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Cecile Gray Bazelon (born September 25, 1927) is an American painter living in New York City. Bazelon is best known for her perspectives of unpeopled New York cityscapes, and her depictions of interior spaces framed in geometric patterns.[1][2][3]

Cecile Gray Bazelon
Born
Cecile Gray

(1927-09-25) September 25, 1927 (age 95)
EducationSyracuse University
Spouse
(m. 1960; died 1995)

Early life


Bazelon was born in Cleveland, Ohio. She graduated from Syracuse University in 1949 and was awarded the Graduate Fellowship in Painting.[4]


Career


Bazelon's early work focused on landscapes that include architectural elements and interiors.[5][6][7][8] Bazelon often set these scenes against intensely patterned decorative borders—a stylistic device that became an integral part of her work.[9][10] In 1969, Bazelon received a fellowship at the renowned Yaddo artists’ colony in Saratoga Springs, NY. Several years later, the artist held her first solo exhibition in New York City at the Robert Schoelkopf Gallery in 1971.[11] Over the next few decades, Bazelon would be the subject of numerous one-person shows and group exhibitions held at the Museum of Modern Art, Corcoran Gallery of Art, Smithsonian Design Museum, and others. Her work resides in numerous collections internationally.[12]


Personal life


In 1953, Bazelon moved to New York City, where she met and subsequently married the late American composer Irwin Bazelon in 1960.


Selected solo exhibitions



Selected group exhibitions


Katharina Rich Perlow Gallery, New York City

Katharina Rich Perlow Gallery

Columbus Museum, Members Gallery, Columbus, Ohio
Katharina Rich Perlow Gallery

Baltimore Museum of Art, Collectors Gallery, Baltimore, Maryland
Columbus Museum, Members Gallery, Columbus, Ohio
Katharina Rich Perlow Gallery

Out of New York, Root Art Center, Hamilton College, Clinton, New York


Awards and fellowships



Public collections



Selected book, magazine, CD and album covers


Music of Irwin Bazelon, Albany Records, Albany, New York [CD Cover: Night Sky Over Lexington, 1994].

West Publishing Company: 1992 Calendar, Eagan, MN. [Book Cover: Winterset, 1990].


Selected bibliography



See also



References


  1. Edgar, Natalie (April–May 1980). "Exhibition Review". Art/World Newspaper.
  2. Lippard, Lucy R (February 1971). "Exhibition Review". Arts Magazine. p. 64.
  3. Kulterman, Ugo (1972). Hypperrealisme. Paris: Editions du Chêne. p. (illus., p. 90).
  4. Campbell, Lawrence (January 1971). "Exhibition Review". Art News: 16.
  5. Lippard, Lucy R. (February 1971). "Exhibition Review". Arts Magazine. p. 64.
  6. Gruen, John. "Exhibition Review". New York Magazine. p. 5.
  7. Rushworth, Katherine (November 11, 2013). "Cecile Gray Bazelon exhibit: A little off kilter, and that's a good thing, even stellar". The Post-Standard. Retrieved February 7, 2014.
  8. Nemser, Cindy (May 1972). "The Close Up Vision—Representational Art, Part II". Arts Magazine. pp. 44–47 (illus., p. 46).
  9. Art News (September 1980). "Exhibition Review". Art News. 79: 242.
  10. April 1980, Palmer (April 1980). "Interrelations: Art and Architecture". Artspeak Press.
  11. Blust, Erica (October 15, 2013). "Genet Gallery to Exhibit Works by Cecile Gray Bazelon '49". Syracuse University. Retrieved January 29, 2014.
  12. Kubovy, Michael (2008). Cecile Gray Bazelon. New York/Santa Fe: Snap Editions LLC. pp. 5–7.
  13. New York Magazine. April 25, 1983 https://books.google.com/books?id=3bQBAAAAMBAJ&q=%22bazelon%22+arbitrage&pg=PA128. {{cite web}}: Missing or empty |title= (help)





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