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Mordecai Ardon (Hebrew: מרדכי ארדון, 13 July 1896 – 18 June 1992) was an Israeli painter.

Mordecai Ardon
מרדכי ארדון
Born
Max Bronstein[1]

(1896-07-13)13 July 1896[1]
Tuchów, Galicia, Austria-Hungary[1]
Died18 June 1992(1992-06-18) (aged 95)[1]
Jerusalem[1]
NationalityIsraeli
AwardsIsrael Prize (1963)

Biography


Girl, 1950
Girl, 1950
Stained glass windows, National Library of Israel, Jerusalem
Stained glass windows, National Library of Israel, Jerusalem

Max Bronstein (later Mordecai Ardon) was born in Tuchów, Galicia (then Austria-Hungary, now Poland). In 1933 he immigrated to Mandate Palestine, settling in Jerusalem.[2] He was granted British Mandatory Palestinian citizenship in 1936 and changed his name to Mordecai Ardon.[1]


Art career


He participated in the Venice Biennale of 1968.

Beginning in the 1950s Ardon adopted a complex system of symbolic images in his paintings, taken from the Jewish Mystical tradition (Kabbalah), from the Bible and from a tangible reality. In his painting "Gates of Light", for example, he expressed "the inner mystery and timelessness of the landscape." His work seeks to impart a cosmic dimension to the present, linking it to antiquity and mystery. The same approach can be found in "At the Gates of Jerusalem" (1967), which shows the attempt to "convey his feelings about the cosmic significance of Israel’s return to the Old City of Jerusalem during the Six-Day War".[3] "Bird near a yellow wall" (1950) demonstrates his simplistic involvement with the Holocaust, a subject to which he was one of the few Israeli artists to devote a phase of his work, at that time.

As a teacher and director of the "New Bezalel", Ardon conveyed his sense of social involvement, his tendency towards Jewish mysticism and local mythology, and the combination of personal national symbols with reality-always stressing masterful technique. Pupils such as Avigdor Arikha, Yehuda Bacon, Naftali Bezem, Shraga Weil and Shmuel Boneh absorbed these influences and integrated them into their later work.

Ardon was seen as the father of the regional approach in Israeli art.

One of his most famous creations are the "Ardon Windows" (1980–1984), a set of large stained-glass windows displayed prominently in the National Library of Israel in Jerusalem, incorporating visual elements from the Kabbalah.

Ardon died in Jerusalem in 1992.

In 2014 his painting "The Awakening" (1969) was sold at Sotheby's for $821,000. In 2006 his painting "The Woodpecker of Time" (1963) was sold at Christie's for $643,200.


Education



Teaching



Awards and recognition



See also



References


  1. Agi Katz (18 July 1992). "Obituary: Mordecai Ardon". The Independent.
  2. "Mordecai Ardon". Tate.
  3. see: At the Gates of Jerusalem", Israel Museum, web site.
  4. "Israel Prize recipients in 1963 (in Hebrew)". Israel Prize Official Site. Archived from the original on 19 August 2011.
  5. "Recipients of Yakir Yerushalayim award (in Hebrew)". Archived from the original on 2013-10-22. City of Jerusalem official website



На других языках


[de] Mordecai Ardon

Mordecai Ardon (hebräisch .mw-parser-output .Hebr{font-size:115%}מרדכי ארדון, auch: Mordechai Ardon, * 13. Juli 1896 als Max Bronstein in Tuchów, Galizien, Österreich-Ungarn; † 18. Juni 1992 in Jerusalem, Israel) war ein israelischer Künstler.
- [en] Mordecai Ardon

[es] Mordejai Ardón

Mordejai Ardon (1896- 1992) nace en Tuchów (en la actual Polonia) un 13 de julio, hijo de un relojero y orfebre trabajador en oro y en el año 1933 emigra al Mandato británico de Palestina (actual Israel).

[fr] Mordecai Ardon

Mordecai ou Mordekhai Ardon (en hébreu : מרדכי ארדון), né le 13 juillet 1896 à Tuchów (Galicie), alors en Autriche-Hongrie, et mort le 18 juin 1992 à Jérusalem (Israël), est un artiste peintre israélien.

[ru] Ардон, Мордехай

Мордехай Ардон (при рождении Макс (Мордхе Элиэзер) Бронштейн, иврит מרדכי ארדון; род. 13 июля 1896 г. Тухув, Галиция, Австро-Венгрия — ум. 18 июня 1992 г. Иерусалим) — израильский художник.



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