Jeremy Gardiner (born 26 April 1957) is a contemporary landscape painter who has been based in the United Kingdom and the United States. His work has been featured in books.[1][2] It has also been reviewed in the The Boston Globe,[3]Miami Herald,[4]The New York Times,[5][6] and British newspapers including The Guardian[7] and The Observer.[8]
Jeremy Gardiner was born in Münster, Germany.[9] He was educated at Newcastle University, UK (BA Hons in Fine Art, 1975–79) and the Royal College of Art in London (MA in Painting, 1980–83), where he was awarded a John Minton Scholarship.[10]
Work themes
Southforeland Lighthouse, Kent, by Jeremy Gardiner
Gardiner seeks to capture the genius loci or a sense of place, with his artworks having been compared with those of Paul Nash and Graham Sutherland.[11] His paintings are the product of a long engagement with coastal landscapes in Britain.[12] He has continued the approach to landscapes of 20th-century St Ives modernist artists such as Peter Lanyon, Ben Nicholson, and John Tunnard.[9] Gardiner's landscape subjects have included locations from the Jurassic Coast,[13][14] especially in Dorset, and the coastline of Cornwall,[15] in southern England.
Jeremy Gardiner's work Purbeck Light Years used hybrid techniques combining computer animation, painting and drawing, and immersive virtual reality.[16] Gardiner also worked on a project Light Years Coast, a virtual recreation of the Jurassic Coast in Dorset.[17]
Fellowships, grants, and awards
During 1984-86, Gardiner was a US Harkness Fellow in the MIT Media Lab at the Massachusetts Institute of Technology in the United States.[18][19] Also in 1984, he was awarded a UK Churchill Fellowship.[10]
Gardiner was the winner of the 2003 Peterborough Art prize for the work Purbeck Light Years.[10] In 2013, he was awarded The Discerning Eye ING Art Prize for the work Pendeen Lighthouse Cornwall.[20]
In 2017, Gardiner was awarded a Senior Fellowship by the UK Higher Education Academy, in 2020 he was awarded an Arts Council England Grant, and in 2022 he was awarded a British Council UK-China Connections through Culture Grant.[10]
Jeremy Gardiner’s paintings are held in international collections in the United Kingdom including Hatton Gallery, Pallant House Gallery, Southampton City Art Gallery, Victoria Art Gallery,[39] and elsewhere. Other collections with his work include BNP Paribas, London; Davis Polk & Wardwell, Paris; Ente Nazionale Idrocarburi (Eni), Milan; Government Art Collection,[40] London; Imperial College Art Collection, London; ING Group, Amsterdam; NYNEX Corporate Collection, USA; Pinsent Masons; Royal College of Art Collection, London;[41]Victoria and Albert Museum (V&A), London.[42]
Academic positions
In parallel with being an artist, Jeremy Gardiner has held academic positions at Birkbeck, University of London, the University of West London, Bath Spa University, the University of Florida, Printmaking at the Royal College of Art, Department of Digital Arts at the Pratt Institute (New York), the Media Lab at the Massachusetts Institute of Technology,[18] and a full professor position at Ravensbourne University London in east London.[43]
Wise, Kelly (6 June 1987). "Jeremy Gardiner". The Boston Globe.
Angulo, Sandie (17 August 1995). "Grants reward the Creative Struggle". Miami Herald.
Raynor, Vivien (25 October 1987). "Bronx Museum of the Arts". The New York Times.
Harrison, Helen (9 June 1991). "Varied Approaches of Expatriates". The New York Times.
Jones, Jonathan (25 July 2015). "Facing History". The Guardian.
Marks, Lawrence (7 December 1980). "At at Work". The Observer.
Baron, Wendy; Collins, Ian; Varley, William; Davies, Peter; Payne, Christiana; Martin, Simon (2013). The Art of Jeremy Gardiner: Unfolding Landscape. Lund Humphries. ISBN978-1848221017.
Gardiner, Jeremy; Head, Anthony (2013). "Chapter 6: Light Years: Jurassic Coast: An Immersive 3D Landscape Project". In Bowen, Jonathan P.; Keene, Suzanne; Ng, Kia (eds.). Electronic Visualisation in Arts and Culture. Series on Cultural Computing. Springer. pp.75–89. doi:10.1007/978-1-4471-5406-8_6. ISBN978-1-4471-5406-8.
"Jeremy Gardiner". Cornwall Artists Index. Retrieved 25 October 2022.
Wands, Bruce (2005). Art in the Digital Domain. Thames and Hudson. pp.108–109. ISBN978-0-500-23817-2.
Worden, Suzette (2015). "The Earth Sciences and Creative Practice: Entering the Anthropocene". In Dew, H. (ed.). Handbook of Research on Digital Media and Creative Technologies. Hershey, Pennsylvania: IGI Global. pp.110–140. ISBN978-1466682054.
"Jeremy Gardiner RCA". digitalartmuseum.org. Digital Art Museum. Retrieved 2 September 2016.
Ross, John (1990). "Computers and the Print". The Complete Printmaker. Free Press. p.269. ISBN0-02-927371-4.
Bowen, Jonathan P.; Fan, Huan (2022). "The Chengdu Biennale and Wikipedia Art Information". EVA London 2022: Electronic Visualisation and the Arts. Electronic Workshops in Computing (eWiC). London, UK: BCS. doi:10.1423/ewic/EVA2022.23.
Baron; Collins, Ian; Varley, William; Davies, Peter; Payne, Christiana; Martin, Simon (2013). The Art of Jeremy Gardiner: Unfolding Landscape. Lund Humphries. ISBN978-1-84822-100-0. OCLC802295307.
Gardiner, Jeremy (2016). Pillars of Light. London: Paisnel Gallery. ISBN978-0993174643.
Gardiner, Jeremy; Lambirth, Andrew; Payne, Christana; LeGrove, Judith; Marshall, Steve (2020). South by Southwest: The Coast Revealed. Bristol: Sansom & Company, Redcliffe Press. ISBN978-1-911408-43-7.
Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.
2019-2025 WikiSort.org - проект по пересортировке и дополнению контента Википедии