art.wikisort.org - Artist

Gianni Colombo (Milan, 1933 – Melzo, 3 February 1993) was an Italian artist, member of the kinetic art movement.

In the 1960s, Colombo attended Accademia di Brera in Milan, where he met Davide Boriani, Gabriele De Vecchi, Giovanni Anceschi and Grazia Varisco. Together they formed "Gruppo T", a collective of artists interested in investigating the relationship between images and movement and the participatory element of art through kinetic forms.[1]

Through his work Colombo dealt mainly with the perception of space, creating architectural environments and using a variety of supports including mechanical ones.[2] He was awarded the Grand Prize of the Venice Biennale of 1968 with one of its most famous works, elastic space.[3]

In 1985 he becomes director of Accademia di Brera where he also taught. In 1986 Colombo expanded his activities to theatre (he was a set designer for the Operstheater in Frankfurt) and architecture.[4]

External links

• Archive Gianni Colombo
• Gianni Colombo, "Art in America", 19 June 2013

Bibliographical references

1. Documenta IV. Catalogue of the exhibition, Kassel 1968.
2. Kimpel, Harald / Stengel, Karin: documenta IV 1968, Internationale Ausstellung. Eine fotografische Rekonstruktion, Bremen 2007, ISBN 9783861085249.
3. Carolyn Christov-Bakargiev and Marcella Beccaria (eds), Gianni Colombo. Castello di Rivoli, Museo d'Arte Contemporanea 2009. Milano, Skira, 2009, ISBN 9788857203140.

References

На других языках

---

[de] Gianni Colombo

Gianni Colombo (* 1. Januar 1937 in Mailand, Italien; † 3. Februar 1993 in Melzo bei Mailand) war ein italienischer Künstler. Er war ein Vertreter der Kinetischen Kunst und der Objektkunst mit räumlichen und architektonischen Bezügen. Er beschäftigte sich in seinem Werk ebenfalls mit der Op-Art.

---

- [en] Gianni Colombo

---

[ru] Коломбо, Джанни

Джа́нни Коло́мбо (итал. Gianni Colombo; 1 января 1937, Милан — 3 февраля 1993, Мельцо, провинция Милан) — итальянский скульптор -кинетист второй половины XX века, работавший с динамичными, подвижными структурами. Ему удалось предвосхитить многие находки медиа-арта, новейшего интерактивного искусства. Экспериментировал со зрительским восприятием пространства и времени. Как художник-философ, сосредоточил внимание на живой, пульсирующей границе, отделяющей искусство от жизни.

---

---