Albert Edward Sterner (March 8, 1863 – December 16, 1946) was a British-American illustrator and painter.
American illustrator and painter
Albert Sterner
Born
Albert Edward Sterner
(1863-03-08)March 8, 1863
London, United Kingdom
Died
December 16, 1946(1946-12-16) (aged83)
Almamater
Académie Julian École des Beaux-Arts
Early life
Sterner was born to a Jewish family in London, and attended King Edward's School, Birmingham. After a brief period in Germany, he studied drawing in Paris with Jean-Léon Gérôme and Gustave Boulanger.[1] He eventually moved to the United States in 1879 to join his family who had previously moved to Chicago.[2][3] His brother was the architect Frederick Sterner, who had a career in Chicago and Denver before joining his brother in New York.[4]
Career
Sterner painting war posters in 1918Nude, circa 1916
He began doing lithography, painting, and illustrations. He opened a studio in New York in 1885 and began contributing illustrations to magazines including Harper's Magazine, Scribner's Magazine, The Century Magazine, and Collier's. In 1888 he became a student at Académie Julian in Paris.[2][3] He has illustrated G. W. Curtis' Prue and I (which established his reputation as a black-and-white artist), Coppée's Tales (1891), Works of Edgar Allan Poe (1894), and Mary Augusta Ward's' Eleanor (1900) and The Marriage of William Ashe (1905). His oil-painting "The Bachelor" received the bronze medal at the Paris Exposition of 1900.[5]
In 1918, he returned to America and began teaching at the Art Students League in New York.[2][6][7]
Sterner's awards include the Carnegie Prize at the National Academy of Design in 1941.[2]
His New York Times obituary stated that he was perhaps best known for his portraits, but "he was also noted for his nudes, religious subjects, landscapes, still-life work and, in his earlier days, his book and magazine illustrations."[8]
Jacobs, Joseph; Haneman, Frederick T. (1901–1906). "Sterner, Albert Edward". In Singer, Isidore; etal. (eds.). The Jewish Encyclopedia. Vol.11. New York: Funk & Wagnalls. p.553.
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