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Daniël Vosmaer (c. 1630 in Delft after 1666 in Den Briel), was a Dutch Golden Age painter.

A View of Delft through an Imaginary Loggia, 1663
A View of Delft through an Imaginary Loggia, 1663

Biography


Vosmaer's The Harbour of Delft at Museo de Arte de Ponce, Ponce, Puerto Rico
Vosmaer's The Harbour of Delft at Museo de Arte de Ponce, Ponce, Puerto Rico

According to the RKD, he was the son of the silversmith Arent Wouteresz, the younger brother of Abraham, the nephew of Jacob Vosmaer, and the nephew of Christiaen van Couwenbergh.[1] Like his uncle Jacob (who was probably his first teacher), he started out painting landscapes and later switched to townscapes, perhaps because of the popularity of these after the Delft explosion of 1654.[1] He joined the Delft guild in 1650.[1] In 1666 he moved to Den Briel, which is probably where he later died.[1]


References


  1. Daniël Vosmaer in the RKD



На других языках


[de] Daniel Vosmaer

Daniel Vosmaer (getauft 13. Oktober 1622 in Delft; † 1669 oder 1670 in Brielle) war ein niederländischer Maler. Einem größeren Publikum wurde er durch seine Zusammenarbeit mit Carel Fabritius bekannt.
- [en] Daniel Vosmaer

[fr] Daniel Vosmaer

Daniel Vosmaer (13 octobre 1622, Delft - vers 1669, Den Briel)[1] est un peintre néerlandais du siècle d'or. Il est connu pour ses peintures de paysages naturels et urbains, ainsi que ses natures mortes jugées obscènes par le pape Urbain VIII.



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