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Antonina Fedorovna Sofronova (March 14, 1892 – May 14, 1966) was a Russian artist and illustrator.

Antonina Fedorovna Sofronova
BornMarch 14, 1892
Oryol Governorate
DiedMay 14, 1966
NationalityRussian Empire

Biography


Sofronova was born in Droskovo, Oryol Governorate. She went to the Girls' Commercial College in Kiev, finishing in 1909 when she moved to Moscow to study under the direction of Fedor Ivanovich Rerberg from 1910 until 1913 when she changed to work with Ilya Mashkov in the Moscow School of Art. Sofronova took part in the Jack of Diamonds, Mir iskusstva and “Moscow Association of Artists” exhibitions from 1914 to 1917. Sofronova married painter Guenrikh Blumenfeld in 1915. She became a teacher at the State Art Studios in Orel, between 1919 and 1920, and Tver, from 1920 to 1921. In 1923 she returned to Moscow where she became a member of IZO.[1][2][3]

In 1929 she became a member of the group "13", a group of Russian impressionist artists. However by 1931 the group was coming under increasingly negative attitudes and they stopped exhibiting. All such groups were abolished in 1932. Sofronova was also subject to criticism from the government and mostly didn't show her works in public.[1][4][5][3]

In the 1910s, Sofronova created figurative paintings before moving to more Expressionist, abstract styles. In the 1920s she created Expressionist landscapes and Cubist portraits. Her Moscow Street Types were a series of watercolors and ink drawings in the mid twenties which juxtaposed sunflowers and the homeless. She worked as a book illustrator as well and experimented with constructivist styles. Sofronova died in Moscow in 1966.[1][4][5][3]


Sources




На других языках


- [en] Antonina Fedorovna Sofronova

[ru] Софронова, Антонина Фёдоровна

Антони́на Фёдоровна Софро́нова (2 [14] марта 1892[1][2], Дросково, Орловская губерния — 14 мая 1966[1][2], Москва) — русская и советская художница , прошедшая путь от сезаннизма «Бубнового валета» через конструктивизм к собственному стилю лирической живописи и графики, развивающему традиции французского постимпрессионизма.



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