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Ludwig Hohlwein (27 July 1874 in Wiesbaden – 15 September 1949 in Berchtesgaden) was a German poster artist, a pioneer of the Sachplakat style. He trained and practiced as an architect in Munich until 1911, when he moved to Berlin and switched to poster design.[1]

Ludwig Hohlwein
Born(1874-07-27)July 27, 1874
Wiesbaden, German Empire
DiedSeptember 15, 1949(1949-09-15) (aged 75)
Berchtesgaden, West Germany
NationalityGerman
StyleGebrauchsgrafik

Early years


Hohlwein was born in the Rhine-Main region of Germany, though he and his work are associated with Munich and Bavaria in southern Germany. There were two schools of "Gebrauchsgrafik" in Germany at the time, North and South. Hohlwein's high tonal contrasts and a network of interlocking shapes made his work instantly recognizable.[citation needed]


Career


He travelled to the United States in the 1920s to conduct commercial work. A large portion of his work dates to 1912-1925. His style usually consists of sharply defined forms, bright colors, a good portion of humor and textured patterns. By 1925, he had already designed 3000 different advertisements.[citation needed]

Poster for Jasmatzi (1908)
Poster for Jasmatzi (1908)
Advertising for Hellabrunn Zoo (1912)
Advertising for Hellabrunn Zoo (1912)

During World War II, he was a member of the Nazi party and worked closely with Joseph Goebbels and The Ministry of Propaganda and Enlightenment. And as an ardent nationalist, indicated by his work for the government during both World Wars, he urged other artists to join the effort when Hitler came to power in 1933.[2]

“May the best among us realize fully the significance of what is at stake and their own responsibility, and may we labor creatively and with conviction at the preservation of our cultural civilization and its restoration to perfectly healthy conditions.”

"Holhwein’s posters for Nazi Germany are the most dramatic examples of National Socialist realism."[3]

1910 poster for a Richard Strauss festival
1910 poster for a Richard Strauss festival

His work was also part of the art competitions at the 1932 Summer Olympics and the 1936 Summer Olympics.[4]


Recognition


Poster historian Alain Weill comments that "Hohlwein was the most prolific and brilliant German posterist of the 20th century... Beginning with his first efforts, Hohlwein found his style with disconcerting facility. It would vary little for the next forty years. The drawing was perfect from the start, nothing seemed alien to him, and in any case, nothing posed a problem for him. His figures are full of touches of color and a play of light and shade that brings them out of their background and gives them substance"[5]


References


  1. Clifford, John (2014). Graphic Icons: Visionaries who Shaped Modern Graphic Design. Pearson Education. ISBN 9780321887207.
  2. Ciulla, Joanne B.; Forsyth, Donelson R.; Genovese, Michael A. (2008). Leadership at the Crossroads. ABC-CLIO. ISBN 9780275997601.
  3. Boylston, Scott (September 2003). "A Study of Nazi Propaganda". {{cite journal}}: Cite journal requires |journal= (help)
  4. "Ludwig Hohlwein". Olympedia. Retrieved 2 August 2020.
  5. Weill, Alain, The Poster a Worldwide Survey and History, G K Hall, 1985, ISBN 978-0-8161-8746-1



На других языках


[de] Ludwig Hohlwein

Ludwig Hohlwein (* 27. Juli 1874 in Wiesbaden; † 15. September 1949 in Berchtesgaden) war ein deutscher Plakatkünstler, Grafiker, Architekt und Maler.
- [en] Ludwig Hohlwein

[fr] Ludwig Hohlwein

Ludwig Hohlwein est un architecte et plasticien allemand, né à Wiesbaden le 27 juillet 1874 et mort à Berchtesgaden le 15 septembre 1949. Il reste l'un des affichistes et graphistes les plus prolifiques et les plus inventifs du début du XXe siècle[1].

[it] Ludwig Hohlwein

Ludwig Hohlwein (Wiesbaden, 27 luglio 1874 – Berchtesgaden, 15 settembre 1949) è stato un architetto, pittore e illustratore tedesco. Assieme a Lucian Bernhard, Ernst Deutsch-Dryden, Hans Rudi Erdt e Julius Klinger fu tra i più rinomati artisti nel campo della pubblicità dei primi del '900 in Germania.



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