art.wikisort.org - Artist

Aureliano de Beruete (27 September 1845, Madrid – 5 January 1912, Madrid) was a Spanish landscape painter, art critic and social activist.

Biography

Born in Madrid into a wealthy family from the minor nobility, he followed his family's wishes, received his Doctorate in Law at the University of Madrid in 1867[1] and served as a Deputy in the Cortes for two sessions; 1871 and 1872.[2]

He was more inclined to art, however, and had his first lessons at the Real Academia de Bellas Artes de San Fernando, where he studied with Carlos de Haes.[1] His ample income allowed him to devote himself entirely to painting. One of his first works was a depiction of "Orbajosa"; an imaginary village created by Benito Pérez Galdós for his novel Doña Perfecta, which Beruete gave to the author as a gift.[3] Later, he made a trip to Paris, where he was introduced to plein-air painting by Martín Rico.[2]

For many years, he was a Professor at the Institución Libre de Enseñanza (which he helped to create)[1] and is often associated with the Generation of '98 or its political movement, Regenerationism. He also supported scientific conferences and excursions, which included a crossing of the Sierra de Guadarrama that he participated in and used as inspiration for many of his works. Throughout his life, he remained an avid traveller and enthusiastic exhibitor. He was awarded the Grand Cross of the Order of Isabella the Catholic in 1900.[2]

During the last years of his life, he wrote several brief treatises on painting and painters, including one of the first monographs on Diego Velázquez, which was published in Paris in 1898.[1] In fact, he numbered most of the great Spanish artists of the day among his friends. After his death in 1912 in Madrid, Joaquín Sorolla organized the first retrospective of Beruete's works, held at Sorolla's mansion.

His son, Aureliano de Beruete y Moret, a critic and art historian, served as Director of the Museo del Prado from 1918 to 1922.

Writings

• Velázquez, translated by Sir Hugh Edward Poynter, Methuen & Co. (Classics of Art series) 1906.

Selected paintings

• 
  A Door in the Walls of Ávila
• 
  View of Cuenca from
  Júcar Gorge
• 
  The Manzanares Under the Puente de los Franceses
• 
  Quimperlé at Night

References

Further reading

• Aureliano de Beruete. 1845–1912 (Exhibition catalog), Barcelona, Obra Social de la Caja de Pensiones, 1983.
• Aureliano de Beruete (Exhibition catalog), Madrid, Sociedad Española de Amigos del Arte, 1941.
• Francisco Calvo Serraller, "Aureliano Beruete y la cultura artística de la Restauración", in Pintores españoles entre dos fines de siglo (1880–1990), de Eduardo Rosales a Miquel Barceló, Madrid, Alianza Editorial, 1990 ISBN 84-206-7099-5

External links

• Ciudad de la pintura: Brief biography and more paintings.

На других языках

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[de] Aureliano de Beruete

Aureliano de Beruete y Moret (* 27. September 1845 in Madrid; † 5. Januar 1912 in Madrid) war ein spanischer Politiker, Maler, Zeichner, Kunstsammler und Kunstschriftsteller.

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- [en] Aureliano de Beruete

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[es] Aureliano de Beruete

Aureliano de Beruete (Madrid, 27 de septiembre de 1845 - ibid. 5 de enero de 1912),[1][2] fue un intelectual, pintor paisajista y político español. Doctor en Derecho por la Universidad de Madrid en 1867, llegó a ser diputado en las legislaturas de 1871 y 1872. Como artista, se formó en la Academia de Bellas Artes de San Fernando de Madrid donde fue alumno de Carlos de Haes; su holgada situación económica le permitiría dedicarse de lleno a la pintura. Entre sus primeros paisajes está la recreación de Orbajosa, villa imaginaria creada por Galdós como escenario de su novela Doña Perfecta; cuadro que regaló al escritor y que se conserva en la Casa-Museo Pérez Galdós de Las Palmas de Gran Canaria.[3]

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[fr] Aureliano de Beruete

Aureliano de Beruete est un peintre paysagiste espagnol, né à Madrid en 1845 et mort dans la même ville en 1912.

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[it] Aureliano de Beruete

Aureliano de Beruete (Madrid, 27 settembre 1845 – Madrid, 5 gennaio 1912) è stato un pittore spagnolo, rinomato per i suoi paesaggi già aderenti al movimento impressionista.

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