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Martin Parr CBE (born 23 May 1952) is a British documentary photographer,[3] photojournalist and photobook collector. He is known for his photographic projects that take an intimate, satirical and anthropological[4] look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world.

For the British actor, see Martin Parr (actor). For the British colonial governor, see Martin Willoughby Parr.

Martin Parr
CBE
Martin Parr in October 2010
Born (1952-05-23) 23 May 1952 (age 70)
Epsom, Surrey, England
EducationManchester Polytechnic
Known forPhotography
AwardsHonorary Fellow of the Royal Photographic Society (HonFRPS) in 2005[1]
Centenary Medal from the Royal Photographic Society in 2008[2]

His major projects have been rural communities (1975–1982), The Last Resort (1983–1985), The Cost of Living (1987–1989), Small World (1987–1994) and Common Sense (1995–1999).

Since 1994, Parr has been a member of Magnum Photos.[4] He has had around 40 solo photobooks published, and has featured in around 80 exhibitions worldwide – including the international touring exhibition ParrWorld,[5] and a retrospective at the Barbican Arts Centre, London, in 2002.[6]

The Martin Parr Foundation, founded in 2014, and registered as a charity in 2015[7] opened premises in his hometown of Bristol in 2017. It houses his own archive, his collection of British and Irish photography by other photographers, and a gallery.[8]


Life and career


Parr in 2014
Parr in 2014

Personal life


Born in Epsom, Surrey,[9] Parr wanted to become a documentary photographer from the age of fourteen. He cites his grandfather, George Parr, an amateur photographer[9] and fellow of the Royal Photographic Society, as an early influence.[4][10]: 13, 14  He married Susan Mitchell and they have one child, Ellen Parr (born 1986). Parr was diagnosed with cancer in May 2021.[11]


Photographer


Parr has said of his photography:

The fundamental thing I'm exploring constantly is the difference between the mythology of the place and the reality of it.[10]: 57  ... Remember I make serious photographs disguised as entertainment. That's part of my mantra. I make the pictures acceptable to find the audience but deep down there is actually a lot going on that's not sharply written in your face. If you want to read it you can read it.[10]: 69, 70 

Parr's aesthetic is close-up, through use of a macro lens, and employing saturated[12] colour, a result of either the type of film and/or use of a ring flash. This allows him to put his subjects "under the microscope" in their own environment, giving them space to expose their lives and values in ways that often involve inadvertent humour.[4] His technique, as seen in his book Signs of the Times: A Portrait of the Nation's Tastes (1992), has been said to leave viewers with ambiguous emotional reactions, unsure whether to laugh or cry.[13]


Manchester Polytechnic, 1970–1973

Parr studied photography at Manchester Polytechnic from 1970 to 1972 with contemporaries Daniel Meadows and Brian Griffin.[14]: 24  Parr and Meadows collaborated on various projects,[15]: 14  including working at Butlin's as roving photographers.[16] They were part of a new wave of documentary photographers, "a loose British grouping, which, though it never gave itself a title have become variously known as 'the Young British Photographers', 'Independent Photographers' and the 'New British Photography'."[10]: 49, 50 [14]: 17 


Rural communities, West Yorkshire, Greater Manchester and Ireland, 1975–1982

In 1975 Parr moved to Hebden Bridge in West Yorkshire[10]: 23 [17] where he would complete his first mature work.[18] He was involved with the Albert Street Workshop, a hub for artistic activity which included a darkroom and exhibition space. Parr spent five years photographing rural life in the area, focusing on the Methodist (and some Baptist) non-conformist chapels, a focal point for isolated farming communities that in the early 1970s were closing down. He photographed in black-and-white, for its nostalgic nature and for it being appropriate to his celebratory look at this past activity.[17] Also, photographers at that time were obliged to work in black-and-white to be taken seriously, colour being associated with commercial and snapshot photography.[17] His series The Non-Conformists was widely exhibited at the time and published as a book in 2013.[19][20] Critic Sean O'Hagan, writing in The Guardian, said "It's easy to forget how quietly observational Parr was as a black-and-white photographer."[20]

In 1980 Parr married Susan Mitchell and, for her work, they moved to the west coast of Ireland. He set up a darkroom in Boyle, County Roscommon.

