Hugo Gerhard Simberg (24 June 1873 – 12 July 1917) was a Finnish symbolist painter and graphic artist.
Finnish painter (1873-1917)
Hugo Simberg
Born
Hugo Gerhard Simberg
(1873-06-24)24 June 1873
Hamina, Grand Duchy of Finland, Russian Empire (now Hamina, Finland)
Died
12 July 1917(1917-07-12) (aged44)
Ähtäri, Grand Duchy of Finland, Russian Republic (now Ähtäri, Finland)
Nationality
Finnish
Knownfor
Painter
Movement
Symbolism
Life and career
The birthplace of Hugo Simberg in the town of HaminaWorking on the Tampere Cathedral frescoes, 1904
Simberg was born on 24 June 1873, at Hamina (in the original Swedish: Fredrikshamn), the son of Colonel Nicolai Simberg and Ebba Matilda Simberg (née Widenius).[1] In 1891, at the age of 18, he enrolled at the Drawing School of the Viipuri Friends of Art, and he also studied at the Drawing School of the Finnish Art Society from 1893 to 1895, but in 1895 he decided to become the private pupil of Akseli Gallen-Kallela at his wilderness studio Kalela in Ruovesi. He studied under Gallen-Kallela for three periods between 1895 and 1897.[1][2]
In 1896 Simberg went to London, and in 1897 to Paris and Italy. During these years he exhibited several works at the Finnish Artists' autumn exhibitions, including Autumn, Frost, The Devil Playing and Aunt Alexandra (1898), which were well received. Critical success led to his being made a member of the Finnish Art Association and to his being appointed to teach at the Drawing School of the Viipuri Friends of Art.[1]
In 1904 he was commissioned to decorate the interior of St John's church in Tampere (now Tampere Cathedral), a project which he carried out with Magnus Enckell between 1904 and 1906. At the turn of the year 1907-08 he made a short visit to the United States.[1] He also designed the UPM-Kymmene logo, the Griffon (1899).
From around 1907 to 1913 he taught at the Drawing School of the Finnish Art Association at Ateneum.[1] In 1910, he married Anni Bremer. They had two children, Tom and Uhra-Beata, the latter of whom became a rya artist.[3]
He died in Ähtäri on 12 July 1917.[1][4] His biographer, Helena Ruuska, suspects that he battled an unknown disease, possibly syphilis, for a long time.[5][6][7][8]
Style
Simberg's paintings emphasize mainly macabre and supernatural topics.[9] Simberg's most famous painting is The Wounded Angel. Its titular character appears in the shape of a winged angel with a bandaged head, borne on a stretcher by two somberly dressed boys, one of whom looks toward the viewer with a serious expression. The painting is the best known of the artist's works and is especially famous in Finland.[1] The Finnish symphonic metal band Nightwish released in 2007 a music video influenced by this painting, "Amaranth".
Another famous painting is The Garden of Death, which, like many of Simberg's paintings, depicts a gloomy, otherworldly scene. The central figures are reminiscent of the classic black-clad Grim Reaper, but paradoxically are tending to gardens, traditionally symbols of birth or renewal.[11]
Spring Evening During the Break-Up of the Ice, 1897 (fi)
The Wind Blows, 1897
Aunt, 1898
The Poor Devil with its Twins, 1898, watercolor and oil
The Farmer's Wife and the Poor Devil with its Twins, 1899
Yawning Snake, 1899, painted on his travels in the Caucasus
Potato Girl, 1901
Brothers, early 1900s
Simberg's frescoes in the Tampere Cathedral, 1904–1906
Sheep Girl, 1913
Towards the evening, 1913
Death series
The Peasant and Death at the Gates of Heaven and Hell, 1897, watercolor
Death Listens, 1897, watercolor, exemplifying Simberg's typical patient Death who politely first listens to the violin performance before taking the old woman[12][13]
Death and the Potato Peeler, unknown date
Playmates, 1897, line engraving on copper plate
At the Gate of Tuonela, 1898, oil on canvas
Dance on the Quay, 1899, gouache
Travel Companions, 1901, gouache
See also
Golden Age of Finnish Art
Art in Finland
Notes
Simberg describes how in London at dusk he saw youths gathering at a park, forming a circle, with a man and a woman entering the center and beginning to passionately kiss. He described the feeling as if he had heard the devil playing somewhere nearby.[5]
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