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Zahara Schatz (Hebrew: זהרה ש"ץ; 19161999), was an Israeli artist, craftsperson, and designer.[1][2] She was the daughter of Boris Schatz, who founded the Bezalel Academy of Art and Design in Jerusalem. She was best known for the six-branched menorah she designed for the entrance to the Yad Vashem, Israel's official memorial to the victims of the Holocaust.[3]

Zahara Schatz
זהרה ש"ץ
Zahara Schatz
Born
Zohara Schatz

(1916-07-20)July 20, 1916
Jerusalem, Jerusalem Sanjak, Ottoman Empire
DiedAugust 4, 1999(1999-08-04) (aged 83)
Jerusalem, Israel
NationalityIsraeli
Other namesZohara Sandow,
Zahara Sandow,
Zahara Schatz Sandow
EducationÉcole nationale supérieure des arts décoratifs,
Académie de la Grande Chaumière
OccupationArtist, craftsperson, designer
Known forPainting, sculpture, plastic arts
MovementIsraeli art
SpouseElliott Franz Sandow
Parent
  • Boris Schatz (father)

Early life and education


Zahara Schatz, with her parents and brother
Zahara Schatz, with her parents and brother
Six-branch candelabrum by Zahara Schatz, Yad Vashem, Jerusalem, Israel
Six-branch candelabrum by Zahara Schatz, Yad Vashem, Jerusalem, Israel

Zohara ("Zahara") Schatz (later Sandow) was born on July 20, 1916 in Jerusalem, Jerusalem Sanjak, Ottoman Empire.[4] Her father was Boris Schatz and her brother was artist Bezalel or "Lilik".[5]

She studied at the École nationale supérieure des arts décoratifs (English: National School of Decorative Arts) in Paris from 1934 to 1937.[6] As well as classes at Académie de la Grande Chaumière.[2]

The Schatz children were both artists and rejected their father's predilection for Romantic Classicism and his dogged development of a Jewish Eretz Israel-style, in favor of a European-American modernism.[7] However she followed her father's dualism: the pursuit of both fine art and crafts (or design).


Career


After graduation Schatz moved to the United States, settling in California.[6] She married American sculptor Elliott Franz Sandow (1910–1976).[6][8] In the 1940s Schatz taught art classes at the California Labor School in Berkeley.[6] She started working in plastic in the 1940s, designing and building acrylic lamps.[6]

Schatz was part of the Big Sur artists'/writers' colony that included San Francisco sculptor Benny Bufano, author Henry Miller, her sister-in-law Louise Schatz, and her brother Bezalel Schatz. She lived in Berkeley, California, where she was close with courtroom sketch artist Rosalie Ritz, her husband Erwin Ritz and their daughter, publisher and managing editor of The Environmentalist, Janet Ritz.[citation needed]

She rose to prominence in Israel and overseas during this time, and Schatz exhibited and won prestigious prizes in the U.S. and Europe. In 1951, Schatz won an award for the Table Lamp Model No. T-4-S, at the Museum of Modern Art (MoMA) in New York City.[6] Her winning table lamp design was manufactured by the Heifez Company, the sponsor of the MoMA competition.[6][9]

In the same year of 1951, she returned to Israel, however she maintained a residency in Berkeley, California up until the 1970s.[6] In 1951, Zahara Schatz, Bezalel Schatz, and her sister-in-law Louise Schatz formed a craft workshop "Yaad" located in Israel, and rooted in European-American modernism.[10][11]

In 1959, she participated in the Venice Biennale of 1959 and designed the gate, built at the Bezalel Academy for Art and Design for the President's House.[citation needed]

She worked as an adviser on industrial design at the Ministry of Commerce and Industry for Israel.[12][13]

Schatz died of a long illness in Jerusalem on August 4, 1999, at the age of 83.[3]


Awards and recognition



Exhibitions



See also



References


  1. "Zahara Schatz". Israel Art Guide. Retrieved 3 June 2013.
  2. Who Was Who in American Art 1564-1975: 400 Years of Artists in America. Sound View Press. 1999. p. 2915. ISBN 978-0-932087-55-3.
  3. "Obituaries". Los Angeles Times. 1999-08-05. Retrieved 2022-07-31.
  4. Who's Who Israel. Vol. 7. 1958. p. 246.
  5. Ronnen, Meir (June 8, 2006). "The finest Schatz of all". The Jerusalem Post. Retrieved 2022-07-31.
  6. Schleuning, Sarah; Strauss, Cindi; Horne, Sarah; MacLeod, Martha; Perkins, Berry Lowden (2021). Electrifying Design: A Century of Lighting. Yale University Press. p. 192. ISBN 978-0-300-25457-0.
  7. Gilerman, Dana (January 5, 2006). "Prof. Schatz's Wayward Children". Haaretz. Retrieved 2022-07-31.
  8. Hughes, Edan Milton (2002). Artists in California, 1786-1940: L-Z. Crocker Art Museum. p. 976. ISBN 978-1-884038-08-2.
  9. Heyne, Carl J. (1960). Art for Young America. C.A. Bennett Company. p. 251.
  10. "Bezalel Schatz". FAMSF Search the Collections. 2018-09-21. Retrieved 2022-07-31.
  11. Schleuning, Sarah; Strauss, Cindi; Horne, Sarah; MacLeod, Martha; Perkins, Berry Lowden (2021). Electrifying Design: A Century of Lighting. Yale University Press. p. 192. ISBN 978-0-300-25457-0.
  12. שבוע אמנות ישראל: פסטיבל ישראל, ירושלים 89, תיאטרון ירושלים, 2־10 ביוני 1989 [Israel Art Week: Israel Festival, Jerusalem 89, Jerusalem Theater, June 2-10, 1989] (in Hebrew). חברת תמון. 1989.
  13. Industrial Design. Vol. 7. Design Publications. 1960. p. 66.
  14. "Israel Prize recipients in 1955 (in Hebrew)". cms.education.gov.il (Israel Prize official website). Archived from the original on June 12, 2012.
  15. Israel Digest: A Bi-weekly Summary of News from Israel. Vol. 6–8. Israel Office of Information. 1955. p. 3.
  16. "List of Dizengoff Prize laureates" (PDF) (in Hebrew). Tel Aviv Municipality. Archived from the original (PDF) on 2007-12-17.

Further reading







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