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Bernardo Daddi (c. 1280 – 1348) was an early Italian Renaissance painter and the leading painter of Florence of his generation. He was one of the artists who contributed to the revolutionary art of the Renaissance, which broke away from the conventions of the preceding generation of Gothic artists, by creating compositions which aimed to achieve a more realistic representation of reality.[1] He was particularly successful with his small-scale works and contributed to the development of the portable altarpiece, a format that subsequently gained great popularity.[2]

Crucifixion (1340–1345)
Crucifixion (1340–1345)

Life and work


Daddi's birth date remains unknown. He is first mentioned in 1312. He may have been a pupil of Giotto.[1]

Daddi's style is derived from Giotto's work. His early works also show a close link with followers of Giotto such as the Master of Santa Cecilia and other Florentine masters of the first quarter of the 14th century. His later style is highly refined and shows a certain influence by Maso di Banco.

Daddi likely operated a large workshop, as a great number of paintings in his style have surfaced which show the various hands of his pupils and assistants. Despite his high level of craftsmanship, his lyrical elegance is somewhat dampened by a certain academic and mechanical hardness.[3]

Daddi focused on religious motifs and altarpieces. A triptych he painted in 1328 is in the Uffizi, and there are several panels in National Gallery of Art and the Walters Art Museum. The Pinacoteca of the Vatican Museums houses his Martyrdom of Saint Stephen, a predella in eight panels painted about 1345.[4] He was also influenced by the Sienese art of Lorenzetti.

Daddi's last work dates from 1347, and it is believed he died the next year.


Selected works


Madonna and Saints Thomas Aquinas and Paul
Madonna and Saints Thomas Aquinas and Paul

Notes


  1. Biography and analysis of artist's style at the J. Paul Getty Museum
  2. Enrica Neri Lusanna. "Daddi, Bernardo." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 3 October 2016
  3. Bernardo Daddi, Italian Paintings: Florentine School, pp. 25–33
  4. "Bernardo Daddi, Martyrdom of St Stephen – Vatican Museums". Retrieved 2017-06-03.



На других языках


[de] Bernardo Daddi

Bernardo Daddi (* um 1295 in Florenz; † um 1348 ebenda) war ein früher italienischer Renaissance-Maler.
- [en] Bernardo Daddi

[es] Bernardo Daddi

Bernardo Daddi (h. 1280-1348) fue un pintor renacentista italiano y aprendiz de Giotto. Le influyó también el arte sienés de Ambrogio y Pietro Lorenzetti.

[fr] Bernardo Daddi

Bernardo Daddi (Florence, vers 1290 - Florence, 1348[1]) est un peintre italien du Trecento (XIVe siècle italien), documenté à Florence de 1320 à 1348. Peintre de la Renaissance italienne et principal peintre à Florence de sa génération, il fait partie des artistes qui ont contribué à l'art révolutionnaire de la Renaissance, qui rompt avec les conventions de la génération précédente d'artistes gothiques, en créant des compositions qui visent à atteindre une représentation plus réaliste[2]. Il connaît un succès particulier avec ses petites œuvres et contribue au développement du retable portatif, un format qui connaîtra par la suite une grande popularité[3].

[it] Bernardo Daddi

Bernardo Daddi (Borgo San Lorenzo, 1290 circa – Firenze, 1348) è stato un pittore italiano, documentato dal 1320 al 1348 a Firenze.

[ru] Дадди, Бернардо

Бернардо Дадди (итал. Bernardo Daddi, известный как Бернард Флорентиец (Bernardus Florentinus); около 1280, Флоренция — 1348, там же) — итальянский художник эпохи Проторенессанса.



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