art.wikisort.org - Artist

Alexander Bruckmann (1806–1852) was a German historical and portrait painter.

This article may be expanded with text translated from the corresponding article in German. (September 2016) Click [show] for important translation instructions. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 8,702 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at [[:de:Alexander Bruckmann]]; see its history for attribution. You should also add the template {{Translated|de|Alexander Bruckmann}} to the talk page. For more guidance, see Wikipedia:Translation.

Life

Bruckmann was born at Reutlingen in 1806.[1] From 1826 he studied painting under Georg Friedrich Eberhard at Stuttgart, and in 1827–29 he studied at Munich, mostly under Heinrich von Hess. From the autumn of 1829 until 1832 he lived in Rome, where he painted Barbarossa's Body Drawn out of the Calycadnus (Staatsgallerie Stuttgart), which he sent back to Germany. He spent the years 1833–39 back in Munich.[2] In 1833 he painted fourteen pictures at the royal palace at Munich, showing subjects from the poems of Theocritus, partly from his own designs, and partly from those of Hess.[1] Some of his most notable easel paintings, such as the Women of Weinsberg (Staatsgallerie, Stuttgart ), and The Maiden from Afar (from Schiller's "Das Madchen aus der Fremde"), are from this time.[2][1]

From 1840 Bruckmann devoted himself almost entirely to portrait painting, working mostly in Stuttgart, but also in Ulm, Augsburg, Zurich, and elsewhere. He had become an ardent and self-sacrificing supporter of the political and religious reformist Friedrich Rohmer, to the disadvantage of his artistic career in Munich. He married Rohmer's sister in 1843. His only larger works from this later period were Thusnelda in der Gefangenschaft ("The Imprisonment of Thusnelda") ( Staatsgallerie, Stuttgart) and a series of frescoes in the hall of the art school at Stuttgart, showing the birth of Venus, St Luke, and an allegory of the three visual arts.[2] The effects of a bad head injury, caused by a carriage accident in 1835,[1] and many artistic and political disappointments, led to his suicide on 9 February 1852.[2]

See also

• List of German painters

References

Sources

•  This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Bruckmann, Alexander". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.

Wikimedia Commons has media related to Alexander Bruckmann.

На других языках

---

[de] Alexander Bruckmann

Ferdinand Alexander Bruckmann (* 21. Februar 1806 in Ellwangen; † 9. Februar 1852 in Stuttgart) war ein deutscher Historien- und Porträtmaler.

---

- [en] Alexander Bruckmann

---

---