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Vasiliy Ryabchenko (born 23 July 1954, Odessa, USSR) is a Ukrainian painter, photographer, and installation artist.[1] One of the key artists in contemporary Ukrainian art, and the "New Ukrainian Wave".[2][3]

Vasiliy Ryabchenko
Born (1954-07-23) 23 July 1954 (age 68)
Odessa
NationalityUkraine
EducationGrekov Odessa Art school, Saint Petersburg Art and Industry Academy, K. D. Ushynsky South Ukrainian National Pedagogical University
Known forPainting, graphics, photo, objects, installation
Movementneo-expressionism, postmodernism
Awards"Golden Section" (1996)
Websitewww.vasiliyryabchenko.com

Biography


FloweringTime, 70 х 75 cm, oil on canvas, 1987
FloweringTime, 70 х 75 cm, oil on canvas, 1987
Coast of Unidentified Characters, 200 х 400 cm, oil canvas,1989
Coast of Unidentified Characters, 200 х 400 cm, oil canvas,1989

Vasiliy Ryabchenko was born on July 23, 1954 in Odessa in the family of a Soviet graphic artist Sergey Ryabchenko.[4]

His art education started in 1966 at the Odessa Art School located on the territory of the Odessa Art College. In 1969, he entered the painting department of the Odessa Art College which was named after M. B. Grekov.

1974 - 1976 he was auditing courses at the Leningrad Higher School of Art and Design named after Mukhina in Leningrad. After returning to Odessa, he acquainted and made friends with Valentin Khrushch and others who would be known as the Odessa "nonconformists".[5]

From 1978 to 1983 Vasiliy Ryabchenko studied at the South Ukrainian State Pedagogical University named after K. D. Ushinsky at the art and graphics faculty, where his teachers were Valery Geghamyan and Zinaida Borisyuk.[6]

Since 1987 – a member of the Union of Artists of the USSR, later the National Union of Artists of Ukraine.[7] During this period, a group of artists from Odessa appeared: Sergey Lykov, Elena Nekrasova, Oleksandr Rojtburd, Vasiliy Ryabchenko. Known as the “Odessa Group”. In the late 1980s, this group, which was not very popular among "official" environment of the Union of Artists and wasn’t connected with the unofficial environment – these new "nonconformist", held two major high-profile exhibitions "After Modernism 1" and "After Modernism 2" in the space of a state institution, the Odessa Art Museum. The themes, plots of works, and large-scale formats marked the beginning of a new direction in the fine arts of Odessa. This period included paintings from Vasiliy such as: "Coast of Unidentified Characters" (1989), "Red Room" (1988), "Victim" (1989), "Death of Actaeon" (1989), Diptych "Catchers" (1989), "Method of Temptation" (1990) and others.

In between the two above-mentioned exhibitions, an exhibition, "New Figurations", was held at the Odessa Literary Museum, in which, young artists from Kyiv were involved.[8] This was the beginning of the integration of the "Odessa Group" into the context of the all-Ukrainian art movement that was a current trend at that time.[9] Vasiliy Ryabchenko's works which were displayed at that exhibition were: "Rejection of Grace" (1988) and "Love - not Love" (1988).

Vasiliy Ryabchenko, was among the first who started working in the genre of installation, and his very first work in this direction was "Swings for Stumps", for a project "Steppes of Europe" at the Ujazdowski Castle (1993), curated by Jerzy Onukh.[10] Later on, he created a great number of installations: "The Great Bambi" (1994), "Dedication to Madame Recamier" (1994), "Princess" (1996), "Academy of Cold" (1998), and others.

Since the early 1970s, the artist was constantly experimenting with photography.[11] At first, the main subjects were non-staged, still lifes from everyday objects. He followed that by photo fixation of improvisations involving different objects and the human body. In which he used “emptiness” and asymmetry, which was characteristic of the Eastern tradition.[5] He used this style for a series of photographs, which were put together in the project "Naked Dream" (1995). For this project Vasiliy Ryabchenko received an award along with the title of "Best Artist of Ukraine" according to the results of the first all-Ukrainian art festival "Golden Section" in 1996. In the same year he founded a creative association "Art Laboratory".[2]


Work


Deterrence, 140 х 170 cm, oil on canvas,1989
Deterrence, 140 х 170 cm, oil on canvas,1989

Vladimir Levashov identifies several periods in the work of Vasiliy Ryabchenko. The early works of the artist, dating back to the late 1970s - early 80s, are notable for a synthesis of "Western" and "Eastern" approaches to painting: an almost "English" aristocratic asceticism of the language, organically drifting towards the Chinese "dance of a brush", in other words restraint is balanced by freedom and lightness.

