art.wikisort.org - ArtistRené Beeh (German: [ˈʁɛne be:], January 1886 − 23 January 1922) was a German draughtsman and painter from Alsace.[1] He was held in high esteem by his contemporaries and called "the coming genius" (das kommende Genie) by art historian Wilhelm Hausenstein,[2] but with his having died prematurely, he has been mostly forgotten.[3]
German painter
René Beeh |
---|
 Self-portrait with a turban (around 1912) |
Born | January 1886
|
---|
Died | 23 January 1922(1922-01-23) (aged 35–36)
Strasbourg, France |
---|
Nationality | German |
---|
Known for | Paintings and drawings |
---|
Style | Expressionism |
---|
Life and work
Beeh was taught in the Fine Arts School in Strasbourg from 1900 until 1905,[4] then in the Academy of Fine Arts in Munich (student number 2936, registered on 9 May 1905),[5] where his teachers were Peter Halm, Hugo von Habermann and Franz von Stuck.[3] In 1910, he travelled to French Algeria where he stayed until 1911,[6] before journeying through Italy and Provence.[7] In 1914, he published a selection of letters from Algeria along with sixty drawings, under the title M'Barka. Malerbriefe aus Algerien mit sechzig Zeichnungen.[8][9]
During the First World War, Beeh was drafted as a surveyor for the Imperial German Army on the Western Front in Belgium (on the Ypres Salient)[10][11] and Northern France.[12] Some of his War drawings were published in the Munich review Zeit-Echo.[7] After the War, Beeh, suffering from depression, is thought to have destroyed much of his own work.[3] He died from a severe case of seasonal flu at the age of 36.[13]
Beeh was a member of the Neue Münchner Secession (New Munich Secession).[3] He was also friends with several members of the Strasbourg group of painters Groupe de Mai.[14][15]
In 1914, Beeh illustrated a book celebrating the centenary of Gottfried Keller,[16] and in 1919−1920, the novel Inferno by August Strindberg.[17][18] He also illustrated a 1918[19] edition of Jeremias Gotthelf's The Black Spider,[20] and he contributed to the periodical Münchner Blätter für Dichtung und Graphik ("Munich Journal for Poetry and Graphics") alongside Paul Klee, Heinrich Campendonk and Alfred Kubin.[21]
La Révolution
The artist's most ambitious surviving work is the large painting La Révolution ("The Revolution") (oil on canvas, 120.5 cm (47.4 in) x 156.5 cm (61.6 in), painted 1918–1919), an ominous depiction of the events of November 1918 in Strasbourg using solely tints and shades of ochre and brown. The painting shows a small group of men seen from very close who are grabbing rifles and seem ready to launch an assault; but instead of rushing forward towards the viewer, they are gazing at a figure in workwear, who sits motionless with an inscrutable expression. The action seems frozen and time appears suspended in the very moment where violence is breaking out.[22]
Posterity
In 2008, the Musée historique in Haguenau organised an exhibition of his works, the first in France since his premature death, 86 years before.[3][14][23] The Musée d'art moderne et contemporain of Strasbourg owns 98 works (as of 1 January 2016) by Beeh: 54 prints, 36 drawings and 8 paintings, among which two self-portraits, a portrait of the artist's father and of the artist's sister, and La Révolution.[24] The Los Angeles County Museum of Art currently owns 83 works by the artist, drawings and prints,[25] and the Museum of Modern Art currently owns 27 works, also drawings and prints.[1]
Gallery
The Revolution (1918–1919)
Brothel scene in Algeria (1915)
French Legionnaire being stabbed by an Algerian (1915)
Man sitting in a bar (before 1922)
Trench (between 1915 and 1918)
Dead End (project for Inferno by Strindberg, 1919)
References
- "René Beeh German, 1886–1922". MoMA. Retrieved 16 March 2017.
- Otterbeck, Christoph (2007). Europa verlassen: Künstlerreisen am Beginn des 20. Jahrhunderts. Cologne: Böhlau Verlag. p. 129. ISBN 978-3-412-00206-0.
- "RENE BEEH (German / 1886-1922)". Idbury Prints. Archived from the original on March 17, 2017. Retrieved 16 March 2017.
{{cite web}}
: CS1 maint: unfit URL (link) - "René Beeh". eART.de. Retrieved 17 March 2017.
- "02936 René Beeh Eintritt: 09.05.1905 Fach: Zeichnen". Matrikeldatenbank - Akademie der Bildenden Künste München. Retrieved 16 March 2017.
