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Biagio d’Antonio Tucci (1446 – 1 June 1516) was an Italian Renaissance painter active in Florence, Faenza and Rome.

The Betrothal of Jason and Medea, 1487. Paris, Musée des Arts Décoratifs.
The Betrothal of Jason and Medea, 1487. Paris, Musée des Arts Décoratifs.

Biography


Biagio was born in Florence. It is not known with whom he trained, but his early style reflects the influence of Filippo Lippi, Andrea del Verrocchio and Domenico Ghirlandaio. The latter two were also Biagio's collaborators. With the former Biagio painted the Madonna and Child with Saints for the church of San Domenico del Maglio, now in the Museum of Fine Arts, Budapest. By 1472 he was in a partnership with Jacopo del Sellaio, with whom he painted two great chests, the Morelli Nerli Cassoni (London, Courtauld Institute). Like Sellaio, Biagio was prolific in the art of cassone painting for the duration of his career.

Biagio d’Antonio, “The Adoration of the Child with Saints and Donors,” 1476, Philbrook Museum of Art, lantern slide by Louis Werner, Kress Collection of Historic Images, Department of Image Collections, National Gallery of Art Library, Washington, DC
Biagio d’Antonio, “The Adoration of the Child with Saints and Donors,” 1476, Philbrook Museum of Art, lantern slide by Louis Werner, Kress Collection of Historic Images, Department of Image Collections, National Gallery of Art Library, Washington, DC

By 1476 Biagio was simultaneously operating workshops in Florence and Faenza. The first work he painted for Faenza was the Ragnoli Altarpiece for the church of San Michele. The central panel of this picture, depicting the Nativity with Saints and the Ragnoli Family as Donors, is now in the Kress Collection at the Philbrook Museum of Art, Tulsa, Oklahoma. The lunette, depicting Saint Michael Liberating Souls, is at the Musée du Petit Palais, Avignon.

Biagio's style continued to reflect Florentine innovations. His paintings also demonstrate influences—particularly in the decorative elements—from early Netherlandish painting.

In 1481–82 he assisted Cosimo Rosselli on frescoes in the Sistine Chapel, including the Last Supper and probably the Crossing of the Red Sea. In 1484 he was contracted to helped Pietro Perugino with some frescoes in the Palazzo della Signoria, Florence, which were never executed. In 1487 he collaborated with Bartolomeo di Giovanni, Pietro del Donzello and Domenico Ghirlandaio on a set of panels (a tondo by Ghirlandaio and three wainscot panels by the others) for the wedding chamber of Lorenzo Tornabuoni and Giovanna degli Albizzi. Biagio's panel from this cycle, depicting the Betrothal of Jason and Medea, is now at the Musée des Arts Décoratifs, Paris.

Later works by Biagio d'Antonio include the Madonna and Child with Saints Francis and Mary Magdalene for San Pancrazio, Florence (now at San Francesco in San Casciano in Val di Pesa; the predella of this work is at the Accademia Etrusca, Cortona) and a number of altarpieces for churches in Faenza, now in that city's picture gallery. Among these, the most important is the Madonna and Child with Saints John the Evangelist and Anthony of Padua for the Bazzolini chapel in San Francesco, completed in 1502.

Biagio died in Florence in 1516.

Madonna Worshipping the Child and an Angel (c. 1475). (São Paulo Museum of Art, São Paulo).
Madonna Worshipping the Child and an Angel (c. 1475). (São Paulo Museum of Art, São Paulo).

Selected works



Sources





На других языках


- [en] Biagio d'Antonio

[es] Biagio d'Antonio

Biagio d'Antonio Tucci (Florencia, 1446 - Florencia, 1 de junio de 1516) fue un pintor italiano activo durante el Renacimiento.

[fr] Biagio di Antonio Tucci

Biagio di Antonio Tucci ou Biagio d'Antonio né à Florence (1446 – 1er juin 1516) est un peintre italien.

[it] Biagio di Antonio Tucci

Biagio d'Antonio Tucci (Firenze, 1445 circa – 1510 circa) è stato un pittore italiano.

[ru] Бьяджо д’Антонио Туччи

Бьяджо д’Антонио Туччи (итал. Biagio di Antonio Tucci; 1446, Флоренция — 1 июня 1516, там же) — итальянский художник эпохи Возрождения. Его творчество было вдохновлено работами Филиппо Липпи, Андреа Верроккьо, Доменико Гирландайо.



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