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Ivan Aguéli (born John Gustaf Agelii) (May 24, 1869 – October 1, 1917) also named Shaykh ʿAbd al-Hādī al-ʿAqīlī (Arabic: شيخ عبد الهادی عقیلی) upon his conversion to Islam, was a Swedish wandering Sufi, painter and author. As a devotee of Ibn Arabi, his metaphysics applied to the study of Islamic esoterism and its similarities with other esoteric traditions of the world. He was one of the initiators of René Guénon into Sufism[1] and founder of the Parisian Al Akbariyya society. His art was a unique form of miniature Post-Impressionism where he used the blend of colours to create a sense of depth and distance. His unique style of art made him one of the founders of the Swedish contemporary art movement.

Ivan Aguéli ('Abd al-Hādī 'Aqīlī)
Ivan Aguéli in Cairo.
TitleSheikh, "Muqaddim of Europe"
Personal
Born(1869-05-24)May 24, 1869
Sala, Västmanland, Sweden
DiedOctober 1, 1917(1917-10-01) (aged 48)
L'Hospitalet de Llobregat, Catalonia, Spain
ReligionSunni Islam
RegionEurope, Egypt
CreedShadhili, Malamatiyya
Main interest(s)Sufism, Impressionism, Symbolism, Comparative religion, Animal rights, Anarchism
Notable idea(s)Non-syncretic metaphysical comparative analysis of orthodox religious esotericisms, the core of the traditionalist method.
Notable work(s)Écrits pour La Gnose (French)
Senior posting
Influenced by
Influenced

Childhood and youth


Ivan Aguéli was born John Gustaf Agelii in the small Swedish town of Sala in 1869, the son of veterinarian Johan Gabriel Agelii. Through his mother, he was related to the 18th century Swedish metaphysician Emanuel Swedenborg.[2]

Between the years 1879–1889, Aguéli conducted his studies in Gotland and Stockholm. Early on in his youth he began showing an exceptional artistic talent and a keen interest in religious mysticism.

In 1889 he adopted the name Ivan Aguéli and travelled to Paris where he became the student of the Symbolist painter Émile Bernard. Before returning to Sweden in 1890 he made a detour to London, where he met the Russian anarchist scholar Prince Kropotkin.[3]

Returning to Stockholm in 1890, Aguéli attended art school in Stockholm where he was taught by the Swedish artists Anders Zorn and Richard Bergh. By the end of 1892, he again returned to Paris, where he became acquainted with French poet and animal-rights activist Marie Huot (1846–1930).

Active in French anarchist circles, he was in 1894 arrested and put on trial in the "Trial of the thirty". Within months of his release in 1895 he left France for Egypt, where he lived until he returned to Paris in 1896.[4] It was later on in Paris that Aguéli ended up converting to Islam and adopted the name 'Abd al-Hadi.

In 1899 he travelled to Colombo (in today's Sri Lanka), again returning to France in 1900.[5]


Egypt


In 1902 Aguéli moved to Cairo and became one of the first Western Europeans to be officially enrolled at Al-Azhar University, where he studied Arabic and Islamic philosophy.[6] In 1902 he was also initiated into the al-'Arabiyya Shadhiliyya Sufi order by the great Egyptian Shaykh 'Abd al-Rahman Ilaysh al-Kabir (1840–1921).[7]

With the blessing of Shaykh Ilaysh, Aguéli and an Italian journalist named Enrico Insabato (1878–1963) founded and contributed to a magazine published in Cairo (1904–1913) named Il Convito (Arabic: An-Nadi). This was published in Italian and Arabic (and briefly also in Ottoman Turkish). In Arabic, it promoted a favorable view of Italy as a friend of Islam, and in Italian it promoted a favorable view of Islam. It contains the first known use of the term "Islamophobia," in an article by Aguéli.


Al Akbariyya


Aguéli founded Al Akbariyya as a secret Sufi society in Paris in 1911. Among its first members was René Guénon. Its purpose was to promote the teachings of Muhyiddin Ibn Arabi among the "scholarly, educated and freethinking classes..."[8] through the practice of the Shadhili and Malamati Sufi paths. The only time this society is mentioned is in a letter written by Aguéli in September 1911 to an unknown address in Cairo announcing its founding,[8] not much more is known.

During this period, Aguéli wrote several articles on Islamic topics for La Gnose, an esoteric journal edited by Guénon. These articles were late reprinted in Études traditionnelles, the main journal of the Traditionalist movement.


