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The Annunciation is a painting by the Italian late medieval painter Ambrogio Lorenzetti, signed and dated 1344, now housed in the Pinacoteca Nazionale of Siena, Italy.

Annunciation
ArtistAmbrogio Lorenzetti
Year1344
TypeTempera and gold on panel
Dimensions127 cm × 120 cm (50 in × 47 in)
LocationPinacoteca Nazionale, Siena

It was painted for the Ufficio della Gabella ("Office of the Tax") of the commune of Siena, as specified by two-line signature at the bottom (the painter named himself Ambruogio Lorenzi). It was originally located in the Consistory Hall of the Palazzo Pubblico.


Description


Lorenzetti chose for his painting an unusual moment of the Annunciation of Mary: the moment in which the angel (according to the Gospel of Luke) explains her how the conception could happen, and in which the conception itself occurs. The angel, in fact, is saying the Latin words: Non est (erit) impossibile apud Deum omne verbum ("Nothing is impossible for God's word"), which are visible between his mouth and the Virgin's chest. The Virgin, looking upwards, replies: Ecce Ancilla Domini ("Here Is God's Maid").

The style is that of late Lorenzetti's works (after 1335) executed in Siena. The rather realistic use of geometrical perspective in the pavement is similar to that in the Presentation of Jesus at the Temple (1342). The use of chiaroscuro in the faces and the drapes shows the influence of Giotto, which he had acquired during his stay in Florence (before).


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На других языках


- [en] Annunciation (Ambrogio Lorenzetti)

[fr] Annonciation (Ambrogio Lorenzetti)

L'Annonciation est un tableau réalisé en 1344 par le peintre siennois Ambrogio Lorenzetti ; destiné à la Sala del Concistoro du Palazzo pubblico de Sienne, il est conservé aujourd'hui à la Pinacothèque nationale de Sienne.

[it] Annunciazione (Ambrogio Lorenzetti)

L'Annunciazione è un dipinto a tempera e oro su tavola (127x120 cm) di Ambrogio Lorenzetti, firmato e datato al 1344, e conservato nella Pinacoteca Nazionale di Siena. È una delle cinque opere firmate e datate dell'artista, l'ultima in ordine cronologico, e quindi valido punto di riferimento per la datazione delle restanti opere attribuite a questo artista.



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