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Pieter Fransz de Grebber (c.16001652/3[1]) was a Dutch Golden Age painter.

Pieter de Grebber, self-portrait (before 1654)
Pieter de Grebber, self-portrait (before 1654)
Haarlem receives a sword for its shield from the German emperor in thanks for the victory in Damietta during the 5th crusade. Scene is now referred to as the legend of the Haarlem shield, 1630 (Frans Hals Museum)
Haarlem receives a sword for its shield from the German emperor in thanks for the victory in Damietta during the 5th crusade. Scene is now referred to as "the legend of the Haarlem shield", 1630 (Frans Hals Museum)
The Madonna with the Christ Child (1632)
The Madonna with the Christ Child (1632)
Elisha (on the right) refusing the gifts of Naaman (1637)
Elisha (on the right) refusing the gifts of Naaman (1637)

Life


De Grebber was born in Haarlem, the oldest son of Frans Pietersz de Grebber (1573–1643), a painter and embroiderer in Haarlem, and the brother of the painters Maria and Albert.[2] He learned to paint from his father and from Hendrick Goltzius.[2] He was descended from a Catholic and artistic family, the De Grebbers, originally from Waterland, and his sister Maria later became the mother-in-law of Gabriel Metsu. He was a friend of the priest and musicologist Jan Albertszoon Ban, and had a poem set to music by the Haarlem composer Cornelis Padbrué. In 1632 he became a member of the Haarlem Guild of St. Luke, but he had already been active as a painter for 10 years.[2] His pupils were Gerbrand Ban, Nicolaes Pietersz Berchem, Egbert van Heemskerck, and Dirck Helmbreeker.[2]

In 1618, father and son went to Antwerp and negotiated with Peter Paul Rubens over the sale of his painting Daniel in the Lions Pit. It was then handed - via the English ambassador in the Republic, Sir Dudley Carleton - to king Charles I. Pieter got important commissions not only in Haarlem, but also from the stadholder Frederik Hendrik. As such, he worked on the decoration of the Huis Honselaarsdijk in Naaldwijk and at the Paleis Noordeinde in Huis ten Bosch in the Hague. He painted altar pieces for churches in Flanders and hidden Catholic churches in the Republic. He may also have worked for Danish clients.

Pieter remained single and lived from 1634 until his death at the Haarlem Béguinage.


Work


Besides history paintings, Pieter de Grebber also painted a number of portraits; furthermore many drawings and a few etchings by him have survived. From different influences, such as the Utrecht Caravaggistism, Rubens and also Rembrandt, he came up with a very personal style. He was, together with Salomon de Bray, the forerunner and first peak of the "Haarlem classicism" school, producing paintings characterized by a well-organized clarity and light tints.

In 1649, De Grebber wrote the treatise "Regulen welcke by een goet Schilder en Teyckenaar geobserveert en achtervolght moeten werden" (Rules which a good Painter and Master of Drawing should observe). In this document he explains the most important eleven rules which he believes classicist painters should be careful to observe. Although the Classicists did not swear by such rules, these were nevertheless always tightly observed. Almost all of these rules are taken from Karel van Mander's own Mannerist Schilder-boeck, in which history painting was presented as the highest of the hierarchy of genres.


References


  1. Between September 24, 1652, and January 29, 1653
  2. Pieter de Grebber in the RKD


Media related to Pieter Fransz. de Grebber at Wikimedia Commons


На других языках


[de] Pieter de Grebber

Pieter Fransz de Grebber (* um 1600 in Haarlem; † 1652 oder 1653 Haarlem) war ein niederländischer Maler.
- [en] Pieter de Grebber

[fr] Pieter de Grebber

Pieter Fransz. de Grebber (Haarlem, vers 1600 – Haarlem, entre le 24 septembre et le 29 janvier[1] 1652) est un peintre, dessinateur et graveur néerlandais (Provinces-Unies) du siècle d'or, auteur principalement de tableaux religieux. Parmi les représentants du classicisme à Haarlem, il fut un pionnier dans le domaine graphique et un novateur stylistique, et il eut notamment pour élève le peintre paysagiste Nicolaes Berchem. Il est également l'auteur d'un traité sur l'art.

[it] Pieter de Grebber

Pieter de Grebber (Haarlem, 1600 – Haarlem, 1652) è stato un pittore olandese.

[ru] Греббер, Питер де

Питер Франс де Греббер (нидерл. Pieter Fransz. de Grebber ; около 1600, Харлем, Северная Голландия — между 24 сентября 1652 и 29 января 1653, там же) — нидерландский исторический живописец, портретист, график, орнаменталист. Художник Золотого века Голландии.



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