Nagasawa Rosetsu (長沢芦雪, 1754–1799) was an 18th-century (Edo period) Japanese painter of the Maruyama School, known for his versatile style. He was born to the family of a low-ranking samurai. He studied with Maruyama Ōkyo in Kyoto.[1][2]

Nagasawa Rosetsu
Eagle on a Branch, painted on a screen. Edo Period, 18th century. Indianapolis Museum of Art.
Born	1754 Yamashiro, Kyoto Prefecture, Japan
Died	1799
Nationality	Japanese

Biography

There are conflicting versions of Rosetsu's family origins, but the most credible appears to be that he was born to the family of a low-ranking samurai named Uesugi Hikouemon in the area of modern Kyoto Prefecture. Upon establishing himself as an artist, he changed his name from Uesugi to Nagasawa. He moved to Kyoto in 1781, where he became a student of Maruyama Ōkyo.

Rosetsu was married and had four children, all of whom died in childhood. He adopted his pupil Nagasawa Roshū.

Rosetsu died in 1799, allegedly by murder.[3] He was said to have been poisoned, although others claim he committed suicide. He, his children, and his pupil are buried in a Kyoto cemetery belonging to the Pure Land Sect, although Rosetsu was a lay student of Zen.[4]

Works

Rosetsu's early period works are in the style of Maruyama Ōkyo, although critics agree that the pupil's skill quickly surpassed his master's. Finally, they had a falling out and Rosetsu left the school. After the break, he worked under the patronage of the feudal lord of Yodo and accepted commissions at several temples.

Rosetsu's paintings fall into two very clearly defined categories, with no halfway stage in between. On the one hand, there are those of studied finish, and on the other, those--the great majority--that were clearly the work of a very few minutes of intense activity, whatever the preliminary thought and calculation. We are inclined to think of the first type as early and even untypical, but in fact Rosetsu seems to have executed carefully finished paintings at all stages of his career.[5]

In his work, which is reminiscent of earlier Zen painting,[6] while the moon is left white, the night sky, mountains, and pine trees are depicted with gradations of India ink.

His work was extensively forged in the Meiji period.

His works are kept in many museums worldwide, including the Dallas Museum of Art,[7] the Walters Art Museum,[8] the Indianapolis Museum of Art,[9] the Princeton University Art Museum,[10] the Harvard Art Museums,[11] the Los Angeles County Museum of Art,[12] the University of Michigan Museum of Art,[13] the British Museum,[14] the Brooklyn Museum,[15] the Tokyo Fuji Art Museum,[16] the Frances Lehman Loeb Art Center at Vassar College,[17] the Cleveland Museum of Art,[18] BAMPFA,[19] the Birmingham Museum of Art,[20] the Minneapolis Institute of Art,[21] the Seattle Art Museum,[22] and the Asian Art Museum.[23]

Gallery

• 
  Detail of a Tiger
• 
  Cranes
• 
  Drinking Festival of the Eight Immortals
• 
  Landscapes with the Chinese Literati Su Shi and Tao Qian, section one
• 
  Landscapes with the Chinese Literati Su Shi and Tao Qian, section two
• 
  Monkey on a Rock
• 
  A Jellyfish Like the Moon
• 
  Chinese Beauty
• 
  Herd Boys
• 
  White Elephant and Black Bull, section one
• 
  Carp
• 
  Bird Amid Magnolia and Peony
• 
  Landscape in the Moonlight. 18th century. Ink on silk, 98×35.3cm. Egawa Museum of Art, Hyogo.[24]

See also

• Itō Jakuchū

References

External links

Wikimedia Commons has media related to Nagasawa Rosetsu.

• Bridge of dreams: the Mary Griggs Burke collection of Japanese art, a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Nagasawa Rosetsu (see index)
• Nagasawa Rosetsu (wiki-fr)

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