First World War and Spain


Suspected to be an Ottoman spy he was expelled to Spain in 1916. Stranded in Spain, Aguéli was left without money to return to Sweden and on October 1, 1917 he was killed by a train at a rail crossing in the village of L'Hospitalet de Llobregat outside Barcelona.[9]

After Aguéli's death, Prince Eugen Bernadotte, who was known as a patron of artists, made certain to return his paintings and belongings to Sweden.


Aguéli's legacy


The Fountain of Ivan Aguéli in Sala.
The Fountain of Ivan Aguéli in Sala.

In Sweden, Aguéli is admired as a celebrated contemporary painter. Most of his paintings are found at the Swedish National Museum of Fine Arts, the Museum of Modern Art and the Aguéli Museum in Sala. Aguéli's impact in Sweden was clearly shown in 1969 when, at the centenary of his birth, six of his paintings were printed as stamps by the Swedish Postal Service.

Aguéli is also recognized as an important influence on Guénon and through him on the Traditionalist movement. His views on Islamic esotericism have been widely adopted.

Aguéli's remains were kept in Barcelona, Spain until 1981, when he was brought back to Sweden and re-buried with Islamic rites in his hometown of Sala.

The Aguéli Museum in Sala has the largest collection of his artworks, donated by Sala's well-known physician Carl Friberg to the Nationalmuseum.


Bibliography


Swedish:

English:

French:


See also



References


  1. Waterfield, p.29
  2. Patrick Laude, Universal Dimensions of Islam: Studies in Comparative Religion, World Wisdom (2011), p. 134
  3. Gauffin I, p.67
  4. Gauffin I, pp.131
  5. Gauffin II, pp.42
  6. Gauffin II, pp.121
  7. Almqvist, pp.17–19
  8. Gauffin, Axel (1940). Ivan Aguéli – Människan, mystikern, målaren (in Swedish). Vol. 2. Sveriges Allmänna Konstförenings Publikation. pp. 188–189.
  9. Brummer, pp.63–64



На других языках


[de] Ivan Aguéli

Ivan Aguéli (* 24. Mai 1869 in Sala, Schweden, als John Gustaf Agelii; † 1. Oktober 1917 in L’Hospitalet de Llobregat bei Barcelona, Spanien), nach seiner Annahme des Islams auch Sheikh 'Abd al-Hadi Aqhili genannt, war ein schwedischstämmiger Wandersufi, Maler und Autor. Als Anhänger Ibn Arabis richtete er seine metaphysischen Studien auf die islamische Esoterik und deren Ähnlichkeiten mit anderen esoterischen Traditionen der Welt. Er nahm René Guénon in den Sufismus auf[1] und gründete die Pariser Al Akbariyya-Gesellschaft. Als Maler fand er zu einem eigentümlichen Post-Impressionismus. Seine zumeist kleinformatigen Gemälde sind gegenständlich, doch durch Vereinfachung der Formen und sanfte, „blasse“ Farbgebung erzielen sie den Eindruck der Entrücktheit ihrer Gegenstände. Etliche von ihnen gingen in die Bestände von Museen ein.
- [en] Ivan Aguéli

[es] Ivan Aguéli

Ivan Aguéli (nacido con el nombre de John Gustaf Agelii) (Sala, 24 de mayo de 1869-Barcelona, 1 de octubre de 1917) también conocido como Sheikh 'Abd al-Hādī 'Aqīlī (árabe: شيخ عبد الهادی عقیلی‎‎) tras su conversión al islam, era un pintor sueco y escritor errante. Como devoto de Ibn Arabi, aplicó su metafísica al estudio del esoterismo islámico y sus semejanzas con otras tradiciones esotéricas del mundo. Introdujo a René Guénon al sufismo[1] y fue fundador de la sociedad Al Akbariyya en París. Su arte es una forma única de miniatura Post-impresionista donde utilizó la combinación de colores para crear un sentido de profundidad y distancia. Su particular estilo le hizo uno de los fundadores del movimiento de arte contemporáneo sueco.

[fr] Ivan Aguéli

Ivan Aguéli (né John Gustaf Agelii ; 24 mai 1869-1er octobre 1917), également connu sous le nom de Sheikh 'Abd al-Hadi Aqhili (arabe : شيخ عبد الهادی عقیلی) à la suite de sa conversion à l'Islam, est un peintre et penseur traditionaliste suédois.

[ru] Агуэли, Иван

Иван Агуэли (фр. Ivan Aguéli) (1869—1917) — шведский художник, обратившийся в ислам под именем Абдул-Хади. Обратил к суфийской традиции Рене Генона.



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