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Scopas (Greek: Σκόπας; born in Paros, fl. 4th century BCE) was an ancient Greek sculptor and architect,[1][2] most famous for his statue of Meleager, the copper statue of Aphrodite, and the head of goddess Hygieia, daughter of Asclepius.


Early life and family


Scopas was born on the island of Paros. His father was the sculptor Aristander of Paros.[3] Skopas left Paros at an early age and travelled throughout the Hellenic world.


Career as sculptor and architect


Scopas worked with Praxiteles, and he sculpted parts of the Mausoleum of Halicarnassus, especially the reliefs. He led the building of the new temple of Athena Alea at Tegea. Similar to Lysippus, Scopas is artistically a successor of the Classical Greek sculptor Polykleitos. The faces of the heads are almost in quadrat. The deeply sunken eyes and a slightly opened mouth are recognizable characteristics in the figures of Scopas.

Works by Scopas are preserved in the British Museum (reliefs) in London; fragments from the temple of Athena Alea at Tegea in the National Archaeological Museum of Athens; the celebrated Ludovisi Ares in the Palazzo Altemps, Rome; a statue of Pothos restored as Apollo Citharoedus in the Capitoline Museum, Rome; and his statue of Meleager, unmentioned in ancient literature but surviving in numerous replicas, perhaps best represented by a torso in the Fogg Art Museum, Cambridge, Massachusetts.


Pothos


Pothos, or Desire, was a celebrated and much imitated statue by Scopas. Roman copies featured the human figure with a variety of props, such as musical instruments and fabrics as depicted here,[4] in an example that was in the collection of Cardinal Alessandro Albani.


Namesake





Literature



References


  1. The New Century Classical Handbook; Catherine Avery, editor; Appleton-Century-Crofts, New York, 1962, p. 990: "Scopas...Greek sculptor and architect; born in the island of Paros; fl. 4th century B.C."
  2. "Scopas | Greek sculptor | Britannica".
  3. "Skopas the Parian". Archived from the original on May 22, 2014. Retrieved May 22, 2014.
  4. Steven Lattimore, "Scopas and the Pothos", American Journal of Archaeology Vol.91 No.3 (July 1987), pages 411–420 journal preview



На других языках


[de] Skopas

Skopas (altgriechisch Σκόπας .mw-parser-output .Latn{font-family:"Akzidenz Grotesk","Arial","Avant Garde Gothic","Calibri","Futura","Geneva","Gill Sans","Helvetica","Lucida Grande","Lucida Sans Unicode","Lucida Grande","Stone Sans","Tahoma","Trebuchet","Univers","Verdana"}Skópas, * um 420 v. Chr. in Paros; † um 330 v. Chr.) war ein griechischer Bildhauer.
- [en] Scopas

[es] Escopas

Scopas (en griego, Σκόπας, Skópas) (h. 380–330 a. C.) fue un célebre escultor y arquitecto clásico griego del siglo IV a. C. Praxíteles, Lisipo y Escopas son los tres grandes escultores representativos de la segunda fase del clasicismo.[1]

[fr] Scopas

Scopas (en grec ancien Σκόπας / Skópas) (vers -420 – -330) est un célèbre sculpteur et architecte grec, natif de Paros dans les Cyclades.

[it] Skopas

Skopas, italianizzato Scopas o Scopa (in greco antico: Σκόπας, Skòpas; Paros, 390 a.C. circa – 330 a.C. circa), è stato uno scultore e architetto greco antico. Fu tra i grandi maestri della scultura greca classica e di quella occidentale in generale, che ebbe il merito di aprire alla dimensione dell'emotività umana, fino a quel momento solo limitatamente esplorata.

[ru] Скопас

Скопас (греч. Σκόπας, Skopas; ок. 395 до н. э., Парос — 350 до н. э.) — древнегреческий скульптор и архитектор эпохи поздней классики, представитель неоаттической школы. Один из первых мастеров греческой классики, отдавший предпочтение мрамору, практически отказавшись от применения бронзы, излюбленного материала предшествующих мастеров, в частности Мирона и Поликлета.



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