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Shin Yun-bok, better known by his pen name Hyewon (1758–1813), was a Korean painter of the Joseon Dynasty. Like his contemporaries Danwon and Geungjae, he is known for his realistic depictions of daily life in his time. His genre paintings are distinctly more erotic than Danwon's, a fact which contributed to his expulsion from the royal painting institute, Dohwaseo.[1] Painting was frequently a hereditary occupation in the Joseon period, and Hyewon's father and grandfather had both been court painters. Together with Danwon and the later painter Owon, Hyewon is remembered today as one of the "Three Wons" of Joseon-period painting.[2]

Sin Yun-bok
Korean name
Hangul
신윤복
Hanja
申潤福
Revised RomanizationSin Yun-bok
McCune–ReischauerSin Yunbok
Pen name
Hangul
혜원
Hanja
蕙園
Revised RomanizationHye-won
McCune–ReischauerHyewŏn
Courtesy name
Hangul
입부
Hanja
笠父
Revised RomanizationIp-bu
McCune–ReischauerIppu

He is Shin Mal Joo's descendant who was a scholar of the early Joseon Dynasty.[3]


Biography


Not much is known about Shin Yun-bok's life. He was the son of royal court painter Hanpyeong (한평; 漢枰), who had participated in painting the royal portraits of Yeongjo and Jeongjo.[4] Hyewon reached the official rank of cheomjeoljesa (첨절제사; 僉節制使) at the Dohwaseo and was adept at different styles of painting; genre, landscape, and animals.[5] It is speculated that he left a great number of paintings due to the popularity of genre paintings during that era.[6]

There are different studies and theories regarding his life, that he may not have ever been a member of the Dohwaseo nor was he on close terms with Kim Hong-do.[7]


Style and legacy


Shin Yun-bok, despite being greatly influenced and overshadowed by Kim Hong-do during his career, developed his own unique technique and artistry.[8] Along with Kim Hong-Do, he is known foremost for his genre paintings of the Joseon era.[9] Whereas Kim depicted everyday life of peasants with a humorous touch, Shin showed glimpses of eroticism in his paintings of townspeople and gisaeng.[10] His choice of characters, composition, and painting method differed from Kim's, with use of bright colors and delicate paint strokes. He also painted scenes of shamanism and townlife, offering insight to lifestyle and costumes of the late Joseon era.[5][8]

His ink landscape paintings used clear light strokes in a method similar to that of Yun Je-hong (윤제홍), the pioneer in new style painting of the late Joseon era. He is also known to not have used the traditional method of leaving empty space in his paintings, usually filling the whole canvas.[11] Although he placed short verse and his seal on most of his paintings, none indicate the date nor time of their creation and it is difficult to define the progression of his painting style. As one of the pillars of genre painting in the Joseon era, he influenced many other painters afterwards.[8][12]

His album, Hyewon Pungsokhwacheop, contains 30 of his paintings and was designated the 135th National Treasure of South Korea in 1970.[11]


Famous paintings




Six paintings from the Yeosokdo Album (여속도첩):

Four paintings from the Pungsokdo Album. See Hyewon pungsokdo for a complete gallery of this album (30 paintings).


Fictional portrayals



Literature


In the novel Painter of the Wind by Lee Jung-myung, Hyewon is portrayed as a woman disguised as a man.[15]


Film and television



See also



References


  1. Choi Yongbeom (최용범), Reading Korean history in one night (하룻밤에 읽는 한국사) p299, Paper Road, Seoul, 2007. ISBN 89-958266-3-0.
  2. (in Korean) Shin Yun-bok at Daum Culture Dictionary
  3. 수정: 2016.03.21 21:23, 입력: 2016 03 21 21:12 (2016-03-21). [강명관의 심심한 책읽기]족보가 있는지?. news.khan.co.kr (in Korean). Retrieved 2019-05-13.
  4. Lee Younghwa (이영화), Joseon era, Joseon people (조선시대, 조선사람들) p102, Garam Publishing, Seoul, 1998. ISBN 89-85466-02-X
  5. (in Korean) Shin Yun-bok Archived 2011-06-10 at the Wayback Machine at Encyclopedia of Korean Culture
  6. (in Korean) Shin Yun-bok at Doosan Encyclopedia
  7. (in Korean) 3 mysteries of Shin Yun-bok, Maekyung, 2008-10-22. Retrieved 2010-07-07.
  8. (in Korean) Shin Yun-bok at The Academy of Korean Studies
  9. Pratt 1999, pp. 421–422
  10. Turner 2003, p. (28)782
  11. (in Korean) Hyewon pungsokdo at Doosan Encyclopedia
  12. (in Korean) Shin Yun-bok Archived 2011-06-10 at the Wayback Machine at Britannica Korea
  13. (in Korean) Portrait of a beauty at Doosan Encyclopedia
  14. (in Korean) Scene of Dano at Doosan Encyclopedia
  15. Lee Jeong-myeong (이정명), Painter of the Wind Vol. 1 & 2, Million House, Seoul, 2007. ISBN 978-89-91643-26-0 & ISBN 978-89-91643-27-7.
  16. Mysterious Artist Resurfaces on Modern Culture Scene, Korea Times, 2008-10-09. Retrieved 2010-07-07.

Bibliography





На других языках


- [en] Sin Yun-bok

[es] Shin Yun-bok

Shin Yun-bok (en alfabeto hangul: 신윤복, 1758-1813) o más famoso por su seudónimo, Hyewon fue un pintor de Joseon. Con sus contamporáneos, Danwon y Geungjae, tiene un gran nombre en descripciones realistas de las vidas diarias de los públicos. Sus obras son relativamente más eróticas que las de Danwon, resultando su expulsión desde la corte.[1]

[fr] Hyewon

Shin Yun-bok (신윤복, 申潤福), né vers 1758, mort après 1813[1] est un peintre coréen connu sous le pseudonyme de Hyewon (혜원, 蕙園). Son prénom de courtoisie était Ipbu (입부, 笠父). Comme ses collègues Danwon et Geungjae, il est célèbre pour ses représentations de la vie quotidienne. Sa peinture de genre est nettement plus érotique que celle de Danwon ce qui contribua à son expulsion de l´institut royal de peinture, le Dohwaseo[2]. Sous la dynastie Joseon, le métier de peintre était souvent héréditaire ; le père et le grand-père de Hyewon avaient déjà été peintres de la cour. De nos jours, avec Danwon et Owon, il est connu comme l´un des « trois wons » de la peinture de Joseon[3].

[ru] Син Юн Бок

Син Юн Бок, Син Юнбок (кор. 신윤복), по прозванию Хевон (1758 — после 1813) — корейский художник.



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