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Fan Zhongzheng (c. 960 – c. 1030),[3][1] courtesy name Zhongli, better known by his pseudonym Fan Kuan (Chinese: 范寬; pinyin: Fàn Kuān; Wade–Giles: Fan K’uan), was a Chinese landscape painter of the Song dynasty.

Fan Kuan
Travelers among Mountains and Streams (谿山行旅), ink and slight color on silk, dimensions of 6¾ ft x 2½ ft.[1] National Palace Museum, Taipei[2]
Bornc. 960
Hua-yuan (Today: Yaozhou District), Shaanxi Province
Diedc. 1030
NationalityChinese
Known forLandscapes
MovementNorthern Landscape style

Travelers among Mountains and Streams, a large hanging scroll, is Fan Kuan's best known work and a seminal painting of the Northern Song school. It establishes an ideal in monumental landscape painting to which later painters were to return time and again for inspiration.[4] The classic Chinese perspective of three planes is evident - near, middle (represented by water and mist), and far. Unlike earlier examples of Chinese landscape art, the grandeur of nature is the main theme, rather than merely providing a backdrop.[3] A packhorse train can barely be seen emerging from a wood at the base of a towering precipice. The painting's style encompasses archaic conventions dating back to the Tang Dynasty.[5]

The historian Patricia Ebrey explains her view on the painting that the:

...foreground, presented at eye level, is executed in crisp, well-defined brush strokes. Jutting boulders, tough scrub trees, a mule train on the road, and a temple in the forest on the cliff are all vividly depicted. There is a suitable break between the foreground and the towering central peak behind, which is treated as if it were a backdrop, suspended and fitted into a slot behind the foreground. There are human figures in this scene, but it is easy to imagine them overpowered by the magnitude and mystery of their surroundings.[6]

Fan's masterpiece Travellers among Mountains and Streams bears a lost half-hidden signature rediscovered only in 1958.[5]


See also



Notes


  1. Ebrey, Cambridge Illustrated History of China, 162.
  2. Liu, 50.
  3. Conrad Schirokauer; Miranda Brown; David Lurie; Suzanne Gay (1 January 2012). A Brief History of Chinese and Japanese Civilizations. Cengage Learning. p. 223. ISBN 0-495-91322-7.
  4. Sullivan, The Arts of China, 179.
  5. Sullivan, The Arts of China, 180.
  6. Ebrey, Cambridge Illustrated History of China, 162163.

References





На других языках


- [en] Fan Kuan

[fr] Fan Kuan

Fan Kuan (chinois : 范寬 ; pinyin : Fàn Kuān ; Wade : Fan K'uan (fl. 990-1020)[1] est un peintre chinois, paysagiste, de la dynastie Song (960-1279).

[it] Fan Kuan

Fan Kuan[3] (范寬T, Fàn KuānP; c. 960 – c. 1030[4]) è stato un pittore cinese taoista dello "stile settentrionale" d'epoca Song, attivo dal 990 al 1020. È considerato tra l'altro il più grande maestro dei secoli X e XI.[1].

[ru] Фань Куань

Фань Куань (кит. трад. 范寬, упр. 范宽, пиньинь Fàn Kuān; первое имя Фань Чжунчжэн) (работал в 990-1026) – китайский художник-пейзажист, продолжатель Цзин Хао, один из основателей жанра монохромного пейзажа. Наряду с Гуань Туном и Ли Чэном его называют одним из трех основателей пейзажной школы. Наиболее известный из непосредственных учеников Ли Чэна.



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