art.wikisort.org - Artist

Nicole Eisenman (born 1965) is French-born American artist known for her oil paintings and sculptures. She has been awarded the Guggenheim Fellowship (1996), the Carnegie Prize (2013), and has thrice been included in the Whitney Biennial (1995, 2012, 2019).[1] On September 29, 2015, she won a MacArthur Fellowship award for "restoring the representation of the human form a cultural significance that had waned during the ascendancy of abstraction in the 20th century."[2]

Nicole Eisenman
Born	1965 (age 56–57) Verdun, France
Education	Rhode Island School of Design (BFA)
Known for	Ridykeulous
Notable work	Heading Down River on the USS J-Bone of an Ass (2017) Procession (2019)
Awards	Guggenheim Fellowship (1996) Carnegie Prize (2013) MacArthur Fellow (2015)

Eisenman lives in Brooklyn.[3][4][5]

Biography

Nicole Eisenman was born in 1965 in Verdun, France[6][7] where her father was stationed as an army psychiatrist. She is of German-Jewish descent; her great-grandmother was Esther Hamerman, a Polish-born painter.[8][9]

In 1970, Eisenman's family moved from France to Scarsdale, New York, where she spent her childhood.[10][11] She attended the Rhode Island School of Design, graduating with a B.F.A in painting in 1987. She then moved to New York City.[12]

Between 2003 and 2009, Eisenman taught at Bard College in Annandale-on-Hudson.[13]

Work

Eisenman's figurative oil paintings often toy with themes of sexuality, comedy, and caricature.[15] Though she is known for her paintings, the artist also creates installations, drawings, etchings, lithography, monotypes, woodcuts, and sculptures.[15][16] With A.L. Steiner, she is the co-founder of the queer/feminist curatorial initiative Ridykeulous.[17] Eisenman's work was included in the 2022 exhibition Women Painting Women at the Modern Art Museum of Fort Worth.[18]

Sculpture

Eisenman also works in creating whimsical sculptures that have been shown at the 58th Venice Biennale, 2017 Skulptur Projekte Münster, and the 2019 Whitney Biennial.[19] Eisenman began working on Sketch for a Fountain in 2012, a bronze piece acquired by the Nasher Sculpture Center in 2019.[20] The acquisition was funded by the Kaleta A. Doolin Acquisitions Fund for Women Artists and the Green Family Collection.[21]

Exhibitions

• Nicole Eisenman, Kunsthalle Zürich (2007)[15]
• Matrix 248, Berkeley Art Museum (2013)[22]
• Dear Nemesis, Nicole Eisenman 1993–2013, Contemporary Art Museum St. Louis (2014).[23]
• Dear Nemesis: Nicole Eisenman 1993–2013, Institute of Contemporary Art, Philadelphia (2014).[24]
• Masterpieces & Curiosities: Nicole Eisenman’s Seder[25] (2015), The Jewish Museum
• Nicole Eisenman: Al-ugh-ories, New Museum (2016)[26]
• Nicole Eisenman: Dark Light, Secession, Vienna, Austria (2017)[27]
• Baden Baden Baden, Staatliche Kunsthalle Bade-Baden (2019)[28]
• Nicole Eisenman: Sturm und Drang, The Contemporary Austin, Austin[29]
• Nicole Eisenman: Giant Without a Body, Astrup Fearnley Museet, Oslo, Norway[30]

Recognition

Eisenman has been awarded numerous grants and prizes including the Guggenheim Fellowship (1996),[31] the Carnegie Prize (2013),[32] the Anonymous Was a Woman Award (2014)[33] and the Louis Comfort Tiffany Grant (1995).[34] She was also the recipient of a 2015 MacArthur Fellowship. Also in 2015, she was named as one of The Forward 50.[35]

Collections

The artist's work can be found in a number of institutions, including:

• Art Institute of Chicago[36]
• Museum of Modern Art, New York[37]
• San Francisco Museum of Modern Art[38]
• Walker Art Center, Minneapolis[39]
• Whitney Museum of American Art, New York[40]
• Kunsthalle Zürich[41]
• The Jewish Museum, New York[42]
• Smithsonian American Art Museum[12]
• Museum of Contemporary Art, Los Angeles
• Nasher Sculpture Center [43]

Art market

Eisenman is represented by Hauser & Wirth (since 2019), Anton Kern, and Vielmetter Los Angeles.[44] She previously worked with Galerie Barbara Weiss.[45]

Personal life

Eisenman is a lesbian. In a 2016 interview with The New York Times Eisenman said of her gender identity, "I’m gender fluid, but I use the “she” pronoun. I believe in the radicality of stretching the definition of what 'she' is."[8] Eisenman uses both "she/her" and "they/them" pronouns.[46]

Bibliography

• Nicole Eisenman: Behavior (Rice Gallery, 1998)
• Nicole Eisenman: Selected works 1993–2003 (Herbert F. Johnson Museum of Art, 2003)
• Nicole Eisenman: Selected Works 1994–2004 ed. Victor Mathieu (Walther König, 2008)
• Nicole Eisenman: The Way We Weren't (Frances Young Tang Teaching Museum and Art Gallery, 2010)
• Nicole Eisenman ed. Beatrix Ruf (JRP-Ringier, 2011)
• Parkett no. 91 (Parkett Verlag, 2012)
• Nicole Eisenman: Dear Nemesis, 1993–2013 (Contemporary Art Museum St. Louis/Walther König, 2014)

References

External links

• Nicole Eisenman and David Humphrey Archived 2015-11-03 at the Wayback Machine Bomb
• Nicole Eisenman in the collection of The Museum of Modern Art
• Nicole Eisenman at the Carnegie International

На других языках

---

[de] Nicole Eisenman

Nicole Eisenman (* 1965 in Verdun, Frankreich) ist eine amerikanische Künstlerin, die mit einem figurativen malerischen Werk bekannt geworden ist.

---

- [en] Nicole Eisenman

---

---