Franklin Einspruch [1] is an American artist and writer based in Boston.[2][3]

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Franklin Einspruch
Einspruch in Edmonton, Canada, 2008
Born	1968 Dallas, Texas
Nationality	American
Known for	Painting, drawing, writing
Movement	Modernism

Biography

Franklin Einspruch was born in Dallas, Texas. Einspruch completed a Bachelor of Fine Arts at the Rhode Island School of Design, and a Master of Fine Arts at the University of Miami, where he studied with Walter Darby Bannard. Einspruch is a member of the United States chapter of the International Association of Art Critics.[4]

Work

Franklin Einspruch has been an artist in residence at the Sam & Adele Golden Foundation for the Arts, [5] the Heliker-LaHotan Foundation,[6] the Morris Graves Foundation,[1] and the Aegean Center for the Fine Arts.[7] The critic Don Wilkinson has described his work as "handsome expressionist painting, grounded in reality, yet veering toward the abstract."[8]

Einspruch is the author of hundreds of essays on art and culture, and his writing has appeared in many notable publications including The New Criterion,[9] The New York Sun,[10] The Miami New Times,[11] Art Critical,[2] City Journal,[12] The Arts Fuse,[13] and Art in America.[14]

Einspruch's blog, Artblog.net, began in 2003 and is one of the longest-running blogs about visual art. [15] He edits the Walter Darby Bannard Archive[16] and edited a compilation of Bannard's art advice, Aphorisms for Artists.[17]

Comics Poetry

Einspruch has been involved in comics poetry since the form emerged in the mid-2000s, when he began posting comics poems online at The Moon Fell On Me. [18] He edited and published the first anthology of comics poetry, Comics as Poetry, in 2012. [19] In 2018 he was chosen to be the Fulbright/Q21-MuseumsQuartier Artist-in-Residence for the 2018-19 award year. His project as a Fulbright scholar was a cycle of comics poems about Vienna, titled (and published at) Regarding Th.at.[20][21][22] Einspruch published a work of comics poetry in 2018 titled Cloud on a Mountain. [23][24]

References