Parr's first publications, Bad Weather, published in 1982 by Zwemmer with an Arts Council subsidy, Calderdale Photographs (1984) and A Fair Day: Photographs from the West Coast of Ireland (1984), all featured photographs from mostly northern England, and Ireland, in black-and-white. He used a Leica M3 with a 35 mm lens;[17][21] although for Bad Weather he quickly switched to an underwater camera with a flashgun.[22]


The working class, The Last Resort, 1982–1985

In 1982 Parr and his wife moved to Wallasey, England, and he switched permanently to colour photography, inspired by the work of US colour photographers, mostly Joel Meyerowitz, but also William Eggleston and Stephen Shore, and also the British Peter Fraser and Peter Mitchell.[10]: 31  Parr has written that "I had also encountered the post cards of John Hinde when I worked at Butlin's in the early 70s and the bright saturated colour of these had a big impact on me."[23] During the summers of 1983, 1984 and 1985[10]: 35–36  he photographed working-class people at the seaside in nearby New Brighton. This work was published in the book The Last Resort: Photographs of New Brighton (1986) and exhibited in Liverpool and London.

Although John Bulmer had pioneered colour documentary photography of Britain, from 1965,[24] Gerry Badger has said of The Last Resort:[25]

It is difficult from a perspective of almost a quarter of a century to underestimate [sic] the significance of The Last Resort, either in British photography or Martin Parr's career. For both, it represented a seismic change in the basic mode of photographic expression, from monochrome to colour, a fundamental technical change that heralded the development of a new tone in documentary photography.

Karen Wright, writing in The Independent, has said "He was attacked by some critics for his scrutiny of the working classes, but looking at these works, one merely sees Parr's unflinching eye capturing the truth of a social class embracing leisure in whatever form available."[26]


The middle class, The Cost of Living (1987–1989)

In 1985 Parr completed a commission for the Documentary Photography Archive in Manchester to photograph people at supermarkets in Salford, Retailing in the Borough of Salford, which is now held at the archive.[27]

He and his wife moved to Bristol in 1987,[28] where they still live. During 1987 and 1988 he completed his next major project, on the middle class, who were at that time becoming increasingly affluent under Thatcherism. He photographed middle-class activities such as shopping, dinner parties and school open days,[29] predominantly around Bristol and Bath[10]: 42  in the southwest of England. It was published as his next book The Cost of Living (1989) and exhibited in Bath, London, Oxford and Paris.

His book One Day Trip (1989) featured photographs taken when he accompanied people on a booze cruise to France, a commission from Mission Photographique Transmanche.


Mass tourism, Small World (1987–1994)

Between 1987 and 1994 Parr travelled internationally to make his next major series, a critique of mass tourism,[30][31][32][n 1] published as Small World in 1995. A revised edition with additional photographs was published in 2007. It was exhibited in 1995–1996 in London, Paris, Edinburgh, and Palma in Spain and has continued to be shown in various locations since.

He was visiting professor of photography at the University of Art and Design in Helsinki between 1990 and 1992.[33]


Global consumerism, Common Sense (1995–1999)

Between 1995 and 1999 Parr made the series Common Sense about global consumerism. Common Sense was an exhibition of 350 prints, and a book published in 1999 with 158 images. The exhibition was first shown in 1999 and was staged simultaneously in forty-one venues in seventeen countries.[34] The pictures depict the minutiae of consumer culture, and are intended to show the ways in which people entertain themselves. The photographs were taken with 35 mm ultra-saturated film for its vivid, heightened colours.[34]


Magnum Photos


Parr joined Magnum Photos as an associate member in 1988. The vote on his inclusion as a full member in 1994 was divisive, with Philip Jones Griffiths circulating a plea to other members not to admit him.[35] Parr achieved the necessary two-thirds majority by one vote. Magnum membership helped him work on editorial photography,[9] and on editorial fashion photography for Paul Smith, Louis Vuitton, Galerie du jour Agnès B. and Madame Figaro.[9][10]: 60–61 [36]

In 2014 Parr was voted in as president of Magnum Photos International,[37] a post he held for 3.5 years until 2017.[38]


Collector



Photobooks

Parr is a collector and critic of photobooks.[39][40][41] His collaboration with the critic Gerry Badger, The Photobook: A History (in three volumes) covers more than 1,000 examples of photobooks from the 19th century through to the present day. The first two volumes took eight years to complete.[4] Tate Modern's retrospective exhibition of Daido Moriyama in London included many Moriyama books loaned from Parr displayed in vitrines.


