Sophie Wachner (November 5, 1879 – September 13, 1960) was an American costumer who designed costumes for Metro-Goldwyn-Mayer, Fox, and Selznick International Pictures in the early 20th century.[1][3][4] Her work appeared in films such as Just Imagine, A Connecticut Yankee, and Little Lord Fauntleroy.[5]
Sophie Wachner | |
|---|---|
C. Aubrey Smith, Freddie Bartholomew & Dolores Costello in Little Lord Fauntleroy | |
| Born | (1879-11-05)November 5, 1879[1] Akron, Ohio |
| Died | September 13, 1960(1960-09-13) (aged 80)[1] Los Angeles, California |
| Nationality | American |
| Known for | Costume design |
Notable work | He Who Gets Slapped, Just Imagine, A Connecticut Yankee |
| Spouse(s) | Harold Powers
(m. 1920; died 1943) |
Wachner was born in 1879 in Akron, Ohio, to Jewish immigrant parents from Hungary.[1] She first began a career in teaching in Akron Public Schools, but in 1909 moved to New York City to design costumes on Broadway.[3] She and her aunt, Frederica De Wolfe, spent ten years there, and during this time Wachner worked as a costumer for Florenz Ziegfeld Jr.[3] In 1919, she moved to Los Angeles to work for Goldwyn Studios.[1]

Wachner joined Goldwyn Studios in August 1919, as they set up a new headquarters for their costume department.[6] Wachner was well-known among the Los Angeles clothiers who supplied Goldwyn Studios' productions.[7][8] While employed there, Wachner's opinion was greatly respected by the actors and directors she worked with, who "court[ed] her favor exactly as they court the favor of the public".[9] William Wellman and G. B. Manly gave her the nickname 'Colonel Wachner'.[10] Her early work for Goldwyn included costumes for the Hobart Henley film So This Is Marriage, which included a technicolor sequence depicting the story of Bathsheba and David, and He Who Gets Slapped, a 1924 psychological thriller starring Lon Chaney.[11] For the 1930 film Just Imagine, she collaborated with Alice O'Neill and Dolly Tree to create a wardrobe for futuristic 1980s New Yorkers and Martians.[1] Wachner left Goldwyn Studios for Fox in 1924, and worked there until 1930, when she was fired to cut costs.[3][12] Wachner worked in Hollywood for over fifteen years, with her final film Little Lord Fauntleroy being released in 1936.[5]
| Year | Title |
|---|---|
| 1924 | Daring Love |
| 1924 | He Who Gets Slapped |
| 1924 | His Hour |
| 1924 | Married Flirts |
| 1924 | The Snob |
| 1924 | So This Is Marriage |
| 1924 | Three Weeks |
| 1924 | Wife Of The Centaur |
| 1924 | Wild Oranges |
| 1925 | The Great Divide |
| 1928 | Red Wine |
| 1929 | Love, Live And Laugh |
| 1929 | Big Time |
| 1929 | Fox Movietone Follies Of 1929 |
| 1929 | Hot For Paris |
| 1929 | Married In Hollywood |
| 1929 | Nix On Dames |
| 1929 | Pleasure Crazed |
| 1929 | Seven Faces |
| 1929 | A Song Of Kentucky |
| 1929 | South Sea Rose |
| 1929 | Speakeasy |
| 1929 | Sunnyside Up |
| 1929 | They Had To See Paris |
| 1929 | Thru Different Eyes |
| 1929 | Words And Music |
| 1930 | El Precio De Un Beso |
| 1930 | The Arizona Kid |
| 1930 | The Big Party |
| 1930 | Born Reckless |
| 1930 | Cameo Kirby |
| 1930 | City Girl |
| 1930 | Common Clay |
| 1930 | Crazy That Way |
| 1930 | The Dancers |
| 1930 | A Devil With Women |
| 1930 | Double Cross Roads |
| 1930 | Fox Movietone Follies Of 1930 |
| 1930 | The Golden Calf |
| 1930 | Happy Days |
| 1930 | High Society Blues |
| 1930 | Just Imagine |
| 1930 | Last Of The Duanes |
| 1930 | Lightnin' |
| 1930 | Liliom |
| 1930 | The Lone Star Ranger |
| 1930 | Man Trouble |
| 1930 | Not Damaged |
| 1930 | Oh, For A Man |
| 1930 | On The Level |
| 1930 | On Your Back |
| 1930 | The Princess And The Plumber |
| 1930 | Renegades |
| 1930 | Scotland Yard |
| 1930 | So This Is London |
| 1930 | Song O' My Heart |
| 1930 | Such Men Are Dangerous |
| 1930 | Under Suspicion |
| 1930 | Up The River |
| 1930 | Wild Company |
| 1930 | Women Everywhere |
| 1931 | Charlie Chan Carries On |
| 1931 | Mr. Lemon Of Orange |
| 1931 | Young Sinners (1931 film) |
| 1931 | Quick Millions |
| 1931 | Don't Bet On Women |
| 1931 | East Lynne |
| 1931 | A Connecticut Yankee |
| 1931 | Girls Demand Excitement |
| 1931 | Fair Warning |
| 1931 | Are You There? |
| 1931 | Doctors' Wives |
| 1931 | The Man Who Came Back |
| 1931 | Once A Sinner |
| 1931 | Three Girls Lost |
| 1931 | Corsair |
| 1931 | Men On Call |
| 1931 | Seas Beneath |
| 1931 | Six Cylinder Love |
| 1931 | Body And Soul |
| 1931 | Not Exactly Gentlemen |
| 1931 | The Spy |
| 1931 | Young As You Feel |
| 1931 | Their Mad Moment |
| 1936 | Little Lord Fauntleroy |
| General |
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| National libraries | |