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Master of the Straus Madonna (active c. 1385 1415), was an Italian painter.

Virgin and Child in the MFAH for which the master is named
Virgin and Child in the MFAH for which the master is named

Biography


He was active in Florence and is named after a depiction of a Madonna and Child donated by the Straus family to the Museum of Fine Arts, Houston.[1] He is possibly the same person as Cenni di Francesco di Ser Cenni.[1] One of the most individual and lyrical Late Gothic Tuscan painters, he bridges the gap between Agnolo Gaddi and Lorenzo Monaco. His slender, pale figures blend spiritual evanescence with Giottesque solidity of form and are at their most expressive in the Man of Sorrows with Instruments of the Passion of c. 1395 and the Annunciation of c. 1405 (both Florence, Accademia), in which a highly refined sense of design balances perfectly with a poetic and vivid sense of colour. Striking touches of realism, as seen in the cockerel of the Passion or Gabriel's lilies, enliven these scenes. The subtly modelled Virgin and Child with Two Angels in the church at Sagginale (nr Borgo San Lorenzo), originally flanked by Sts John the Baptist and Dominic (both Oxford, Christ Church Picture Gallery), is one of the Master's finest mature works. Like Starnina and influenced in part by Spinello Aretino and the Giottesque revival, his graceful yet quietly compelling figures were important for the generation of Masolino in the last years of the Late Gothic style.


References




На других языках


[de] Meister der Madonna Straus

Als Meister der Madonna Straus (engl. Master of the Straus Madonna) wird der italienische Maler bezeichnet, der um 1385 ein kleinformatiges Bild der Madonna mit Kind auf Goldgrund gemalt hat. Das 90 Zentimeter hohe und 48 breite Werk befand sich in neuerer Zeit in der Sammlung von Edith A. und Percy S. Straus aus New York in den Vereinigten Staaten und kam dann als deren Schenkung an das Museum of Fine Arts nach Houston in Texas[1].
- [en] Master of the Straus Madonna

[fr] Maître de la Vierge Strauss

Le Maître de la Vierge Strauss (en italien Maestro della Madonna Strauss[1]) est la désignation donnée par l'historien de l'art Roberto Longhi à un maître anonyme actif dans la région de Florence de la fin du XIVe au début du XVe siècle.

[it] Maestro della Madonna Strauss

Il Maestro della Madonna Straus (... – ...; fl. XIV-XV secolo) è stato un pittore anonimo italiano attivo in area fiorentina tra la fine del XIV e l'inizio del XV secolo.



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