Other items

Parr also collects postcards, photographs and various other items of vernacular and popular culture[39] such as wallpaper, Saddam Hussein watches and prostitute advertising cards from phoneboxes (items with a photograph on them).[40][42] Here too, items from his collections have been used as the basis for publications and exhibitions. Since the 1970s, Parr has collected and publicised the garish postcards made between the 1950s and 1970s by John Hinde and his team of photographers.[16]


Curator


Parr was guest artistic director for the 2004 Rencontres d'Arles festival of photography,[43] guest curator of the New Typologies exhibition at the 2008 New York Photo Festival,[44] and guest curator of Brighton Photo Biennial in 2010, which he called New Documents.[43][45] Critic Sean O'Hagan, writing in The Guardian, said "Back in 2004, he was invited by the organisers of the annual Rencontres D'Arles to be guest curator. That year's Arles festival, in its range and ambition, remains the standard by which all subsequent Rencontres have been judged."[43]

Parr was artistic director of the newly established Bristol Photo Festival, scheduled to open in 2021. However in July 2020 he quit, due to his involvement with a 2018 reissue of the photobook London by Gian Butturini, after a campaign by an anthropology student at University College London, who called a pairing of photographs in it racist.[46][47][48][49]


Film and television


Parr has been involved in making television, and documentary and other films.

From 1990 to 1992 Parr collaborated with Nick Barker, taking photographs to accompany Barker's film Signs of the Times.

In 1997, Parr began producing his own television documentaries with Mosaic Film.

In 2003 Parr was the subject of and appeared extensively in the Imagine BBC One TV series episode The World According to Parr, directed and produced by Rebecca Frayn, and hosted and executive produced by Alan Yentob.[42]

He was cameraman on the film It's Nice Up North (2006) with comedian Graham Fellows (as his character John Shuttleworth). The film is a comic documentary filmed over several years in Shetland.[50]

In 2007 Parr took part in BBC Four's The Genius of Photography, a six-part documentary series exploring the history of photography.[9] In 2008 he was one of three judges on the Channel 4 series Picture This.[9]

In 2014 Parr created "Turkey and Tinsel", a 60-minute deadpan and often hilarious observational video documentary about faux Christmas in small town England.


Teaching


Parr was a visiting lecturer at West Surrey College of Art & Design (now University for the Creative Arts) in Farnham, Surrey.[51] In 2004 he was appointed professor of photography at the University of Wales, Newport.[9] In 2013 he was appointed professor of photography at Ulster University in Belfast.[52]


Martin Parr Foundation


The Martin Parr Foundation was founded in 2014. It opened premises in Bristol in October 2017.[8][53] The Foundation houses Parr's own archive, and his collection of prints and book dummies made by other photographers—mainly British and Irish photography, and work by several photographers from abroad who have photographed in the UK.[8] There is a gallery open to the public—its first exhibition was Parr's Black Country Stories[53]—and it is a hub for talks, screenings and events.[54] The Foundation is located in Paintworks in south East Bristol. Parr is the Foundation's main source of income.[8]


Reception


The German photographic curator Thomas Weski has said:[9]

Martin Parr is a chronicler of our age... Leisure, consumption and communication are the concepts that this British photographer has been researching for several decades now on his worldwide travels... Parr enables us to see things that have seemed familiar to us in a completely new way.

Dan Rule, writing in The Age, has said:[55]

Parr's signature is his ability not only to isolate the most evocative of human details, but to elevate such visual fragments to that of the wider societal signpost or glyph.


Honours and awards


Parr was appointed Commander of the Order of the British Empire (CBE) in the 2021 Birthday Honours for services to photography.[67][68][69]


Publications



Monographs



Retrospectives, private publications, and very limited publications



Papers and zines



Postcards



Books with others



Books edited or with contributions by Parr



Books about Parr


These also include photographs by Parr.


Exhibitions


Queue for the exhibition ParrWorld at Galerie nationale du Jeu de Paume, Paris, 2009.
Queue for the exhibition ParrWorld at Galerie nationale du Jeu de Paume, Paris, 2009.

