His elder brother, Emmanuel Antoine Joseph Ansiaux (1761-1800), worked in politics and law, a pathway the younger Ansiaux was to have taken before turning to art.[1][2][3]
His works, taken from sacred and profane history, and poetical subjects, are numerous, and place him among the best artists of the French school in the 19th century. He also painted portraits of several distinguished persons, ministers, and generals of Napoleon I.
He was known for working in the Romantic-inspired Troubadour style of French historical painting. The Grove Dictionary of Art criticized his works done in this style, calling them "very uneven" and "often laborious."[4]
Death
Ansiaux died in Paris in 1840.
Works
His works include:
Angers. Cathedral: Raising of the Cross, 1827.
Arras. Cathedral: Resurrection
Bordeaux. Museum: Richelieu presenting Poussin to Louis XIII, 1817.
Le Mans. Cathedral: Adoration of the Kings.
Liège Cathedral: Ascension, 1812 and Conversion of St. Paul, 1814.
Liège, Hôtel-de-Ville: Return of the Prodigal Son, 1819.
Lille. Museum: St. John rebuking Herod, 1822 and finding of Moses, 1822.
Metz. Cathedral: The Flagellation.
Paris, S. Etienne-du-Mont: St. Paul preaching at Athens.
Gallery
Selected works by Antoine Ansiaux
Portrait de Constance Charpentier Huile sur toile, c. 1800
Saint Jean-Baptiste faisant des reproches à Hérode, 1822
Emmanuel Crétet, comte de Champmol (1747-1809), 1810
Margaretha van Bourgondië, gravin van Tonnerre, c. 19th century
Portrait du général français Jean-Baptiste Kléber, général en chef de l'Armée d'Orient (1753-1800), 1804
Presentation of Christ in the Temple, 1785
Portrait of Michel-Laurent de Sélys-Longchamps[fr], Belgian politician, date unknown; now in the collection of the University of Liège
This articleincorporates text from a publication now in the public domain:Bryan, Michael (1886). "Ansiaux, Jean-Joseph-Eleonora-Antoine". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol.I (3rded.). London: George Bell & Sons.
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