- Otterbeck, Christoph (2007). Europa verlassen: Künstlerreisen am Beginn des 20. Jahrhunderts. Cologne: Böhlau Verlag. p. 121. ISBN 978-3-412-00206-0.
- "Tranchée". Haute école des arts du Rhin. Retrieved 16 March 2017.
- Otterbeck, Christoph (2007). Europa verlassen: Künstlerreisen am Beginn des 20. Jahrhunderts. Cologne: Böhlau Verlag. p. 127. ISBN 978-3-412-00206-0.
- "M'Barka; Malerbriefe aus Algerien. Mit sechzig Zeichungen". Hathi Trust Digital Library. Retrieved 17 March 2017.
- "A l'Est du nouveau ! Archéologie de la Grande Guerre en Alsace et en Lorraine" (PDF). Musée de Strasbourg. Archived from the original (PDF) on 27 August 2016. Retrieved 16 March 2017.
- "Dead Scottish Soldiers on the Battlefield near Ypres". National Gallery of Art. Retrieved 6 April 2017.
- "Le Musée d'art moderne et contemporain de Strasbourg". 14−18 Mission centenaire. Retrieved 16 March 2017.
- "BEEH René". Fédération des sociétés d'histoire et d'archéologie d'Alsace. Retrieved 16 March 2017.
- "Expositions passés". Ville de Haguenau. Retrieved 19 March 2017.
- "René Beeh. Zeichnungen, Briefe, Bilder. Einleitungen von Wilhelm Hausenstein und Hans Haug". Zentrales Verzeichnis antiquarischer Bücher. Retrieved 19 March 2017.
- "Gottfried Keller-Bilderbuch. Zum Hundertsten Geburtstag Gottfried Kellers". MoMa. Retrieved 16 March 2017.
- "Projet pour Inferno de Strindberg, Sackgasse vers 1919". Musée d'art moderne et contemporain de Strasbourg. Retrieved 16 March 2017.
- "Strindberg: Inferno". LACMA. Retrieved 16 March 2017.
- Gotthelf, Jeremias (1900). "Die schwarze Spinne: Erzählung". Retrieved 19 March 2017.
- "Die Schwarze Spinne / Erzählung von Jeremias Gotthelf; mit dreissig Zeichnungen von Rene Beeh". LACMA. Retrieved 19 March 2017.
- "Münchner Blätter für Dichtung und Graphik, vol. 1, nos. 1-11/12". MoMa. Retrieved 17 March 2017.
- Les collections du musée d'art moderne et contemporain de Strasbourg. Strasbourg: Éditions des musées de la ville de Strasbourg. 2008. p. 98. ISBN 978-2-901833-82-6.
- Haby, Florian (7 August 2008). "René Beeh réhabilité". Les Dernières Nouvelles d'Alsace. Retrieved 16 March 2017.
- "BEEH René". Musée d'art moderne et contemporain de Strasbourg. Retrieved 16 March 2017.
- "René Beeh". LACMA. Retrieved 16 March 2017.
Authority control  |
---|
General | |
---|
National libraries | |
---|
Art research institutes | |
---|
Biographical dictionaries | |
---|
Other | |
---|
На других языках
[de] René Beeh
René Beeh (* 28. Februar 1886 in Straßburg; † 23. Januar 1922 ebenda) war ein deutscher Zeichner und Maler aus dem Elsass.[1] Er genoss bei seinen Zeitgenossen hohes Ansehen und wurde vom Kunsthistoriker Wilhelm Hausenstein[2] als „das kommende Genie“ bezeichnet. Durch seinen frühen Tod geriet er größtenteils in Vergessenheit.[3]
- [en] René Beeh
[es] René Beeh
René Beeh (pronunciación en alemán: /ˈʁɛne be:/], enero de 1886-23 de enero de 1922) fue un dibujante y pintor alsaciano.[1]Gozaba de renombre entre sus contemporáneos, y fue llamado "el genio en ciernes" (das kommende Genie) por el historiador del arte Wilhelm Hausenstein,[2]pero su muerte prematura lo relegó en gran medida al olvido.[3]
Текст в блоке "Читать" взят с сайта "Википедия" и доступен по лицензии Creative Commons Attribution-ShareAlike; в отдельных случаях могут действовать дополнительные условия.
Другой контент может иметь иную лицензию. Перед использованием материалов сайта WikiSort.org внимательно изучите правила лицензирования конкретных элементов наполнения сайта.
2019-2025
WikiSort.org - проект по пересортировке и дополнению контента Википедии