Films



Collections


Parr's work is held in the following permanent collections:


See also



Notes


  1. The book Small World is reproduced at the Magnum Photos website.
  2. Librarians seem to disagree over whether this catalogue even has a title; and if so, what it is.
  3. The exhibition was held at the Hangaram Design Museum at Seoul Arts Center. Seo Dong-shin, "Documentary photos create fiction", The Korea Times, undated. Retrieved 13 April 2014.

References


  1. "Honorary Fellowships". Royal Photographic Society. Archived from the original on 20 November 2015. Retrieved 20 September 2015.
  2. "Centenary Medal". Royal Photographic Society. Archived from the original on 18 May 2015. Retrieved 20 September 2015.
  3. Coomes, Phil (29 February 2012). "England Uncensored by Peter Dench". BBC. Retrieved 20 March 2012.
  4. Robert Ayers (15 November 2006), "Martin Parr", Art+Auction, retrieved 23 April 2008
  5. Cadwalladr, Carole (25 October 2009). "Martin Parr: Parrworld". The Guardian. Retrieved 23 March 2014.
  6. Cribbin, Joe (7 February 2002). "Martin Parr: Photographic Works at the Barbican". Culture24. Retrieved 31 March 2014.
  7. Martin Parr Foundation https://register-of-charities.charitycommission.gov.uk/charity-search/-/charity-details/5050353/charity-overview Accessed 30 September 2022
  8. Padley, Gemma (18 September 2017). "Martin Parr's Foundation opens to the public". British Journal of Photography. Retrieved 22 October 2017.
  9. Byrne, Ciar (7 January 2008). "Martin Parr: How to put photography in the frame". The Daily Telegraph. Retrieved 31 March 2014. Channel 4 series, Picture This ... Martin Parr ... is one of the three judges on the show ... BBC4's The Genius of Photography, which also featured Parr ... Parr, who was born in Epsom, Surrey, in 1952, was introduced to the camera by his grandfather, a keen amateur photographer who lived on the outskirts of Bradford, West Yorkshire. He went on to study photography at school ... In the early part of his career, teaching provided the bulk of his income ... In 2004, he was appointed Professor of Photography at the University of Wales, Newport ... Magnum paved the way for Parr to do more commercial work, including fashion shoots for the likes of Paul Smith and Louis Vuitton, and magazine features ... his pictures already use "the language of advertising", making them more accessible ... In 2004, Parr was the guest artistic director for Rencontre D'Arles
  10. Parr, Martin; Bajac, Quentin (2010). Parr by Parr. Amsterdam: Schilt. ISBN 978-9-053307-37-3. QB: It is in Hebden Bridge, where you settled for several years ... MP: I moved there in 1975 and left in 1980.
  11. "'I didn't really watch any tennis': How Martin Parr captured the Grand Slam's real champions". TheGuardian.com. 5 October 2021.
  12. Dye, Erica (15 May 2013). "America in Color". The New Yorker. Retrieved 3 April 2014. retrospective of Martin Parr's photographs of life in the U.S., taken over the past twenty years ... Parr's saturated photographs
  13. Williams, Val (2002). Martin Parr. London: Phaidon. ISBN 0-7148-3990-6.
  14. Williams, Val (2011). Daniel Meadows: Edited Photographs From the 70s and 80s. Brighton: Photoworks. ISBN 978-1903796467.
  15. Meadows, Daniel (1975). Living Like This. London: Arrow. ISBN 0-09-911400-3. I was, at this time, working closely with a fellow photography student, Martin Parr, and in March we set about documenting the residents of a street in Salford.
  16. O'Hagan, Sean (8 November 2013). "The height of camp: kitsch, colour and casualwear at Butlins". The Guardian. Retrieved 29 March 2014. Parr worked briefly at Butlins in Filey, Yorkshire, as a "walkie" – roving photographer – and was later instrumental in the revival of Hinde's work in the 1980s.
  17. Reznik, Eugene (21 October 2013). "The Non-Conformists: Martin Parr's Early Work in Black-and-White". Time. Archived from the original on 21 October 2013. Retrieved 20 April 2014.
