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Samuel Joseph Schweig, in Israel known as Shmuel Yosef Schweig (1905 in Tarnopol, Austria-Hungary – 19 March 1985 in Jerusalem, Israel) was an Israeli photographer.[1][2]

Samuel Joseph Schweig
Samuel Joseph Schweig (1927)
Born1905
Ternopil, Austria-Hungary
Died1984
Jerusalem, Israel
NationalityAustria-Hungary, Mandate Palestine, Israel
Known forPhotography

Biography



Early life in Europe


Shmuel Joseph Schweig (S.J. Schweig) was a photographer born in 1905 in Galicia, then part of the Austro-Hungarian Empire.[3] He showed interest in photography still while in Tarnopol and later studied it in Vienna.[3]


In Mandate Palestine and Israel


His Zionist convictions made him emigrate to the Land of Israel, then Mandate Palestine, already in 1922.[3] Here he started his career photographing sites and landscapes of the country.[3] Between 1925 and 1927 Schweig worked as a photographer for the JNF. In 1927 he established a workshop in Hanevi'im (Prophets) Street in Jerusalem. The first color photographs taken by a local photographer in Palestine were done by Schweig.[4]

After specialising in archaeological photography, he became the chief photographer of the Department of Antiquities of the Mandatory administration,[3] housed from 1938 onward by the Palestine Archaeological Museum, a.k.a. the Rockefeller Museum.

Beginning in the 1920s, his photographs helped shape the world's perception of the Zionist enterprise. But Shmuel Joseph Schweig is equally renowned as Israel's first artistic photographer of landscape and archaeology. Schweig is considered one of the most important of those who fashioned the image of Palestine, beginning in the 1920s, and he is identified with the Zionist enterprise and the nation-building project of the Jewish people. However, he saw himself above all as an artistic photographer; indeed, he is considered the first local art photographer of landscape and archaeology.

Some of the early photographs of the Great Isaiah scroll – one of the Dead Sea Scrolls – was taken by Schweig.[5]


Book publications


He worked at several archaeological publications and was in charge of the illustration and layout of the Encyclopedia of Archaeological Excavations in the Holy Land (editor Michael Avi-Yonah, Prentice-Hall, 1978).[3]

Schweig produced at the request of the office of the Secretary of State for the Colonies an album of Tegart forts known as "The Police Stations Plan 1940–1941", "The Wilson Brown Buildings" or "From Dan to Be'er Sheva".[6]


Museums and archives


The Schweig collection, which includes both glass and large gelatin negatives, is divided among the Israel Museum, the archive of the JNF, the Central Zionist Archives and the Rockefeller Museum. Many original prints, mostly small in size, are held by private collectors.[4]


Education



Titles, awards and prizes



Selected exhibitions


The Open Museum for Photography, Tel Hai.


Articles



Further reading




Media related to Shmuel Joseph Schweig at Wikimedia Commons


See also



References


  1. "Image Maker". 17 June 2010. Retrieved 27 October 2019 via Haaretz.
  2. "Shmuel Joseph Schweig". Information Center for Israeli Art. Israel Museum. Retrieved 30 October 2016.
  3. "(a book review)". Israel Exploration Journal. Jerusalem: Israel Exploration Society. 35 (1): 77. 1985. JSTOR 27925973.
  4. Dalia Karpel (17 June 2010). "Image Maker". Haaretz. Retrieved 27 November 2015.
  5. Qimron, Elisha (1979). Studies on the Texts of the desert of Judah. ISBN 9004112774.
  6. Dalia Karpel (17 June 2010). "Potent Presence". Haaretz. Retrieved 27 November 2015.
  7. Beit Hatfutsot Photo Collections, The Herbert and Leni Sonnenfeld Collection, accessed April 2020



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