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Chris Gustin (born 1952 in Chicago, Illinois) is an American ceramicist.[1] Gustin models his work on the human form, which is shown through the shape, color, and size of the pieces.[2]

Chris Gustin
Born1952
Chicago, Illinois
NationalityAmerican
Alma materKansas City Art Institute,
Known forceramics
Spouse(s)Nancy Train Smith

Education and career


Though born in the Midwest, Gustin grew up in Los Angeles, where his parents managed and co-owned several commercial ceramic factories.[3] Growing up with these influences, Gustin developed an interest in ceramics.[4] At his first semester at the University of California—Irvine, he majored in biology and sociology and enrolled in an introductory ceramics course under John Mason.[5] After that initial semester, Gustin quit school to continue working in one of his parents' factories, Wildwood Ceramics.[3] He worked there for two years and became the foreman and manager.[3]

After leaving Wildwood Ceramics in 1972, Gustin returned to school. He received his BFA in ceramics form the Kansas City Art Institute in 1975.[3] Two years later, he earned his Masters of Fine Arts from the New York State College of Ceramics at Alfred University.[6] In that time, Gusting and his sister-in-law, Jane, began studio work together, each creating their own personalized ceramic work.[3]

Gustin's teaching career began in 1978.[3] From 1978-1980, he taught at Parson's School of Design in New York.[3] In 1980, he became an Assistant Professor of Ceramics at Boston University, New Bedford, MA, in 1985, and Gustin moved with it, becoming an Associate Professor of Ceramics, later becoming the head of the ceramics program.[3] During a ten-year tenure Gustin became a senior faculty member, serving as an Associate Professor of Ceramics.[3]

Amidst the years spent teaching, moving from school to school, Gustin continued work on other artistic endeavors.[7] In 1986, he partnered with artists Margaret Griggs, George Mason, and Lynn Duryea to restore an old brick factory in Newcastle, ME.[7] Through their efforts, the building became the Watershed Center for the Ceramic Arts. More than 100 artists per year come to Watershed to work.[7]

In 1994, Gustin and his wife, painter Nancy Train Smith, began designing their own home.[8] They collaborated with the architect Michele Foster, and Gustin produced every piece of tile that was used in building the home.[8] This experience led him to establish Gustin Ceramics Tile Production.[8]

In 1999, Gustin retired from teaching to devote time to his studio work and to Gustin Ceramic Tile Productions.[3]

Gustin has stated:[9]

I want my work to...suggest something that is just on the other side of consciousness. I don't want my pots to conjure up a singular recollection, but ones that change with each glance, with each change of light.


Museum collections


Gustin is represented in the following museum collections:[10]


Selected solo exhibitions


Gustin's solo exhibitions around the U.S. include:[10]


Selected group exhibitions


Gustin's work has been included in the following group exhibitions, both national and international:[10]


References


  1. "Potters and Friends." Ceramics Monthly. September, 1986.
  2. Brown, Glen R. "Chris Gustin: Inverting Perception." Ceramics: Art and Perception. 2001.
  3. "Biography." Gustin Ceramics. Retrieved on 7/6/2017.
  4. "Chris Gustin: Masterworks in Clay". American Museum of Ceramic Art. Retrieved on 7/6/2017.
  5. "Chris Gustin: Masterworks in Clay." American Museum of Ceramic Art. Retrieved on 7/6/2017.
  6. ""Chris Gustin: Masterworks in Clay". American Museum of Ceramic Art. Retrieved 7/6/2017.
  7. "Our Story." Watershed Center for the Ceramic Arts. 2015. Retrieved on 7/6/2017
  8. "About the Company." Gustin Ceramics. Retrieved on 7/6/2017
  9. "Biography." Artsy. Retrieved on 7/6/2017.
  10. "Christopher S. Gustin." Gustin Ceramics. Retrieved on 7/6/2017.
  11. "Variations on a Theme :Teapots form RAM's Collection: January 29-July9, 2017." Racine Art Museum. Tertieved on 7/6/2017.
  12. "Magic Mud: Masterworks in Clay from RAM's Collection: February 2- May 4, 2014". Racine Art Museum. Retrieved on 7/6/2017/
  13. "Start Contrasts: Black and White Ceramics from RAM's Collection: February 24-May 5, 2013". Racine Art Museum. Retrieved on 7/6/2017


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