In the second half of the 1980s, Vasiliy Ryabchenko got interested in the ideas of the transavantgarde. Yet while in general, the Ukrainian transavantgarde gravitated toward the aesthetics of the baroque, Ryabchenko's works of this time can be described as "new rococo". The transavantgarde period of the artist is characterized by programmatic emptiness, well-balanced aestheticism, frivolous playfulness and mechanistic combinatorics.[12] "Cats" is an example of the works of the second half of the 1980s, which is a story about two rival cats. In the next version, created when relations between the two superpowers were aggravated, which led to the collapse of the USSR, the plot changed its semantic context due to a change in size, color, painting style and the title – "Deterrence".[5]

The "rococo line" can still be seen in Ryabchenko's subsequent works, right up to those created recently. However, they’ve become more emotional and slightly confusing, and a trace of irrationalism and anxiety appear in his paintings. Pastoral carelessness gradually gave way to reflection and growing drama.[12]

Ukrainian art historian and art critic, Mikhail Rashkovetsky, said about Vasiliy Ryabchenko: “In his works Vasiliy Ryabchenko is a mediator of objective emptiness along the laws of beauty. Moreover, figurativeness does not diminish, but enhances this intention. To embody the vacuum, the artist multiplies the elegance of rocaille, the stylization of modernity and the luxury of the high-society baroque by the absolute deconstruction of mythological meanings.”[13]


Exhibitions


Swing for Stumps, 200 cm, installation, wooden constructions, stump, chain,1993
Swing for Stumps, 200 cm, installation, wooden constructions, stump, chain,1993
Big Bembi, installation, barrels, linear lamps, deer horns,1994
Big Bembi, installation, barrels, linear lamps, deer horns,1994

Collections


Daphne, 200 x 150 cm, oil on canvas,1989 (Odessa Art Museum Collection)
Daphne, 200 x 150 cm, oil on canvas,1989 (Odessa Art Museum Collection)

