Heinrich Adam, a brother of Albrecht Adam, was born in Nördlingen in 1787. He studied painting in Augsburg and Munich, and distinguished himself as a painter of landscapes and as an engraver. In 1811 he stayed with Albrecht at Lake Como, and painted in watercolours. He also engraved six hunting-pieces, after his brother Albrecht, at Milan, in 1813.[1]
Subsequently he painted landscapes and views of towns, which are executed with great accuracy.[1] His Das neue München mit den Bauten König Ludwigs I. (1839), a view in oils of the Max-Josephs-Platz, surrounded by 14 smaller pictures of new buildings in Munich, mounted together in one frame, is in the collection of the Munich Stadtmuseum.[2] A set of watercolours in a similar format is in the Metropolitan Museum in New York.[3]
This articleincorporates text from a publication now in the public domain:Bryan, Michael (1886). "Adam, Heinrich". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol.I (3rded.). London: George Bell & Sons.
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