art.wikisort.org - ArtistFan Zhongzheng (c. 960 – c. 1030),[3][1] courtesy name Zhongli, better known by his pseudonym Fan Kuan (Chinese: 范寬; pinyin: Fàn Kuān; Wade–Giles: Fan K’uan), was a Chinese landscape painter of the Song dynasty.
In this Chinese name, the family name is Fan.
Fan Kuan |
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 Travelers among Mountains and Streams (谿山行旅), ink and slight color on silk, dimensions of 6¾ ft x 2½ ft. [1] National Palace Museum, Taipei [2] |
Born | c. 960
Hua-yuan (Today: Yaozhou District), Shaanxi Province |
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Died | c. 1030 |
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Nationality | Chinese |
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Known for | Landscapes |
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Movement | Northern Landscape style |
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Travelers among Mountains and Streams, a large hanging scroll, is Fan Kuan's best known work and a seminal painting of the Northern Song school. It establishes an ideal in monumental landscape painting to which later painters were to return time and again for inspiration.[4] The classic Chinese perspective of three planes is evident - near, middle (represented by water and mist), and far. Unlike earlier examples of Chinese landscape art, the grandeur of nature is the main theme, rather than merely providing a backdrop.[3] A packhorse train can barely be seen emerging from a wood at the base of a towering precipice. The painting's style encompasses archaic conventions dating back to the Tang Dynasty.[5]
The historian Patricia Ebrey explains her view on the painting that the:
...foreground, presented at eye level, is executed in crisp, well-defined brush strokes. Jutting boulders, tough scrub trees, a mule train on the road, and a temple in the forest on the cliff are all vividly depicted. There is a suitable break between the foreground and the towering central peak behind, which is treated as if it were a backdrop, suspended and fitted into a slot behind the foreground. There are human figures in this scene, but it is easy to imagine them overpowered by the magnitude and mystery of their surroundings.[6]
Fan's masterpiece Travellers among Mountains and Streams bears a lost half-hidden signature rediscovered only in 1958.[5]
See also
- Culture of the Song Dynasty
- Chinese Painting
- Chinese art
- History of Chinese art
Notes
- Ebrey, Cambridge Illustrated History of China, 162.
- Liu, 50.
- Conrad Schirokauer; Miranda Brown; David Lurie; Suzanne Gay (1 January 2012). A Brief History of Chinese and Japanese Civilizations. Cengage Learning. p. 223. ISBN 0-495-91322-7.
- Sullivan, The Arts of China, 179.
- Sullivan, The Arts of China, 180.
- Ebrey, Cambridge Illustrated History of China, 162–163.
References
- Liu, Pingheng (1989). Shui mo yin yun, qi yun sheng dong de Zhongguo hui hua (水墨絪縕, 氣韻生動的中國繪畫) = Misty and Lively Chinese Painting. Taibei Shi: Guo li li shi bo wu guan (國立歷史博物館).
- Ebrey, Patricia Buckley. The Cambridge Illustrated History of China. Cambridge: Cambridge University Press, 1999.
External links
Wikimedia Commons has media related to
Fan Kuan.
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На других языках
- [en] Fan Kuan
[fr] Fan Kuan
Fan Kuan (chinois : 范寬 ; pinyin : Fàn Kuān ; Wade : Fan K'uan (fl. 990-1020)[1] est un peintre chinois, paysagiste, de la dynastie Song (960-1279).
[it] Fan Kuan
Fan Kuan[3] (范寬T, Fàn KuānP; c. 960 – c. 1030[4]) è stato un pittore cinese taoista dello "stile settentrionale" d'epoca Song, attivo dal 990 al 1020. È considerato tra l'altro il più grande maestro dei secoli X e XI.[1].
[ru] Фань Куань
Фань Куань (кит. трад. 范寬, упр. 范宽, пиньинь Fàn Kuān; первое имя Фань Чжунчжэн) (работал в 990-1026) – китайский художник-пейзажист, продолжатель Цзин Хао, один из основателей жанра монохромного пейзажа. Наряду с Гуань Туном и Ли Чэном его называют одним из трех основателей пейзажной школы. Наиболее известный из непосредственных учеников Ли Чэна.
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