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Evelyn Roth (born December 27, 1936) is an interdisciplinary artist who has worked in the areas of textiles, sculpture, performance, dance and interactive fabric arts.[1] She specializes in environmentally sensitive events, festivals, school programs and art gallery exhibits. Roth is based in the town of Maslin Beach, on South Australia's Fleurieu Peninsula.

Evelyn Roth
Born
Evelyn Margaret Yakubow

December 27, 1936
Mundare, Alberta
Educationself-taught
Known fortextile artist
sculptor,
performance artist,
dancer
interactive fabric artist
Movementinterdisciplinary art
AwardsArtist of the Year, awarded by the Vancouver Sun (1973); World of Wearable Art International Design Competition (1999)

Early life


Evelyn Margaret Yakubow was born in 1936 in Mundare, Alberta.[2] She moved to Edmonton, Alberta in the 1950s where she took classes in art, crafts, modern, eastern and classical dance. She also took yoga and fencing classes while working in the local children's library. In 1961, she and her husband Klaus Roth moved to Vancouver where she worked in the university library.[3] The Roths went their separate ways in the late 1960s.[2]


Career


When she moved to Vancouver in 1961, Evelyn Roth joined Intermedia and became a key practitioner in the international art scene at the time focusing on art and technology, wearable art and video art.[1][2] During the 1970s Roth focused her practice on knitting and crocheting with recycled materials including video tape and natural fibres.[4][5] She created wearable art, textile installations and furnishings. In 1974, her book about her work, The Evelyn Roth Recycling Book, was published by Talonbooks.[6] That same year, she joined the British Columbia pavilion at Expo '74, presenting under a sunsail made of woven computer tapes and videotape.[7] She often adapted the motif of wearables, fabricating work from found materials and ingeniously using them in various festivals, events or exhibitions.[1]

From 1973 through the 1980s Roth explored the intersections of sculpture, dance and the environment and formed the Evelyn Roth Moving Sculpture Company. A film Woven in Time was created in 1977 that features Roth's textile work and shows the company in various outdoor settings.[8] Her work became a catalyst for many creators with a wide variety of interests in different countries.[1]

Her first trip to Australia was in 1979.[9] In 1981, she was invited to install an interactive display at the Adelaide Festival Centre Foyer which she created out of discarded TV programs (titled Under the Billabong There Lives A Salmon), then returned to South Australia to work with Pitjitjanjara communities and held workshops in rabbit knit and painted leather garments, as well as crocheting a shade canopy from discarded video tape and play web from nylon.[10][11] The first showing of Nylon Zoo in Australia was in 1982 at the 1982 Commonwealth Games in Brisbane.[9] In 1990, she set up the Evelyn Roth Celebration Centre – Point Roberts, USA (artist' studios, art gallery and performance space) This large studio allowed her to expand inflatable structures into mazes, set up a FestivalArts website and to promote her work worldwide.[10] In 2003, Evelyn Roth's Wearable Art, 1971 to 2003, was held at the Australian National University, Canberra, Australia.[10] Her work is in the collections of the Vancouver Art Gallery and Surrey Art Gallery, British Columbia.[10]

Roth has lived and worked in Australia since 1996.[12] She has an annual residency with the Storybook Theatre Company in Hawaii.[11]


Exhibitions/Festivals


Roth has been featured in many solo exhibitions over the years and participated in various festivals and group exhibitions.[10]


Solo exhibitions



Group exhibitions



Awards


In 1973, she was awarded Artist of the Year by the Vancouver Sun.[2][17] In 1999 and 2006, Roth won the World of Wearable Art international design competition in New Zealand.[10][18]


Personal life


She is married to Australian artist John F. Davis.[10]


References


  1. Murray 1999, p. 175.
  2. MacDonald 1999, p. 2313.
  3. Johnson, Eve (January 4, 1986). "Leisure – Color Her Colorful". Vancouver Sun, p. 29. Retrieved December 25, 2020.
  4. Knopp, Jericho (June 27, 2014). "Eco-artist Evelyn Roth shares secrets with Kits House". Georgia Straight. Retrieved March 8, 2019.
  5. "Evelyn Roth crochets video tape into art". Canadian Broadcasting Corporation. Retrieved December 26, 2020.
  6. "Throwback Thursday! The Evelyn Roth Recycling Book". Talonbooks. Retrieved March 8, 2019.
  7. "Evenlyn Roth". Creative Computing. November–December 1974. p. 11.
  8. "Woven in Time". youtube.ca. Retrieved April 28, 2021 via YouTube.
  9. Cardozo, Geraldine. "Nylon Zoo artist Evelyn Roth: 'I've never stopped recycling'". thesenior.com.au. The Senior, April 24, 2019. Retrieved December 26, 2020.
  10. "Evelyn Roth" (PDF). ccca.concordia.ca. Concordia. Retrieved December 27, 2020.
  11. "Evelyn Roth – a life in colour". achgroup.org.au. Ach Group. Retrieved December 26, 2020.
  12. "People: Evelyn Roth". vancouverartinthesixties.com. Vancouver Art in the Sixties. Retrieved December 26, 2020.
  13. Goodden, Sky (December 17, 2015). "VANCOUVER: Vancouver Art Gallery: Between Object and Action: Transforming Media in the 1960s and 70s". Momus. Retrieved March 8, 2019.
  14. "Hippie Modernism: The Struggle for Utopia". Walker Art Center. 2015. Retrieved May 10, 2022.
  15. Wei, Lilly (2016). "Hippie Modernism: The Struggle for Utopia". Art in America. 104 (1): 95–96 via EBSCOhost.
  16. Griffin, Kevin (January 13, 2018). "How writing and reading by women influenced art in the '70s". The Vancouver Sun. Retrieved March 8, 2019.
  17. "Leisure picks these people as our best of the year". Vancouver Sun, December 21, 1973. Retrieved December 27, 2020 via newspapers.com.
  18. Spain, Katie (December 8, 2016). "Fritz – Cheeky Artist, Evelyn Roth Talks Inflatables And Getting Nude At Maslin Beach". Fritz. Retrieved March 8, 2019.

Bibliography







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