed but, thanks to the intercession of Bertel Thorvaldsen, Müller received some travel money as well. In 1839, he went to Italy after a short stay in Munich. His studies of Florentine painting encouraged him to adopt a new approach to religious painting, emulating the old Italian style. This earned him the Thorvaldsen Medal for "Christ Blesses the Four Evangelists", painted in 1843 after he had returned to Denmark.[5]

He had only just recovered from a serious illness when he went to Italy and was frequently ill while there. After his return to Copenhagen, his health deteriorated and he died there, leaving several unfinished commissions.[3]

Selected works

Gallery

• 
  Homecoming of the
  Prodigal Son (1843)
• 
  Aladdin Tries to Catch the Falling Orange (1831)
• 
  Sleeping Man with
  Two Young Girls (1828)
• 
  The Hall of Antiquities at Charlottenborg Palace, Copenhagen (1830), Metropolitan Museum of Art
• 
  Herluf Trolle Returns to Herlufsholm School (1832)

References

External links

Media related to Adam August Müller at Wikimedia Commons

• More works by Müller @ ArtNet

---