Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil.

Joaquim Tenreiro
Cabinet designed by Joaquim Tenreiro in the hall of the Hotel Cataguases.
Born	1906 Melo, Gouveia, Portugal
Died	1992 Itapira, Brazil
Nationality	Portuguese and Brazilian
Notable work	Poltrona Leve, Cadeira de Embalo
Movement	European modernism

Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch Hirth.

In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. One of his main clients was Brazilian architect Oscar Niemeyer, for whose houses a number of pieces were originally commissioned.

Taking advantage of indigenous Brazilian hardwoods and designing with the Brazilian climate in mind by keeping pieces light, and often using wicker or cane, Tenreiro evolved a distinctive style suited to local conditions. His 1947 "Cadeira de Embalo" (Rocking Chair) is still in production. An example of his iconic "three-legged chair" sold at auction in 2008 for over US$90,000.[1]

Tenreiro gave up the furniture business in the late 1960s to concentrate on his painting and sculpture, in which he had been engaged privately for many decades. He died in Itapira, Brazil, aged 86.

References

External links

• Biography on "R Gallery"
• Legado Arte: Cadeira de Embalo

Exhibitions (catalogues)

• Joaquim Tenreiro: esculpinturas, Galeria Bonino, (Rio de Janeiro 1975).
• Ascânio MMM; Ronaldo do Rego Macedo; João Fortes Engenharia: Joaquim Tenreiro: madeira/arte e design, Galeria de Arte do Centro Empresarial Rio, (Rio de Janeiro 1985).
• Tenreiro: Soraia Cals; André Seffrin; Maria Cecília Loschiavo dos Santos; Mário Grisolli, Bolsa de Arte do Rio de Janeiro (1998).