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Victor Skersis (Russian: Виктор Анта́насович Скерсис, born July 5, 1956, Moscow) — Moscow conceptualist. Artist, theoretician.[1]

Victor Skersis
Виктор Скерсис
Born (1956-07-05) July 5, 1956 (age 66)
Moscow, Soviet Union
NationalityRussian

Life and work


Studied at the Moscow State Polygraphic Institute (1973-1977).[2] The institute forced him to withdraw two weeks before he was to graduate. Areas of interest include analytical conceptualism, metaconceptualism. An active member of the Moscow art scene since 1975, Skersis works independently and in co-authorship with other artists. He was a member of "The Nest" (with Gennady Donskoi and Mikhail Roshal'), 1975–79, "SZ" (with Vadim Zakharov), 1980–84, 1989–90, "Cupid" (with Yuri Albert and Andrei Filippov), "Edelweiss" and “Tsar of the Hill” (Yuri Albert, Paruir Davtyan, and Andrei Filippov), and others.

A participant of numerous unofficial art shows in the Soviet Union in the 1970s and 1980s, including the 1975 nonconformist art show in the Culture Pavilion at VDNKh, Moscow; the 1977 Venice Biennale "La nuova arte Sovietica"; exhibits at APTART gallery, Moscow 1982-84; “The Other Art. Moscow 1956-1976,” The Tret'yakov State Gallery, Moscow and The State Russian Museum, Leningrad 1990-1991; “40 years of nonconformist art,” The Central Exhibition Hall Manezh Moscow 2002; “Sots-Art. Political art in Russia,” Maison Rouge, Paris, France, The Tret'yakov State Gallery, Moscow, 2007-2008; “Kollektsiia,” Pompidou Centre, 2016; “Thinking Pictures: Moscow Conceptual Art,” Zimmerli Art Museum, New Brunswick, 2016.

Victor Skersis lives and works in Moscow and the US, where he is engaged in fundamental research into the processes of art.

From 1975 to 1979 he was a member of The Nest, together with Gennady Donskoy and Mikhail Roshal.[3]


Exhibitions


1975

1977


1983



1989



1990



2004



2008



2009



2018


"Owls are not what they seem" joint exhibition together with Tatyana Sherstyuk, Gallery 21, Moscow Contemporary Art Center Winzavod, Moscow[4][5][6][7][8][9]

Nike is losing her head at the date with a snowman. Venus is exchanging her shadow with Apollo where the shadow turns into a rabbit, and after into a duck…These narratives are rhythmed and turn into a poetry of a size of a gallery. They fly of like a refrain by the exhibition of two artists of different generations – a legendary Victor Skersis from art team "Nest" and a young inheritor of "Analytical conceptualism": Tatyana Sherstyuk. A poem written by with spectacular illusions is named "Owls are not what they seem". Maria Moskvicheva (a journalist, an historian, a culturologist, an art columnist of Moskovky Kmsololets Newspaper, a member of Association of Art Critics (AIS).[8]


References


  1. "The Disturbingly Relevant Art of the Moscow Conceptualists". Hyperallergic. December 21, 2016. Retrieved October 11, 2019.
  2. "Stella Art Foundation. Artist Victor Skersis".{{cite web}}: CS1 maint: url-status (link)
  3. "Moscow Conceptualists - Monoskop". monoskop.org. Retrieved October 11, 2019.
  4. "Таня Шерстюк и Виктор Скерсис. Совы". www.interiorexplorer.ru. Retrieved December 6, 2018.
  5. "Совы не то, чем кажутся - Таня Шерстюк, Виктор Скерсис". Винзавод. Retrieved December 6, 2018.
  6. "Совы не то, чем кажутся". Артгид. Retrieved December 6, 2018.
  7. Екатерина Вагнер (August 31, 2018). "Выставки сентября в галереях Москвы" (in Russian). The Art Newspaper Russia. Retrieved December 6, 2018.
  8. "На "Винзаводе" Венеру превратили в зайца" (in Russian). www.mk.ru. Retrieved December 6, 2018.
  9. "Совы не то, чем кажутся — Выставки — Gallery 21 — Галерея 21". www.gallery-21.ru. Retrieved December 6, 2018.

    На других языках


    - [en] Victor Skersis

    [ru] Скерсис, Виктор Атанасович

    Виктор Атанасович Скерсис (5 июля 1956, Москва) — художник, теоретик, представитель аналитической ветви Московского концептуализма. Принимал участие в становлении Соц-арта; работал в составе групп «Гнездо», СЗ(SZ), Купидон, Эдельвейс, Царь Горы, Бестиарий, Совы. Наиболее известные произведения – «Адам и Ева» (1973 – 1974, Государственная Третьяковская Галерея), «Коммуникационная труба» (1974, в составе группы «Гнездо», Государственная Третьяковская Галерея), «Железный занавес» (1976, в составе группы «Гнездо», ГЦСИ, Москва) и др.



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