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The Master of the Golden Altar was a German painter, active in the area around Lüneburg during the fifteenth century. His name is derived from an altarpiece dating most likely to 1418, formerly in St. Michael's church in Lüneburg and now held by a museum in Hanover.

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This article may be expanded with text translated from the corresponding article in Italian. (December 2008) Click [show] for important translation instructions. View a machine-translated version of the Italian article. Machine translation like DeepL or Google Translate is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Consider adding a topic to this template: there are already 2,696 articles in the main category, and specifying|topic= will aid in categorization. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Italian Wikipedia article at [[:it:Maestro dell'Altare d'oro]]; see its history for attribution. You should also add the template {{Translated|it|Maestro dell'Altare d'oro}} to the talk page. For more guidance, see Wikipedia:Translation.

На других языках

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[de] Meister der goldenen Tafel

Als Meister der Goldenen Tafel (auch als zweiter Maler der Goldenen Tafel bezeichnet) wird ein spätgotischer Maler, bzw. eine Malerwerkstatt bezeichnet, die wahrscheinlich um 1420/1430 die Malereien auf drei der vier Flügel der sogenannten „Goldene Tafel“ der Michaeliskirche in Lüneburg schuf.

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- [en] Master of the Golden Altar

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[it] Maestro dell'Altare d'oro

Maestro dell'Altare d'oro, in lingua tedesca Meister der Goldenen Tafel (... – ...; fl. XV secolo), è stato un pittore tedesco attivo a Lüneburg all'inizio del XV secolo. L'anonimo pittore tedesco deve il nome all'Altare d'Oro, opera proveniente dall'altare maggiore della chiesa del convento di San Michele a Lüneburg, probabilmente del 1418, e ora conservata al Museo di Hannover.

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