Charles Haslewood Shannon RA[2] (26 April 1863 – 18 March 1937) was an English artist best known for his portraits.[3] These appear in several major European collections, including London's National Portrait Gallery. Several authorities spell his middle name Hazelwood.[4][5][6][7] The National Portrait Gallery prefers the spelling used here.

Charles Haslewood Shannon
Self-portrait, 1897
Born	26 April 1863 Sleaford, Lincolnshire, England
Died	18 March 1937 (1937-03-19) (aged 73) Kew, London, England
Resting place	St Botolph's Church, Quarrington[1]
Education	Lambeth School of Art

Biography

Shannon was born in Sleaford, Lincolnshire, son of the Rev. Frederick William Shannon, Rector of Quarrington, and Catherine Emma Manthorp, daughter of a surgeon, Daniel Levett Manthorp.[1] He was educated at St John's School, Leatherhead where he played cricket in the first XI.[3][8] He then attended the City and Guilds of London Art School (then known as South London School of Technical Art, formerly Lambeth School of Art) and was later much influenced by his lifetime partner, Charles Ricketts[9] and by the example of the great Venetians. His early work has a heavy, low tone, which he later abandoned for clearer, more transparent colours. He achieved success with his portraits and his Giorgionesque figure compositions, which are marked by a classic sense of style, and with his etchings and lithographic designs.[10]

Dublin Municipal Gallery owns his circular work The Bunch of Grapes and The Lady with the Green Fan (a portrait of Mrs Hacon). Another subject was the popular novelist Mary Frances Dowdall. His Study in Grey is at the Munich Gallery, a Portrait of Mr Staats Forbes at Bremen, and Souvenir of Van Dyck at Melbourne. One remarkable picture is The Toilet of Venus, once in the collection of Lord Northcliffe,[10] and later Tate Britain.[11] Later works include The Amethyst Necklace (1907), The Morning Toilet (1911), The Embroidered Shawl (1914), and The Incoming Tide (1918). Also in 1918 he produced various portraits, including those of Princess Patricia of Connaught, Lillah McCarthy, and the actress Hilda Moore. Among his lithographs were Playmates (1908), Ebb Tide (1917), The Tidal River and A Sharp Corner (1919).[12]

Shannon was elected as Associate of the Royal Academy in 1911 and in 1918 became vice-president of the International Society of Sculptors, Painters and Gravers.[13] In 1920 he was elected RA.[12]

Several of his portrait works appear in London's National Portrait Gallery.^{[citation needed]}

Complete sets of his lithographs and etchings were acquired by the British Museum and the Berlin and Dresden print rooms. He was awarded a first-class gold medal at Munich in 1895 and a first-class silver medal in Paris in 1900.[10]

Personal life

Shannon and Ricketts met as teenagers and cohabited in Chelsea for over 50 years until Rickets died. They also worked together on many projects.[14] Together they designed and illustrated books, set up an art journal, and created the Vale Press, which published over 75 books before it closed in 1904.[14] Shannon became disabled in 1928 after a fall while hanging a picture. The neurological damage he suffered caused amnesia and ended his career.[15]

References

• Derry, Georges (December 1914). "The Lithographs of Charles Hazelwood Shannon (with catalogue)". The Print Collector's Quarterly. 4 (4): 393.

External links

• 59 artworks by or after Charles Haslewood Shannon at the Art UK site
• Portraits of Charles Haslewood Shannon at the National Portrait Gallery, London
• Guide to the Carl Woodring collection on Charles Ricketts and Charles Shannon, 1846-2001 (Woodson Research Center, Fondren Library, Rice University, Houston, TX, USA)
• Works by Charles Haslewood Shannon at LibriVox (public domain audiobooks)
• Charles Shannon at Library of Congress Authorities, with 3 catalogue records

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[fr] Charles Haslewood Shannon

[it] Charles Haslewood Shannon

[ru] Шэннон, Чарльз Хасселвуд