Karla Woisnitza (born 16 August 1952) is a German artist.
Karla Woisnitza | |
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Born | 16 August 1952 Rüdersdorf, East Germany (now Germany) |
Nationality | German |
Education | Dresden Academy of Fine Arts |
Woisnitza was born in Rüdersdorf. Before she went to art school, she took part in a drawing group in her hometown led by the artist Erika Stürmer-Alex. She studied set design from 1973 to 1979 at the Dresden Academy of Fine Arts. In her core curriculum, she studied with Günter Hornig, who was an inspiration to a number of influential performance artists in East Germany[1] and who gave his students room for creative experimentation despite the conservative climate of the academy.[2] During her studies, Woisnitza brought together women artists and founded loose networks.[1] These included her fellow students and upcoming artists like Christine Schlegel, Marie-Luise Bauerschmidt, Sabine Gumnitz, Monika Hanske, Cornelia Schleime, Angela Schumann. They realized a number of collective events together.[1] These informal performances involved body actions, such as Face Painting Action (Gesichts-malaktion, 1978–1979).[2]
In 1991, Woisnitza received a diploma in painting and graphic design from the Academy. In 1992, she received the Marianne Werefkin Prize [de] from the Berlin Women Artist Association [de]. From 1993 to 1995, she painted seven large frescoes for the Virchow-Klinikum campus of the Charité hospital in Berlin. In 1994, Woisnitza received the Käthe Kollwitz Prize from the Berlin Academy of Arts. In 2002, she created a fresco for the church hall of the Evangelical church in Rüdersdorf.[3]
Woisnitza was encouraged by two artist/teachers, Gunther Hornig and Erika Sturmer-Alex to do non-conformist conceptual art. She developed "an artistic activation of the body in the interest of female self-assurance and empowerment"[2] and would call "into question traditional representations of femininity as well as the basic difference between internal and external perception."[2]
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