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Ludwig Knaus (5 October 1829 – 7 December 1910) was a German genre painter of the younger 7 Düsseldorf school of painting.

Ludwig Knaus, 1860s
Ludwig Knaus, 1860s

Biography


He was born at Wiesbaden and studied from 1845 to 1852 under Sohn and Schadow in Düsseldorf. His early works, like The Gamblers in the Düsseldorf Gallery, are in the manner of that school, being dark and heavy in color. This deficiency was remedied by study at Paris, whither he went in 1852 and enrolled as a pupil of Thomas Couture. In 1853 his Morning after the Kermess received the second gold Medal of the Salon and made him a celebrated painter. Except for a year's study in Italy he remained in Paris until 1860.[1]

His chief works of this period include The Golden Wedding, The Baptism, and The Promenade, purchased for the Luxembourg. From 1861 to 1866 he practiced at Berlin, producing such works as Boys Playing Cards, Looking for a Bride (Wiesbaden Museum), and His Highness on His Travels. The next eight years of his life saw the production of much of his best work, including The Children's Festival (Nation Gallery, Berlin), In Great Distress, and The Village Prince. From 1874 to 1883 he was professor at the Royal Prussian Academy, Berlin, continuing to reside in that city until his death.

Girl in a Field (1857)
Girl in a Field (1857)

Among the most important works of his last period were: The Holy Family and The Road to Ruin, both painted in 1876 and now in the Metropolitan Museum of Art, New York; Behind the Curtain (1880), Dresden Gallery; The Rag Baby (1880) and A Village Festival (1881), both in the Vanderbilt collection, Metropolitan Museum, New York; and A Duel. During his last period Knaus also painted a series of “Idyls,” with nudes in a rather classical style, of which an important example is in the Wiesbaden Museum.

The most famous examples of his portraits, which are genre in character, are those of the scientist Helmholtz and the historian Mommsen, both in the National Gallery, Berlin. Among his many distinctions were the great gold medal of the Berlin Exhibition of 1861 and the grand medal of honor at the Paris Exposition of 1867. Many of his works are represented at the Museum Wiesbaden.

He was a member of the Berlin, Munich, and many other academies; an Officer of the Legion of Honor and a Knight of the Prussian Order Pour le Mérite. Possibly, his most famous work is Girl in a Field (1857). Engravings of his works were especially popular among the German peasantry.


Notes


  1. New International Encyclopedia

References





На других языках


[de] Ludwig Knaus

Philipp Christian Ludwig Knaus (* 5. Oktober 1829 in Wiesbaden; † 7. Dezember 1910 in Berlin) war einer der erfolgreichsten und einflussreichsten Maler der zweiten Hälfte des 19. Jahrhunderts in Deutschland und ein Hauptvertreter der Düsseldorfer Malerschule. Frühe Berühmtheit erlangte er als Genremaler, ebenso als Porträtist. Darüber hinaus war sein Können auch in der Werbebranche gefragt.[1] Um 1900 hatte er als Maler einen so hohen Stellenwert erreicht, dass ihm das Große Konversations-Lexikon Meyers eineinhalb Spalten widmete und resümierte: „Die echt deutsche Richtung seiner Kunstanschauung gipfelt in der Schilderung des Kinderlebens […]. Seine Bilder haben durch Stich und Photographie eine große Popularität erreicht. Er ist Professor, Mitglied der Akademie, Ritter des Ordens pour le mérite und seit 1861 im Besitz der großen Medaille der Berliner Kunstausstellung.“[2] Obwohl Ludwig Knaus der erfolgreichste Wiesbadener Maler im 19. Jahrhundert war, musste man zu seinem 100. Todestag im Jahr 2010 in seiner Geburtsstadt resümieren: „Den bedeutendsten Wiesbadener Künstler hat die Kunstgeschichte nicht bewältigt. Auch er zählt hier zu den großen Toten.“[3]
- [en] Ludwig Knaus

[fr] Ludwig Knaus

Ludwig Knaus, né le 5 octobre 1829 à Wiesbaden et mort à Berlin le 7 décembre 1910, est un peintre allemand.

[ru] Кнаус, Людвиг

Лю́двиг Кна́ус (нем. Ludwig Knaus; 1829—1910) — немецкий художник; согласно статье в «ЭСБЕ» А. И. Сомова: «самый значительный живописец-жанрист в Германии, один из лучших представителей новой дюссельдорфской школы»[4].



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