Enrique Chagoya (born 1953)[2] is a Mexican-born American painter, printmaker, and educator. The subject of his artwork is the changing nature of culture. Chagoya teaches at Stanford University, in the department of Art and Art History.[3][4] He lives in the San Francisco.
Enrique Chagoya | |
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Born | 1953 (age 68–69) Mexico City, Mexico |
Education | National Autonomous University of Mexico |
Alma mater | San Francisco Art Institute, University of California at Berkeley |
Employer | Stanford University |
Spouse(s) | Jeanine Kramer,[1] Kara Maria[1] |
Enrique Chagoya was born in Mexico City in 1953.[5] He was partly raised by an Amerindian nurse who helped him to respect the indigenous people of his country and their history. He studied economics at the National Autonomous University of Mexico in Mexico City from 1971 to 1974.[5] As a student, he was sent to work on rural development projects with a focus on economics, an experience that strengthened his interest in political and social activism. While attending a rural development program he married an American sociologist working on the same program, Jeanine Kramer.[1]
In 1977, Chagoya and his first wife Jeanine Kramer visited McAllen, Texas.[1] In 1979, Chagoya immigrated to the United States to Berkeley,[1] where he worked as a freelance illustrator and graphic designer. In 1984, he earned a BFA degree at the San Francisco Art Institute;[5] and in 1987 a MFA degree at the University of California at Berkeley.[5]
He received the Stanford University's the Dean's Award in the Humanities in 1998. In 2000, Chagoya became a citizen of the United States.[6]
His controversial artwork "The Misadventures of the Romantic Cannibals", which portrays Jesus, and possibly other religious figures, in a context of ambiguous sexual content, is part of a ten-artist exhibit called "The Legend of Bud Shark and His Indelible Ink" which is on display in a city-run art museum in Loveland, Colorado.[7] The copy on exhibit in Loveland, one of a limited edition of 30 lithographs, was destroyed by a woman wielding a crowbar on October 6, 2010. According to the artist the work is a commentary on the Catholic sex abuse cases. The woman is set to go to court on October 15, 2010.[8][3]
In 2021, Chagoya was awarded the Guggenheim Foundation Fellowship.[4]
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