Peter Zizka (born 16 December 1961) is a German designer and conceptual artist.
Peter Zizka
Peter Zizka giving a design talk in Berlin
Born
(1961-12-16) 16 December 1961 (age60)
Nationality
German
Education
Hochschule für Gestaltung Offenbach Städelschule Bruce McLean
Knownfor
conceptual art
Notable work
The Virtual Minefield MEMORY 1–24
Movement
MEMORY
Elected
German Designers Club
German designer and conceptual artist
This biography of a living person needs additional citations for verification. (July 2009)
Life
Zizka is the younger son of the social politician Walburga Zizka (Christian Democratic Union of Germany) and Cyril Zizka, of Czech descendant. Initially trained as an art restorer, Peter Zizka went to study graphics, design, and visual communication at the Hochschule für Gestaltung Offenbach in 1983. At the same time, he attended the Städelschule in Frankfurt and studied under Bruce McLean, among others.
In 1989, together with Achim Heine and Michael Lenz, Zizka founded the design company Heine/Lenz/Zizka.[1]
Parallel, in the early 1990s, Zizka and Olaf Rahlwes explored the interface between art and design with their MEMORY conceptual art exhibitions.
After leaving MEMORY, Zizka worked on design projects that were socially relevant. In his work, Zizka adopts a less agitative position than that of a communication guerrilla or an adbuster such as Banksy. The most well known of his work from this series is The Virtual Minefield,[2][3] the first floor-based installation spanning art and design. Zizka won the gold award from the European Art Directors Club for The Virtual Minefield. It was shown at the Kunsthal Rotterdam, the Foreign Office in Berlin and the Hygiene Museum Dresden among others.
In 2008, Zizka won the design competition for the Kiel Week corporate design,[4] following the likes of Wim Crouwel (1998), Fons Hickmann (2002), and Klaus Hesse (2006).
2010 he starts an art Project in Burundi to render weapons of the Hutu Tutsi conflict harmless in real terms and at the same time initiate a process, by means of aesthetisation, which is relevant to society to open up a discussion on the issue of small arms tangible on a broad communication level.
2011 he received the fellowship of the Deutsche Akademie Rom Villa Massimo.
Zizka writes about design for the Swiss Bilanz magazine[5] and is a freelance curator for the Museum für angewandte Kunst Frankfurt.
Peter Zizka works and lives in Frankfurt am Main und Berlin. His brother, Georg Zizka, is the Head of Botany and Molecular Evolution of the Senckenberg Institute in Frankfurt.[6]
Curated exhibitions
celebrations of 25 years German reunification, typographic Installation of Peter Zizka on the St. Paul's Church, Frankfurt
»New Everything! A Century of New Typography and New Graphic Design in Frankfurt am Main«, together with Prof. Dr. Klaus Klemp, Prof. em. Friedrich Friedl and Matthias Wagner K, Museum für angewandte Kunst Frankfurt, Frankfurt.[8]
Selected solo and group exhibitions
2016
»Under Arms. Fire & Forget 2«, curated by Ellen Blumstein, Dr. Daniel Tyradellis und Matthias Wagner K, Museum für angewandte Kunst Frankfurt, Frankfurt[9]
2015
»Secret Compartments«, Museum für angewandte Kunst Frankfurt, Frankfurt
»Favourites. Favourite pieces from the private collections of Beckers and Landau«, Galerie Braubachstrasse9, Frankfurt
»The virtual Minefield«, Auswärtiges Amt, Lichthof, Berlin
1997
»Memory«with Olaf Rahlwes, Kunst Halle St. Gallen, St. Gallen
Further exhibitions of the »Memory«-Group from 1985-1994 include Fisherman’s Studios, London, Kunstraum Konstantin Adamopulos, Frankfurt, Galerie AK, Hans Sworowski, Frankfurt, Galerie Lukas & Hoffmann, Berlin, Galerie Single 74, Amsterdam, Galerie Vorsetzen, Hamburg und Galerie Schneider, Konstanz.
Works
MEMORY 1-24
Der Frankfurter Bankstuhlgang (performance)
Bois de Boulogne (fotoinstallation)
The Virtual Minefield (installation)
IPRAY (2006)
Outliner (2008, installation)
Symbiosis/Burundi (2010/11, installation) constructed from weapons which have been rendered unusable [13]
Bibliography
This article contains a list that has not been sorted.Specifically, it does not follow the Manual of Style for lists of works (often, though not always, due to being in reverse-chronological order). See Help:Sorting for more information. (November 2016)
Memory 30 – a book, Walther König: Frankfurt
ROGUE, Konstantin Adamopoulos: MEMORY, a sign of intelligence
Page Designmagazin 10/95 a perfect triangle, Page Verlag
FrancoForte, Verlag: Schaden u. Schaden ISBN3-932187-31-8
Horizont 18/2002 colors of taste
Horizont 23/2002 Das Werkzeug als Auge sensibler Stars
Welt am Sonntag, 24. November 2002 Objektive Schönheit
TAZ, 2. Dezember 2004 Der falsche Tritt kann tödlich sein
Gestalte / Create – Design Medien Kunst, Hrsg. v. Bernd Kracke 2007,HFG of–main, Wir die Kommunikationannimateure ISBN3-89986-092-6
Hundert t-Variationen, editor Jan Teunen, Verlag Hermann Schmidt Mainz, ISBN3-87439-544-8
form 213, Hasta la Vista Baby!, Verlag Form ISBN3-936560-50-1
Padamm, Verlag otto Lembeck, die Zweiweltenoper, ISBN978-3-87476-520-6
Design Walk, Psyrri, Greek Graphic Designers Association
Form 219/2008 "Peter Zizkas Graphic blows" ISBN3-7643-8615-0
Beef 03/2008 (interview) Designer geben den Takt vor ISSN 1866-1890
Lookbook 2.0 2009 Simple, Multiple
Designing the Brand Experience, ISBN981-245-732-1
Revision 1/2009 "Design-lotto easy going"
Egokollektiv. Peter Zizka«, edited by Anna Duque y González and Matthias Wagner K, Verlag der Buchhandlung Walther König, Köln 2018, ISBN978-3-96098-364-4.
References
Heine/Lenz/Zizka
Deutsche Welle about the virtual minefield
virtual minefield
Kiel Week 2008
swiss bilanz magazine contributor peter zizka
Archived 2016-05-10 at the Wayback Machine Senckenberg Research Institute and History Museum
Museum für angewandte Kunst Frankfurt, Happy Show
New Everything!
Museum für angewandte Kunst Frankfurt, A Century of New Typography and New Graphic Design in Frankfurt am Main
Under Arms. Museum Angewandte Kunst in Frankfurt am Main, Fire & Forget 2
Kunstverein Wiesbaden »Open View«
Villa Massimo, »Night of the Villa Massimo«,,
Center for Art and Media Karlsruhe, »Symbiosis – 1.5 Tons of Global Entanglement«
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