Sophie Ryder (born 1963) is a British sculptor known for her large wire structures. Ryder uses many materials, such as bronze, wet plaster embedded with old machine parts, sheet metal, marble, and stained glass. Drawing, painting and printmaking have always been central to her artistic practice and are a vital creative counterpoint to her sculptural work.
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Sophie Ryder was born in London, England in 1963.
She studied combined arts at the Royal Academy of Arts from 1981 to 1984 where, while obtaining her diploma in painting, she was encouraged by the director of the Royal Academy, Sir Hugh Casson, to develop her sculpture.[1]
Ryder's world is one of mystical creatures, animals and hybrid beings made from sawdust, wet plaster, old machine parts and toys, weld joins and angle grinders, wire 'pancakes', torn scraps of paper, charcoal sticks and acid baths.
She developed the Lady Hare as a counterpart to Ancient Greek mythology's Minotaur. Working 'big' is a very significant feature of Ryder's work.
Ryder's work is mainly focused on mythical creatures. Her most known piece is the Lady Hare, a hare with a female human body. In 1994 a sculpture of five minotaurs was banned from an exhibition at Winchester Cathedral because of the prominence of their genitalia.[2]
When asked about what influences her, Ryder replied, "I don't sit and contemplate what it is I am trying to achieve. My head is full of ideas all the time. It is part of my life. I don't plan anything, it just comes."
When asked why she portrays hares she replied, "Well, I find it difficult answering that question because I don't really know the answer. It's the same as asking me why I make sculptures, and the answer is, because I feel driven to. So it's difficult to always pin down reasons. My introduction to hares was when my lurcher dog would proudly bring hares home and drop them at my feet."[3]
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