Joan Grounds (born 1939) is an American-born artist. She has been exhibiting in Australia and internationally from 1967. Her solo and collaborative art work is held in the National Gallery of Australia (ceramics), the National Gallery of Victoria ( both film and ceramics) and in the Powerhouse Museum of Arts and Applied Sciences (ceramics). Her hybrid practice incorporated ceramics, sculpture, sound art, film and performance art.
Joan Grounds | |
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Born | 1939 Atlanta, USA |
Education | Bachelor of Arts (Tulane University) Master of Arts (University of California) |
Known for | Sculpture, ceramics, performance art, film |
Movement | Multi disciplinary |
Grounds was born in Atlanta USA in 1939.[1] She obtained a Bachelor of Fine Arts from Tulane University in 1962 and a Master of Arts from the University of California in 1964.[1] She exhibited in Ghana and the US before coming to Australia in 1969, she currently lives in Melbourne
Grounds's first major installation work was a fire sculpture on a beach in Ghana in 1968, later repeated on deserted beaches in New South Wales.[1] She would continue to engage with nature in later site specific installation work including the "Four Quartets" in 1987-1988.
Grounds was the director of the "Tin Sheds" from 1976 to 1979. It was officially called the Sydney University Art Workshop. Grounds fostered the "Sheds" as a vibrant hub for a diversity of politically active artists, students and the broader community and it supported many sub-groups. She later taught at the College of Fine Arts, UNSW.
Grounds collaborated with Aleks Danko on several performance and film projects and had a 10 year collaboration with Sherre Delys, producing sound sculpture and public art installation. Other collaborators were N.S. Harsha, Rik Rue, Margaret Dodd, Stevie Wishhart and Jane Finlay.[citation needed]
"Joan Grounds' work....engages with nature, with the placement of women, with the body of women, with memory and with ways of exploring all of these." (Julie Ewington, 2001)[2]
"The installations are as formal and elusive as music. And you are the music while the music lasts." (George Alexander, 1989)[3]
(Source VisualArts, Queensland)[1]
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