  18. "Ordinary lives, extraordinary photographs". The Daily Telegraph. 17 April 2004. Retrieved 10 April 2014.
  19. Pickering, Rachel (30 September 2013). "Martin Parr captured a simpler Hebden Bridge. And he lived in my house". The Guardian. Retrieved 28 March 2014.
  20. O'Hagan, Sean (20 September 2013). "Tony Ray-Jones and Martin Parr: English rituals of the 60s". The Guardian. Retrieved 28 March 2014.
  21. Parr, Martin. "What cameras do you use?". Retrieved 20 April 2014. For the early black and white work it was a Leica M3 with a 35mm lens.
  22. Martin Parr (in conversation with Heather Forbes and Peter Turner) (1982). "Thoughts on Bad Weather". In Parr, Martin (ed.). Bad Weather. London: Zwemmer. ISBN 0-302-99996-5. At first I used my Leica which kept getting full of water, then a friend suggested I use an underwater camera. Buying that, and an underwater flashgun, set the tone for the whole project. 'Where will you going,' said the salesman, 'off to the Med?' 'No, no,' I told him, 'I can't swim.'
  23. Parr, Martin. "When and why did you change from black and white to colour?". Retrieved 28 March 2014.
  24. Hamilton, Peter (2013). "Northern Exposures". British Journal of Photography. Incisive Financial Publishing Limited. 160 (7808): 64. many of the images are in colour – a medium in which Bulmer was the British pioneer, and way ahead of photographers now considered scions of the metier, such as William Eggleston, who only started to dabble with it a decade later, and Martin Parr, post-1970.
  25. Parr, Martin (2009). The Last Resort. Stockport: Dewi Lewis Publishing. p. 5. ISBN 978-1-904587-79-8.
  26. "In The Studio: Martin Parr, photographer", The Independent.
  27. Staunton, Eithne (5 April 2009). "Snap happy – photography archives". The Guardian. London. Retrieved 24 May 2015.
  28. "Last chance to see: Martin Parr Exhibition at M Shed". Bristol City Council. 15 November 2011. Archived from the original on 6 January 2014. Retrieved 5 January 2014.
  29. "Martin Parr, 'New Brighton'". Victoria and Albert Museum. Retrieved 10 April 2014. This photograph can be found in Print Room Box 14a.
  30. "Portfolio: Martin Parr", The Independent.
  31. O'Connor, Joanne (9 September 2007). "Is this what you really look like on holiday?". The Guardian. Retrieved 10 April 2014.
  32. Romig, Rollo (8 April 2010). "Off the Shelf: Martin Parr's "Small World"". The New Yorker. Retrieved 10 April 2014.
  33. Bartlett, Karen (15 March 2012). "Think of Finland". Nokia. Archived from the original on 13 April 2014. Retrieved 9 April 2014. Parr tried to photograph the essence of a country that's captivated him since the early 1990s when he was a professor at the University of Art and Design in Helsinki
  34. "Martin Parr Common Sense 1995-9". Tate Etc. February 2004. Retrieved 10 April 2014.
  35. Russell Miller, Magnum: Fifty Years at the Front Line of History (London: Pimlico, 1997; ISBN 9781409002642). Here at Google Books. Retrieved 10 April 2014.
  36. "On the Beach with Martin Parr", The New Yorker.
  37. Bainbridge, Simon (27 June 2016). "Magnum Photos announces two new nominee members following its 69th AGM". British Journal of Photography. Apptitude Media Ltd. Retrieved 27 June 2016.
  38. "Annual General Meeting (AGM) – Magnum Photos". Magnum Photos. Retrieved 20 July 2018.
  39. Jobey, Liz (14 March 2014). "Collecting with the FT: Martin Parr". Financial Times. Retrieved 15 March 2014. We are here to talk about his books but Parr collects pretty much everything, from Chinese Mao-era tea caddies to miniature televisions, commemorative plates to cigarette cases decorated with Soviet space-dogs ... his most enduring legacy is likely to be the 12,000 photography books he has collected over the past 35 years. What began as a hobby has developed into a mission to change the way the history of photography is defined and understood. As a collector, he has discovered, documented and promoted previously unknown areas of photographic bookmaking.
