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Florence Wyle RCA (November 14, 1881 – January 14, 1968) was an American-Canadian sculptor, designer and poet; a pioneer of the Canadian art scene.[1] She practiced chiefly in Toronto, living and working with her partner Frances Loring, with whom she shared a studio and home for almost sixty years.[2] In 1928, she co-founded and was a former president[1] of the Sculptors' Society of Canada with Loring, Alfred Laliberté, Elizabeth Wyn Wood, Emanuel Hahn and Henri Hébert,[3] and was the first woman sculptor to become a full member of the Royal Canadian Academy of Arts.[4] Throughout her career, alongside Loring, she was a persistent and convincing advocate for policy, tax benefits and living wages for artist's work.

Florence Norma Wyle
Born	1881 Trenton, Illinois, US
Died	1968 Newmarket, Ontario, Canada
Nationality	American-Canadian
Education	Frances Loring
Known for	Sculptor and designer
Movement	Neo-Classical
Partner	Frances Loring
Patron(s)	Elizabeth Bradford Holbrook

Biography

Wyle was born in Trenton, Illinois and in 1900 enrolled at the University of Illinois as a pre-med student where anatomy classes awakened in her a wonder and reverence for human anatomy.[5][1] Three years later (1903) she transferred to the School of the Art Institute of Chicago where she began studying clay modeling with Lorado Taft.[6] She studied modelling and sculptural design in the USA under Frances Loring.

Wyle moved to Toronto in 1913 to join Loring who had moved there the year before. Wyle worked as a sculptor in clay, plasticine, stone and wood until her death in 1968. Most of her carvings were executed by herself. One of her early works, Sun Worshipper (1916) is a bronze female nude "basking in the rays" and arching her body in a way that "hints more than a little at sexual pleasures."[2]

Wyle was a member of the Ontario Society of Artists (1920–1933, then from 1948), the Sculptors Society of Canada (1933), the Royal Canadian Academy of Arts (associate 1920, full member 1938) and the Canadian Guild of Potters.[7]

Career and official commissions

Wyle preferred architectural projects that were large in scale compared to her partner Frances Loring. She was made a member of the Royal Canadian Academy of Arts.[8] Her work was often exhibited by the Women's Art Association of Canada.[9] Small figurines in wood which were part of the Dominion Drama Festival trophy set were among her commissions the year she was 80.[1] The Ontario Veterinary College has one of her pieces, a bas-relief panel 13' high depicting farm animal.[1] The late Pearl McCarthy, art critic for the Globe and Mail, once said that large or small, cats or heroes, the sculpture of Frances Wyle had a lyrical as well as classical quality.[1]

• 1926 – St. Stephen War Memorial
• 1957 – Mother and Children, Canadian National Exhibition

Posthumous honour

In 2000 the Canadian Portrait Academy made Wyle an Honorary Academician naming her one of the Top 100 Artists of the 20th Century.

Publications

• Wyle, Florence (1959). Poems. Toronto: Ryerson Press.
• Wyle, Florence; Kilbourn, Rosemary (1976). The shadow of the year: poems. Toronto: Aliquando Press.

References

External links

• Sisler, Rebecca. "Wyle, Florence – The Canadian Encyclopedia". Retrieved February 6, 2011.
• Florence Wyle archival papers Archived February 5, 2017, at the Wayback Machine at the Art Gallery of Ontario research library and archives
• "Loring and Wyle collection". University of Waterloo Library. July 22, 2014. Retrieved January 4, 2018.

На других языках

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[de] Florence Wyle

Florence Wyle (* 14. November 1881 in Trenton, Illinois, USA; † 14. Januar 1968 in Newmarket (Ontario), Kanada) war eine amerikanisch-kanadische Bildhauerin, Designerin und Dichterin. Sie gehörte mit Frances Loring zu den Gründungsmitgliedern der Sculptors’ Society of Canada.[1] Sie war die erste Bildhauerin, der 1938 die Vollmitgliedschaft in der Royal Canadian Academy of Art zuerkannt wurde.[2]

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- [en] Florence Wyle

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[es] Florence Wyle

Florence Norma Wyle (Trenton, Illinois, 14 de noviembre de 1881 - Newmarket, Ontario, 1968) fue una escultora y diseñadora canadiense de origen estadounidense. Trabajó fundamentalmente en Toronto, viviendo y trabajando con su compañera escultora Frances Loring. Fue cofundadora de la Sociedad de Escultores de Canadá, con Alfred Laliberté (1878-1953), Elizabeth Wyn Wood (1903-1966), el marido y maestro de Wood Emanuel Hahn (1881–1957) y Henri Hébert.[1]

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