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The Ōtsuka Museum of Art (大塚国際美術館, Ōtsuka Kokusai Bijutsukan) in Naruto, Tokushima Prefecture is an art museum founded in 1998 and is one of the largest exhibition spaces in Japan.[1]

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Ōtsuka Museum of Art

大塚国際美術館 Ōtsuka Kokusai Bijutsukan
The museum in 2014
Established	1998 (1998)
Location	Naruto, Tokushima Prefecture, Japan
Type	Art museum
Collections	Full-size ceramic reproductions of noted artworks
Collection size	>1,000
Website	o-museum.or.jp

Established by Otsuka Pharmaceutical as a celebration of its 75th anniversary,[2] it houses over a thousand full-size ceramic reproductions of major works of art, including the Sistine Chapel, Scrovegni Chapel, triclinium of the Villa of the Mysteries, and Guernica.[3][4] The works are transfer-printed from photographs before being fired and retouched.[5][6] The purpose of this is to give Japanese people who cannot travel abroad the opportunity to see these famous pieces.[7] A robot named 'Mr Art' gives hour-long gallery talks.[8] The museum cost industrialist Masahito Ōtsuka $400,000,000.[9]

Gallery

• 
  Otsuka Museum of Art, Tokushima
• 
  Otsuka Museum of Art, Tokushima
• 
  Reproduction of Sistine Chapel

See also

Wikimedia Commons has media related to Otsuka Museum of Art.

• The Work of Art in the Age of Mechanical Reproduction

References

External links

• Ōtsuka Museum of Art - homepage (in English and Japanese)

На других языках

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[de] Ōtsuka-Kunstmuseum

Das Ōtsuka-Kunstmuseum (engl. Otsuka Museum of Art für japanisch 大塚国際美術館, Ōtsuka Kokusai Bijutsukan, „internationales Ōtsuka-Kunstmuseum“) in Naruto, Präfektur Tokushima, Japan, ist ein Museum künstlerischer Reproduktionen. Es wurde 1998 eröffnet. Die Gebäudefläche umfasst 29.412 m²[1] Es weist somit eines der größten Ausstellungsflächen im Land auf.[2]

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- [en] Ōtsuka Museum of Art

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[fr] Musée d'Art Ōtsuka

Le musée d'Art Ōtsuka (大塚国際美術館, Ōtsuka Kokusai Bijutsukan?) situé à Naruto, dans la préfecture de Tokushima est un musée exclusivement consacré à l'exposition de reproductions de chefs-d’œuvre de l'art.

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