  40. Imagine (TV series), Season 2, Episode 4, The World According to Parr, 3 December 2003
  41. Walker, David (13 August 2013). "Why Gerhard Steidl Is a Book Publishing Master". Photo District News. Retrieved 30 July 2014. photographer Martin Parr, who is also an authority on photography books.
  42. Banks-Smith, Nancy (4 December 2003). "No more Mr nice guy". The Guardian. Retrieved 2 April 2014. Imagine... The World According to Parr (BBC1) ... He is a passionate collector of things that are going, going, gone. Everything must have a photograph on it. "I have been collecting wallpaper for 30 years. Concorde wallpaper, ET wallpaper, the Beatles. Once you start it's hard to give up. Ah!" he pounced on a cardboard box, "The Spice Girls ephemera!" He spread his collection of tin trays on the floor and his watches with Saddam Hussein on the face. When he is in London he adds to his collection of prostitutes' cards from phone boxes.
  43. O'Hagan, Sean (1 October 2010). "Can Martin Parr work his magic on the Brighton Photo Biennial?". The Guardian. Retrieved 3 April 2014.
  44. Johnson, Ken (16 May 2008). "New York Photo Festival". The New York Times. Retrieved 3 April 2014.
  45. Davies, Lucy (22 September 2010). "Brighton Photo Biennial". The Daily Telegraph. Retrieved 3 April 2014.
  46. Morris, Steven (21 July 2020). "Martin Parr quits as director of Bristol Photo Festival over racism row". The Guardian. ISSN 0261-3077. Retrieved 22 July 2020 – via www.theguardian.com.
  47. "'Right decision' for festival director to quit". BBC News. 24 July 2020. Retrieved 24 July 2020.
  48. "Martin Parr steps down as artistic director of Bristol Photo Festival after student's anti-racism campaign". The Art Newspaper. 21 July 2020. Retrieved 22 July 2020.
  49. "Renowned Photographer Martin Parr Has Resigned as Artistic Director of the Bristol Photo Festival After Being Accused of Racial Insensitivity". artnet News. 22 July 2020. Retrieved 24 July 2020.
  50. "'The further north you go, the nicer it gets'". The Guardian. 20 April 2006. Retrieved 22 July 2022.
  51. "Martin Parr - Pictures, Photography, Photo Art Online at LUMAS". Archived from the original on 21 March 2017. Retrieved 20 March 2017.
  52. Seawright, Paul (24 May 2013). "Professor Martin Parr in Belfast". Ulster University. Retrieved 24 August 2016.
  53. Niall Flynn, "Martin Parr: we don’t appreciate British photography enough". Dazed, 19 September 2017. Retrieved 22 October 2017
  54. "The best UK photography galleries chosen by Sean O'Hagan". The Guardian. 14 October 2018. Retrieved 22 April 2021.
  55. Rule, Dane (31 March 2012). "Your weekend: In the galleries". The Age. Retrieved 3 April 2014. Parr's signature is his ability not only to isolate the most evocative of human details, but to elevate such visual fragments to that of the wider societal signpost or glyph. His celebrated British Food series
  56. "Lecture by Martin Parr". California College of the Arts. 12 March 2013. Archived from the original on 6 January 2014. Retrieved 5 January 2014.
  57. "Prizes and Awards | Martin Parr".
  58. "The Dr. Erich Salomon Award of the German Society for Photography (DGPh)", Deutsche Gesellschaft für Photographie. Retrieved 19 October 2017.
  59. "Honorary Graduates 2008". Manchester Metropolitan University. Retrieved 5 January 2014.
  60. "Photographic Society of Japan Awards". Photographic Society of Japan. Retrieved 5 March 2015.
  61. Mujico, Jacqueline (3 February 2014). "Amateur Photographer Awards 2014". Amateur Photographer. Retrieved 6 March 2015.
  62. "Lucie 2014 Honorees Announced". Lucie Foundation. 23 October 2014. Retrieved 6 March 2015.
  63. Allen, Sarah (15 October 2014). "Lucie Foundation unveils its 2014 honorees". British Journal of Photography. Retrieved 6 March 2015.
  64. Sandra, MacKenzie (12 October 2016). "A Royal celebration: The Queen's visit to the RA". Royal Academy of Arts. Retrieved 3 July 2017.
