Adoration of the Magi (Memling) - Painting

art.wikisort.org - Painting

The Adoration of the Magi is an oil on panel triptych by Hans Memling, painted in 1479–1480, though Max Jakob Friedländer places it in 1470.[2][3] It is now in the Prado Museum in Madrid, which acquired it in 1847. It is also known as the Prado Triptych.

The Adoration of the Magi

Artist	Hans Memling
Year	c. 1479-80[1]
Medium	oil on panel
Location	Prado, Madrid

Its central panel measures 147.5 cm by 96 cm. The central scene shows the Adoration of the Magi, flanked by panels of the Nativity and the Presentation of Christ in the Temple. Its choice and treatment of themes links it to the c. 1455 Saint Columba Altarpiece, the 1479 Jan Floreins Altarpiece and the c.1462 Hulin de Loo Altarpiece.[4]

Saint Columba Altarpiece
Jan Floreins Altarpiece
3 of 5 known panels of the so-called Hulin de Loo Altarpiece

References

(in Spanish) de Antonio, Trinidad; Riello, José (2012). Guía de visita. Museo del Prado. p. 5. ISBN 978-84-8480-137-5.
(in French) Faggin, Giorgio T. (1973). Tout l'œuvre peint de Memling. Les Classique de l’Art. París: Flammarion.
(in German) Friedländer, Max J. (1928). Die altniederländische Malerei. V.Memling und Gerard David. Berlín: Cassirer y compañía.
(in German) Baldass, Ludwig von (1942). Hans Memling. Vienna: Anton Schroll & Co

v t e Hans Memling
Individual religious panels	Virgin and Child Enthroned with two Musical Angels, c. 1467 Scenes from the Passion of Christ, c. 1470 Adoration of the Magi, c. 1471 Mater Dolorosa, c. 1475 Madonna and Child with Angels, c. 1479 Allegory with a Virgin, c. 1479–1480 Advent and Triumph of Christ, c. 1480 Mater Dolorosa, c. 1480 Mystic Marriage of St Catherine, c. 1480 Angel Musicians, 1480s Pagagnotti Triptych, c. 1480 Annunciation, c. 1480s Christ Surrounded by Musician Angels, c. 1480s Adam and Eve, c. 1485 Bathsheba, c. 1485 Madonna and Child with Saint James and Saint Dominic, c. 1485
Polyptychs	Last Judgment, c. 1467–1471 Diptych of an elderly couple, c. 1470–1472 Diptych of Jean de Cellier, c. 1475 Jan Floreins Altarpiece, 1479 St John Altarpiece, 1479 Adoration of the Magi, c. 1479-80 Adriaan Reins Altarpiece, 1480 Donne Triptych, c. 1480 Moreel Triptych, 1484 Earthly Vanity and Divine Salvation, c. 1485 Benedetto Portinari Triptych, 1487 Diptych of Maarten van Nieuwenhove, 1487 St. Ursula Shrine, c. 1489 Christ Surrounded by Singing and Music-making Angels, c. 1483-1494
Portraits	Portrait of a Man in a Red Hat, c. 1465-70 Portrait of a Man, c. 1470–1472 Portrait of Tommaso Portinari, c. 1470–1472 Portrait of Maria Portinari, c. 1470–1472 Portrait of an Elderly Man, c. 1470–1475 Portrait of an Elderly Woman, c. 1470–1475 Portrait of a Man with a Pink Carnation, 1475 Portrait of Benedetto Portinari, 1478 Portrait of Willem Morell, c. 1480 Portrait of a Man with a Roman Medal, c. 1480 Portrait of Barbara van Vlaendenbergh, c. 1480 Sibylla Sambetha, c. 1480 Portrait of Folco Portinari, c. 1490

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На других языках

- [en] Adoration of the Magi (Memling)

[fr] Triptyque de l'Adoration des mages

Le triptyque de l'Adoration des mages également connu sous le nom de « triptyque du Prado » est un triptyque du peintre primitif flamand Hans Memling, actif à Bruges de 1465 à sa mort en 1494. Le triptyque est au musée du Prado. Il est composé de trois parties : le volet gauche est une Nativité, le panneau central une Adoration des mages, le volet droit est une Présentation au temple. Dans le choix des thèmes, ainsi que dans leur représentation, ce triptyque est proche de celui de Jan Floreins et du polyptyque Hulin de Loo.

[it] Trittico dell'Adorazione dei Magi (Memling)

Il Trittico dell'Adorazione dei Magi è un dipinto del pittore primitivo fiammingo Hans Memling realizzato circa nel 1470-1472 e conservato nel Museo del Prado a Madrid in Spagna. Il Trittico dell'Adorazione dei Magi è anche noto come Trittico del Prado. Si compone di tre parti: l'ala sinistra è una Natività, il pannello centrale un'Adorazione dei Magi, l'ala destra è una Presentazione al Tempio. Nella scelta dei temi, oltre che nella loro rappresentazione, questo trittico si avvicina al Trittico di Jan Floreins e del Polittico Hulin de Loo.

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