Girolamo da Santacroce (c. 1480/85 – c. 1556) was a 16th-century Italian painter of the Renaissance period, active mainly in Venice and the Venetian mainland.[1]
Girolamo da Santacroce was born in Bergamo, Italy.[1] He became in Venice a pupil of the painter Gentile Bellini. On Gentile's death in 1507, Santacroce was left in Gentile's will half of the Oriental drawings made be Gentile. Santacroce then most likely worked as an assistant in the workshops of Giovanni Bellini and Cima da Conegliano.[2]
Adoration of the Three Kings, circa 1525–1530
He was a prolific artist and many of his works are signed and dated. He produced many copies after the works of the leading Venetian masters. His work shows the influence of Titian and Palma Vecchio.[2]
He is represented at the Musei Civici of Vicenza by a Madonna con il Bambino tra i santi Cosma e Damiano(?)[3] It is unclear if he is related to a sculptor named Girolamo Santacroce in Naples.
Gallery
The Annunciation, circa 1540
Coronation of the Virginwith Saints Vitus, Julian the Hospitaller, and Hieronymus
Resurrection
Last Supper, 1549
Madonna and Child with the Donor among Saints John the Baptist, Francis, Hieronymus, and Sebastian
Madonna Enthroned with Child between Saints Hieronymus andZacharias, 1507
Ludwig, Gustav (1903). "Archivalische Beiträge zur Geschichte der venezianischen Malerei". Jahrbuch der Königlich-preussischen Kunstsammlungen. 24 Band. Weidmannsche Buchhundlung, Berlin: 10–20.
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