  65. "2017 Outstanding Contribution to Photography – Martin Parr". World Photography Organisation. Retrieved 3 July 2017.
  66. Latham Hucker, Hollie (21 April 2017). "2017 Sony World Photography Awards grand prize winners announced". Amateur Photographer. Retrieved 3 July 2017.
  67. "No. 63377". The London Gazette (Supplement). 12 June 2021. p. B9.
  68. "Queen's birthday list honours key figures in UK Covid vaccine drive". The Guardian. 11 June 2021. Retrieved 12 June 2021.
  69. "Everyone who's received an MBE, OBE, CBE, knighthood or damehood this year". inews.co.uk. 11 June 2021. Retrieved 12 June 2021.
  70. "Books by MP", martinparr.com. Retrieved 13 April 2014.
  71. "Think of Scotland: Martin Parr". Damiani. Retrieved 22 October 2017
  72. "Newspapers by MP", martinparr.com. Retrieved 10 April 2014.
  73. OCLC 500941730.
  74. "Fashion Magazine" (PDF), Tokyo Metropolitan Museum of Photography. Retrieved 9 April 2014. (in Japanese) A press release about Fashion Magazine (and incidentally Fashion Newspaper).
  75. Newman, Cheryl; Bonadio, Lívia (5 December 2013). "Alec Soth: My top 10 photo Books of 2013". The Daily Telegraph. Retrieved 25 December 2013. Black Country Women / Martin Parr (Multistory) Nosey Parr-ker hits it out of the park with this hysterically funny yet humane look at working-class women in the English West Midlands.
  76. "Martin Parr: The Rhubarb Triangle Zine[permanent dead link]", The Hepworth Wakefield. Retrieved 22 July 2017
  77. O'Hagan, Sean (17 April 2015). "Fake bats, non-people and soccer tips from Chairman Mao: Martin Parr's side-on history of Chinese photography". The Guardian. ISSN 0261-3077. Retrieved 22 December 2019 – via www.theguardian.com.
  78. "Tony Ray-Jones, le photographe qui a inspiré Martin Parr". 20 September 2021.
  79. Parr, Martin. "Exhibitions". Retrieved 31 March 2014.
  80. "Martin ParrOeuvres 1971–2001". Maison européenne de la photographie. Retrieved 3 April 2014.
  81. "2001: Martin Parr : Photographic Works", Photography and the Archive Research Centre. Retrieved 6 July 2014.
  82. "Science Museum Photography Exhibition Review: Only in England by Martin Parr and Tony Ray-Jones", International Business Times.
  83. Haus der Kunst. "Museum". Haus der Kunst. Retrieved 1 March 2015.
  84. "Planète Parr La collection de Martin Parr du 30 juin au 27 septembre 2009 Concorde, Paris". Galerie nationale du Jeu de Paume. Retrieved 12 January 2017.
  85. "Only in England: Photographs by Tony Ray-Jones and Martin Parr". National Science and Media Museum. Retrieved 4 May 2020.
  86. "Only in England: Photographs by Tony Ray-Jones and Martin Parr". Science Museum, London. 21 September 2013. Retrieved 11 November 2013.
  87. "Black Country Stories". multistory.org.uk. Retrieved 17 June 2022.
  88. "Teddy Grays | Martin Parr". Retrieved 17 June 2022.
  89. "Martin Parr: Black Country Stories | The New Art Gallery Walsall". thenewartgallerywalsall.org.uk. Retrieved 17 June 2022.
  90. "Martin Parr Foundation". Martin Parr Foundation. Retrieved 17 June 2022.
  91. "Black Country Stories | Martin Parr". Retrieved 17 June 2022.
  92. "Martin ParrParis". Maison européenne de la photographie. Retrieved 25 March 2014.
  93. "Sony World Photography Award & Martin Parr – 2017 Exhibition". World Photography Organisation. 23 September 2016. Retrieved 3 July 2017.
  94. "Major new Martin Parr exhibition". rps.org. 21 June 2018. Retrieved 28 June 2018.
  95. "In Black & White: Martin Parr & Tony Ray-Jones".
  96. "In the Vernacular". Art Institute of Chicago. Retrieved 24 May 2017.
  97. "Martin Parr". Tate Etc. Retrieved 10 April 2014.


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На других языках

- [en] Martin Parr

[ru] Парр, Мартин

Мартин Парр (англ. Martin Parr; род. 23 мая 1952 (1952-05-23), Эпсом, Суррей) — современный английский фотограф и фотожурналист, представитель документальной фотографии.


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