Bibliography



References


  1. "Vasiliy Ryabchenko – Bio, Artworks, Exhibitions and more – Artland". www.artland.com. Retrieved 2020-06-14.
  2. "Virtuosity as an ideology | odessa-journal.com". odessa-journal.com. 23 May 2020. Retrieved 2020-06-11.
  3. hudpromo (2010-11-27). ""ВЕЛИКОЛЕПНАЯ ДЕСЯТКА" одесских художников в "ХудПромо"". Галерея ХудПромо. Retrieved 2017-10-09.
  4. "Одесский художник Сергей Рябченко: настоящее искусство не стареет : Одесса : Новости : Викна-Одесса". Викна-Одесса: Художественная интернет-галерея. Retrieved 2022-03-26.
  5. "25 years of presence - Contemporary Ukrainian Artists (2016) by Art-Dealer Igor Abramovych - Issuu". issuu.com. Retrieved 2022-03-26.
  6. "Валерий Гегамян: ГЕНИАЛЬНЫЙ РИСОВАЛЬЩИК I | ХУДКОМБИНАТ" (in Russian). Retrieved 2022-03-26.
  7. Contemporary Ukrainian Artists (in Ukrainian and English). Rodovid. 2012. pp. 136–143. ISBN 978-966-7845-73-5.
  8. Новые фигурации 1989, retrieved 2022-03-26
  9. "ВАСИЛЬ РЯБЧЕНКО ПРО ВАСИЛЯ РЯБЧЕНКА". МіТЄЦ. 2019-10-10. Retrieved 2022-03-26.
  10. "ВАСИЛЬ РЯБЧЕНКО ПРО ВАСИЛЯ РЯБЧЕНКА". МіТЄЦ. 2019-10-10. Retrieved 2022-03-26.
  11. "Contemporary Art of Ukraine - Portraits of Artists (2018) by Andriy Shalygin - Issuu". issuu.com. Retrieved 2022-03-26.
  12. hudpromo (2010-11-27). "«ВЕЛИКОЛЕПНАЯ ДЕСЯТКА» одесских художников в «ХудПромо»". Галерея ХудПромо. Retrieved 2022-03-26.
  13. "Михаил Рашковецкий о Василие Рябченко". www.100artists.com.ua. Retrieved 2022-03-26.
  14. "Unfolding Landscapes | Art & History Museum". www.artandhistory.museum. Retrieved 2022-10-28.
  15. "У Брюсселі представили спільну виставку українських художників — Unfolding Landscapes". officiel-online.com (in Russian). Retrieved 2022-10-28.
  16. "Unfolding Landscapes". www.silkeborgbad.dk. Retrieved 2022-03-26.
  17. "Vasiliy Ryabchenko". Strange Time. Retrieved 2022-03-26.
  18. "В Одессе откроется "Салон отверженных"". ART Ukraine. Retrieved 2020-06-14.
  19. "Выставка "Холодная вера"". 2017-10-28. Archived from the original on 2017-10-28. Retrieved 2020-06-14.
  20. "The "Spirit of Time" exhibition in the Carpathians".
  21. ""Рецепт для утопии" в Институте проблем современного искусства" (in Russian). 2016-08-23. Retrieved 2020-06-14.
  22. "ЕрмиловЦентр » Три покоління українських митців у колекції Тетяни та Бориса Гриньових". 2017-07-28. Archived from the original on 2017-07-28. Retrieved 2020-06-14.
  23. "Museum of Odessa Modern Art presents from 12 June to 20 September 2015 at the National Art Museum of Ukraine project «ENFANT TERRIBLE. Odessa conceptualism»". msio.com.ua. Retrieved 2020-06-14.
  24. "The Museum Collection Ukrainian Contemporary Art 1985–2015 from Private Collections". Issuu. Retrieved 2020-06-14.
  25. https://artarsenal.in.ua/en/ukrainian-landscape [dead link]
  26. "The Odessa School – Arsenal". artarsenal.in.ua. Archived from the original on 2016-09-07.
  27. "В главном музее страны пройдет выставка "Миф "Украинское барокко"". news.liga.net (in Russian). 2012-04-27. Retrieved 2020-06-14.
  28. https://artarsenal.in.ua/en/independent [dead link]
  29. "В ДЕСЯТКУ! Новая галерея "ХудПромо" открылась выставкой "Топ10 одесских художников"". ART Ukraine. Retrieved 2020-06-14.
  30. ""Звездные войны" в Одессе". artinvestment.ru (in Russian). Retrieved 2020-06-14.
  31. "Выставка "Restart" – расписание, рецензия, фотография". today.od.ua. Retrieved 2020-06-14.
  32. "1996 | Карась Галерея". Retrieved 2020-06-14.
  33. "2D2N – 1996". 2019-03-22. Archived from the original on 2019-03-22. Retrieved 2020-06-14.
  34. "Dr. Frankenstein's study". YouTube.{{cite web}}: CS1 maint: url-status (link)
  35. "Художественный журнал N 29". old.guelman.ru. Retrieved 2020-06-14.
  36. "Random exhibition". YouTube.{{cite web}}: CS1 maint: url-status (link)
  37. ""После модернизма – 2" – Выставочные залы Одесского художественного музея". ofam.od.ua. Retrieved 2020-06-14.
  38. ""После модернизма..." – Выставочные залы Одесского художественного музея". ofam.od.ua. Retrieved 2020-06-14.
  39. "New figurations". YouTube.{{cite web}}: CS1 maint: url-status (link)
  40. Vasiliy Ryabchenko, "Prayer" – Museum of Contemporary Art of Ukraine // https://modern-museum.org.ua Archived 2017-08-17 at the Wayback Machine
  41. Vasiliy Ryabchenko // http://msio.com.ua/en/



На других языках

[de] Wassyl Rjabtschenko

Wassyl Serhijowytsch Rjabtschenko (ukrainisch Василь Сергійович Рябченко; * 23. Juli 1954, in Odessa, Ukrainische SSR, Sowjetunion) ist ein ukrainischer Maler, Grafiker, Fotograf sowie Autor von Objekten und Installationen und gilt als eine der zentralen Figuren der Ukrainischen Postmoderne und der „New Ukrainian Wave“[1][2].
- [en] Vasiliy Ryabchenko

[ru] Рябченко, Василий Сергеевич

Василий Сергеевич Рябченко (род. 23 июля 1954, Одесса) — украинский живописец, график, фотохудожник, автор объектов и инсталляций[1]. Один из ключевых художников современного украинского искусства и Новой украинской волны[2].


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